A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
From the three-time Pulitzer Prize-winning author of the New York Times bestseller Angler, who unearthed the deepest secrets of Edward Snowden's NSA archive, the first master narrative of the surveillance state that emerged after 9/11 and why it matters, based on scores of hours of conversation with Snowden and groundbreaking reportage in Washington, London, Moscow and Silicon Valley Edward Snowden chose three journalists to tell the stories in his Top Secret trove of NSA documents: Barton Gellman of The Washington Post, Glenn Greenwald of The Guardian and filmmaker Laura Poitras, all of whom would share the Pulitzer Prize for Public Service. Poitras went on to direct the Oscar-winning Citizen Four. Greenwald wrote an instant memoir and cast himself as a pugilist on Snowden's behalf. Barton Gellman took his own path. Snowden and his documents were the beginning, not the end, of a story he had prepared his whole life to tell. More than 20 years as a top investigative journalist armed him with deep sources in national security and high technology. New sources reached out from government and industry, making contact on the same kinds of secret, anonymous channels that Snowden used. Gellman's old reporting notes unlocked new puzzles in the NSA archive. Long days and evenings with Snowden in Moscow revealed a complex character who fit none of the stock images imposed on him by others. Gellman now brings his unique access and storytelling gifts to a true-life spy tale that touches us all. Snowden captured the public imagination but left millions of people unsure what to think. Who is the man, really? How did he beat the world's most advanced surveillance agency at its own game? Is government and corporate spying as bad as he says? Dark Mirror is the master narrative we have waited for, told with authority and an inside view of extraordinary events. Within it is a personal account of the obstacles facing the author, beginning with Gellman's discovery of his own name in the NSA document trove. Google notifies him that a foreign government is trying to compromise his account. A trusted technical adviser finds anomalies on his laptop. Sophisticated impostors approach Gellman with counterfeit documents, attempting to divert or discredit his work. Throughout Dark Mirror, the author describes an escalating battle against unknown digital adversaries, forcing him to mimic their tradecraft in self-defense. Written in the vivid scenes and insights that marked Gellman's bestselling Angler, Dark Mirror is an inside account of the surveillance-industrial revolution and its discontents, fighting back against state and corporate intrusions into our most private spheres. Along the way it tells the story of a government leak unrivaled in drama since All the President's Men.
A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.
"Japanese artist Yayoi Kusama's iconic Infinity Mirror Rooms are filled with a multiplicity of lights that reflect endlessly, projecting the illusion of infinite space. Yayoi Kusama: Infinity Mirrors traces these installations over five decades, revealing the ways in which they developed from a strategy of "self-obliteration" and political liberation during the Vietnam War to a means of social harmony in the present. By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize her pioneering work amidst today's renewed interest in experiential practices"--
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
This collection of poignant and uplifting essays is the perfect book to enjoy over your morning coffee. The stories will warm your heart, raise your spirits and compel you to examine your own life. As a tie-in to her bestselling mystery and romantic suspense book Twenty-Five Years Ago Today, novelist and award-winning journalist Stacy Juba invited her author colleagues to answer the question "What were you doing 25 years ago?" Read about school days, quirky jobs, romance, raising a family, hard times, the writing journey, and find out what makes your favorite characters tick. This 30,000-word book will help readers to discover new authors for their to-read list, and inspire them to reflect upon the small defining moments that have shaped their own lives. Publishing credits of the contributing writers include New York Times bestselling, USA Today bestselling, and Amazon bestselling. They also include recipients of the Romantic Times Lifetime Achievement Award, Minotaur Books/Mystery Writers of America First Crime Novel Award, Mississippi Author Award, Benjamin Franklin Award and Eppie Award, as well as nominees of the Pushcart Prize, Agatha and Shamus Awards, to name a few of the many honors. The following sections are included in the book: School Days: Literary Friends by Stacy Juba, The Red Man by Maria Savva, Rocking in the '80s by Susan Helene Gottfried, Seniors are Wimps by Matthew Dicks, Prom Night by A.W. Hartoin, Friend in Need by Alina Adams, A Life-Changing Decision by CJ Lyons, Oldest Campus Editor Looks Back by Sharon Love Cook. The Jobs That Shape Us: Lieutenant Pink Shoes by Laura DiSilverio, Training the Brotherhood of Locomotive Engineers by Gwen Mayo, The Biggest Job Shift Ever by Ann Littlewood, Long Live Rock by Loni Emmert, The Cost of Doing Business by Stephen D. Rogers, Life as a Singing Telegram by Monica M. Brinkman, The Pipe Bomb by Kenneth Weene, School for Sleuths by Carole Shmurak, Driven Bats by Sarah E. Glenn, Can One Beer Change Your Life? by Mike Bove. Remembering the Romance: A Special Anniversary by Steve Liskow, California Magic by Mike Angley, Drummer and Dumber by Cara Lopez Lee, Paving the Road to Conscious Living by Lillian Brummet. The Ups and Downs of Family Life: The Elephant in the Living Room by Mary Anna Evans, Baby Steps by Tracy Krauss, Finding the Right Balance by Barbara Ross, Climbing the Mountain of Single Parenthood by J. R. Lindermuth, The More Things Change, the More They Stay the Same by Donna Fletcher Crow, A Busy Mom's Dream by Deanna Jewel, Family Fun at the Dinner Table by Maryann Miller. Hard Times: Finding the Right Direction by Michele Drier, The Scent of Lives Changed Forever by Beth Kanell, Surviving the Killer Tsunami by Cherish D'Angelo (Cheryl Kaye Tardif), Christa's Legacy by Jaleta Clegg, Weathering the Storm by Red Tash. The Writing Journey: Unit-Lessons in Composition by Stacy Juba, Traveling Down the Writing Path by Patricia Gulley, Sticking With It by J.E. Seymour, Detecting the Humor by Marja McGraw, Never Give Up by Karen McCullough, An Early Computer by Velda Brotherton, Choosing My Destiny by Peggy Ehrhart, The Tuesdays by Bonnie Hearn Hill, Cropdusting the Way to a Series by R.P. Dahlke. Characters Have Pasts, Too: Diana's Promise by Stacy Juba, The Sandbox by Darcia Helle, An Empty Nest by Suzanne Young, Misfortune's Daughter by Mary Deal,The White Widow by Norma Huss, The Policeman by Vicki Delany, Miranda's History by Leslie Wheeler, Meeting Sam Fullerton by Ellis Vidler, The Gas Chamber by Douglas Corleone, Storm Shadow Eyes by Caitlyn Hunter. Further Back in Time: A Long Look Back by Norma Huss, The Ghost of Mr. Stetson by Darcia Helle, Finding My Voice by Stacy Juba. Reviews: “ I give 25 Years in the Rearview Mirror: 52 Authors Look Back by Stacy Juba a definite A+!” Emeraldfire's Bookmark “These short, autobiographical stories are variously interesting, entertaining, enlightening, and all the other adjectives sometimes used to describe a good tale of this type. They stand on their own. But they also give the reader some exposure to an author they might not be aware of, and what avid reader isn’t on the lookout for that?” Big Al's Books and Pals Subjects: Free, free books, essay collections, anthology, writing life, inspirational, motivational, biographical, memoirs
The 5 Years After series continues with its unforgettable imagery, smart storyline and moments that scare the hell out of you. - Newly promoted Captain Maggie Hunter commands her first combat mission in Canada. -Believing that Maggie is dead. Brett journeys through the American Northwest as a first hand witness to the end of all things. - Molly follows General Beuragard's invasion force into Kentucky where she comes face to face with proof of how close the country is to collapse. -The Deacon explores abandoned New York City infested with dead. Are there survivors? The answer is both intriguing and disturbing. A well thought out storyline with imagery that is as startling as it is descriptive. 5 Years After does a great job of presenting a future of darkness, contrasted with sprinkles of hope and humanity. - ATZ.com ...Rich characters.......an incredible and believable landscape ....
One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.
