The exciting follow-up to Brothers in Arms. Miles Vorkosigan is in trouble. His brother, a cloned stranger formed from tissue stolen from Miles when he was a child, wants to murder and replace him. Unfortunately, Mark has learned that without Miles, he is . . . nothing.
Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.
"A day draws to a close. Helen worries about when her children will get home; Gloria considers her day at work and, again, thoughts cross her mind about telling them at church that she is a lesbian; Gayle prepares for a meeting at the Women's Shelter...; Ellen gets ready for a class. Chip and Jessica plan another party at their house; Diana paces her kitchen, troubled that Meg still intends to see Bronwyn...." These are some of the people who come to life in this unique book about a lesbian community. It is an experiment, both in women's language and in social science method, and is composed of an interplay of voices that echo, again and again, themes of self and community, sameness and difference, merger and separation, loss and change. Although the method of presentation is unusual, the book is based on solid research. The author lived for a year with the community and then spent two intensive months interviewing 78 women who were either members of the community or importantly associated with it. The author began by addressing several basic questions about privacy that quickly led her to explore dilemmas of identity. In time an even more compelling problem emerged: the loss of sense of self, how it occurs and how it may be dealt with in a social setting. The nature of the community itself raised this issue because it was a community of likeness, intimacy, and ideology. It was also a stigmatized or deviant community--and of women, individuals with life experiences that tended to encourage the giving up of the self to others. The book is organized around particular kinds of situations and relationships in the community where conflicts concerning control over identity are especially prominent. It concludes with an essay on the author's method, "Fiction and Social Science." Author note: Susan Krieger is Visiting Scholar, Department of Sociology, Stanford University.
Mark's quixotic attempt to "liberate" children being held in Jackson's Hole ends in disaster, compounded by Miles' "death" in the rescue operation. Miles is being revived in a cryo-chamber, but the chamber disappears. Mark's attempt to find his brother and redeem himself leads to his own terrifying incarceration; and the struggles of Miles, Mark and Cordelia take on fairly superhuman proportions in this Hugo-Award winning novel. "Hugo award-winner Bujold creates a tapestry of variegated human societies dispersed throughout a colorful galaxy. She peoples it with introspective but genuine heroes who seize the reader's imagination and intellect." - Publishers Weekly "It's obvious by now that the wit, charm and headlong, impetuous genius of Miles Naismith Vorkosigan ... have transformed the stuff of standard military space opera into something far more delicious -- and addictive." - Locus Magazine “Bujold continues to prove what marvels genius can create out of basic space operatics.” - Library Journal “Bujold is not just a master of plot, she is a master of emotion.” - SF Site “Bujold is one of the best writers of SF adventure to come along in years.” - Locus Magazine “A superb craftsman and stylist, Ms. Bujold is well on her way to becoming one of the great voices of speculative fiction.” - Rave Reviews “Bujold has a gift, nearly unique in science fiction, for the comedy of manners.” - Chicago Sun Times “Superb far-future saga.” - Publishers Weekly on the 'Vorkosigan' series Bujold's "work remains among the most enjoyable and rewarding in contemporary SF." - Publishers Weekly "Bujold is also head and shoulders above the ruck of current fantasists and well as science-fictionists." - Booklist.
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
A struggle with body dysmorphia forces one girl to decide if letting go of her insecurity also means turning her back on her dreams. Sam has always known she’d be a professional dancer—but that was before her body betrayed her, developing unmanageable curves in all the wrong places. Lately, the girl staring back at Sam in the mirror is unrecognizable. Dieting doesn’t work, ignoring the whispers is pointless, and her overbearing mother just makes it worse. Following a series of crippling anxiety attacks, Sam is sent to a treatment camp for teens struggling with mental and emotional obstacles. Forced to open up to complete strangers, Sam must get through the program if she wants to attend a crucial ballet intensive later in the summer. It seems hopeless until she starts confiding in a camp counselor who sparks a confidence she was sure she’d never feel again. But when she’s faced with disappointing setbacks, will Sam succumb to the insecurity that imprisons her? This compelling story from Kathryn Holmes examines one girl’s efforts to overcome her worst enemy: herself.
Whether he's rescuing prisoners, keeping his enemies from replacing him with a clone, or coming back from his own dysfunctional death, Miles gets the job done. Of course, it may not be "quite" the job his superiors wanted done.
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.