This book is a unique collaboration as practice meets theory. Frontline correspondents write exclusively on their experiences dodging the bullets and joining the anti-Gaddafi fighters as they stormed into Tripoli, Libya's capital. In addition, there's analysis by significant journo big name thinkers plus a rich mixture of 'hackademics' and their take from Britain and further afield.
The emerging literature on the so-called ‘Arab Spring’ has largely focused on the evolution of the uprisings in cities and power centres. In order to reach a more diversified and inner understanding of the ‘Arab Spring’, this edited book examines how peripheries have reacted and contributed to the historical dynamics at work in the Middle East and North Africa. It rejects the idea that the ‘Arab Spring’ is a unitary process and shows that it consists of diverse Springs which differed in terms of opportunity structure, strategies of a variance of actors, and outcomes. This book looks at geographical, religious, gender and ethnical peripheries, conceptualizing periphery as a dynamic structure which can expand and contract. It shows that the seeds for changing the face of politics and polities are within peripheries themselves. Focusing on the voices of peripheries can therefore be a powerful tool to ‘de-simplify’ the reading of the Arab Spring and to reshape the paradigmatic schemes through which to look at this part of the world. This book was published as a special issue of Mediterranean Politics.
Numerous studies address the flow of information between nations and states — especially in the era of globalization — and its contribution to the development of relations across physical borders. By contrast, little attention has been paid to the circumstances under which parties in conflict initiate and build barriers to free flow of information. The conflict in the Middle East may serve as a test bed of controlled disruption of information flow, as covered in Reporting the Middle East: Challenges and Chances. Two parallel types of confrontations appear to take place in the Middle East: the actual physical conflict, and the 'war of words,' conducted via the media, with each side firing its own verbal missiles. Reporting the Middle East: Challenges and Chances aims to show that the media arena is a key element in understanding the Middle East conflict. Media coverage of Middle Eastern affairs remains critical, if only because of its power in determining sources of information, setting decision makers' agendas, and influencing management of the physical confrontation.
What role can the ordinary citizen perform in news reporting? This question goes to the heart of current debates about citizen journalism, one of the most challenging issues confronting the news media today. In this timely and provocative book, Stuart Allan introduces the key concept of ‘citizen witnessing’ in order to rethink familiar assumptions underlying traditional distinctions between the ‘amateur’ and the ‘professional’ journalist. Particular attention is focused on the spontaneous actions of ordinary people – caught-up in crisis events transpiring around them – who feel compelled to participate in the making of news. In bearing witness to what they see, they engage in unique forms of journalistic activity, generating firsthand reportage – eyewitness accounts, video footage, digital photographs, Tweets, blog posts – frequently making a vital contribution to news coverage. Drawing on a wide range of examples to illustrate his argument, Allan considers citizen witnessing as a public service, showing how it can help to reinvigorate journalism’s responsibilities within democratic cultures. This book is required reading for all students of journalism, digital media and society.
This book explores the state of European foreign conflict reporting by public-sector broadcasters, post-Cold war and post-9/11. It compares the values of three television news providers from differing public systems: BBC’s News at 10, Russia’s Vremya and France 2’s 20 Heures. The book examines how these three news providers have reported and broadcast the ongoing Israeli–Palestinian conflict, which pre-dates both the change in East-West relations and the events of 9/11. In doing so, the work identifies and analyses the role of public and state-aligned broadcasters and illustrates how certain news values are consistently prioritised by the broadcasters and the effect this has on how news stories are portrayed. The book is divided into two parts. Part I focuses on 2006 to 2008 and provides a detailed quantitative overview of the broadcasters’ news values. Part II provides an update of the analysis by examining coverage of the war in Gaza 2014 and discusses the findings from audience research into perceptions of this latter war. This book explains that not only do hierarchies in news values exist in foreign conflict reporting but that they are never arbitrary and can be explained, in part, by the structure of the broadcasters and by events occurring within, or associated with, the reporting country, resulting in nationally differentiated perceptions of conflict throughout the world. This book will be of much interest to students of media studies, war and conflict studies, Middle East politics and international relations in general.
As the second book in the Routledge Journalism Insights series, this edited collection explores the possibilities and challenges involved in contemporary reporting of peace and conflict. Featuring 16 expert contributing authors, the collection maps the field of peace and conflict reporting in a digital world, in a context where the financial prospects of the news industry are challenged and professional authority, credibility and autonomy are decaying. The contributors, ranging from prominent scholars to the Head of Newsgathering at the BBC, discuss a diverse range of key case studies, including the role of Bellingcat in conflict journalism; war and peace journalism in Bangladesh; visual storytelling in conflict zones; and rampant cyber-misogyny confronting women journalists in Finland, India, the Philippines and South Africa. Bringing together theory and practice, the collection offers an in-depth examination of the changes taking place in the working practices of journalists as ongoing, strategic assaults against them increase. Insights on Peace and Conflict Reporting is a powerful resource for students and academics in the fields of global journalism, foreign news reporting, conflict reporting, globalisation, media and international communication.
Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of contemporary war and conflict. The book examines the radical changes taking place in the working practices and day-to-day routines of war journalists, arguing that managing risk has become central to modern war correspondence. How individual reporters and news organisations organise their coverage of war and conflict is increasingly shaped by a variety of personal, professional and institutional risks. The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield. Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.
Social Media and the Politics of Reportage explores the journalistic challenges, issues and opportunities that have risen as a result of social media increasingly being used as a form of crisis reporting within the field of global journalism, with a focus on the protests during the 'Arab Spring'.
This book analyzes how and why Al Jazeera English (AJE) became the channel of choice to understand the massive protests across the Arab world 2011. Aiming to explain the ‘Al Jazeera moment,’ it tracks the channel’s bumpy road towards international recognition in a longitudinal, in-depth analysis of the channel’s editorial profile and strategies. Studying AJE from its launch in mid-November 2006 to the ‘Arab Spring’, it explains and problematizes the channel’s ambitious editorial agenda and strategies, examines the internal conflicts, practical challenges and minor breakthroughs in its formative years. The Al Jazeera-phenomenon has received massive attention, but it remains under-researched. The growth of transnational satellite television has transformed the global media landscape into a complex web of multi-vocal, multimedia and multi-directional flows. Based on a combination of policy-, production- and content analysis of comprehensive empirical data the book offers an innovative perspective on the theorization of global news contra-flows. By problematizing the distinctive characteristics of AJE, it examines the strategic motivation behind the channel and the ways in which its production processes and news profile are meant to be different from its Anglo-American competitors. These questions underscore a central nexus of the book: the changing relationship between transnational satellite news and power.
From the tsunami to Hurricane Sandy, the Nepal earthquake to Syrian refugees—defining images and accounts of humanitarian crises are now often created, not by journalists but by ordinary citizens using Twitter, Facebook, YouTube, Instagram and Snapchat. But how has the use of this content—and the way it is spread by social media—altered the rituals around disaster reporting, the close, if not symbiotic, relationship between journalists and aid agencies, and the kind of crises that are covered? Drawing on more than 100 in-depth interviews with journalists and aid agency press officers, participant observations at the Guardian, BBC and Save the Children UK, as well as the ordinary people who created the words and pictures that framed these disasters, this book reveals how humanitarian disasters are covered in the 21st century – and the potential consequences for those who posted a tweet, a video or photo, without ever realising how far it would go.
