Uplifting the People is a history of the Alabama Missionary Baptist State Convention—its origins, churches, associations, conventions, and leaders. Fallin demonstrates that a distinctive Afro-Baptist faith emerged as slaves in Alabama combined the African religious emphasis on spirit possession, soul-travel, and rebirth with the evangelical faith of Baptists. The denomination emphasizes a conversion experience that brings salvation, spiritual freedom, love, joy, and patience, and also stresses liberation from slavery and oppression and highlights the exodus experience. In examining the social and theological development of the Afro-Baptist faith over the course of three centuries, Uplifting the People demonstrates how black Baptists in Alabama used faith to cope with hostility and repression. Fallin reveals that black Baptist churches were far more than places of worship. They functioned as self-help institutions within black communities and served as gathering places for social clubs, benevolent organizations, and political meetings. Church leaders did more than conduct services; they protested segregation and disfranchisement, founded and operated schools, and provided community leaders for the civil rights movement of the mid-20th century. Through black churches, members built banking systems, insurance companies, and welfare structures. Since the gains of the civil rights era, black Baptists have worked to maintain the accomplishments of that struggle, church leaders continue to speak for social justice and the rights of the poor, and churches now house day care and Head Start programs. Uplifting the People also explores the role of women, the relations between black and white Baptists, and class formation within the black church.
Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historical myths to bring into sharper focus the many nuances of Black life. Chronologically arranged, they present fresh insights on topics such as the domestic slave trade, Black Shakers, rebellion and racial violence prior to the Civil War, Reconstruction, the fortitude of Black women as they pressed for political and educational equality, the intersection of race and sports, and the controversy over a historic monument. Taken as a whole, this groundbreaking collection introduces readers to the strategies African Americans cultivated to negotiate race and place within the context of a border state. Ultimately, the book gives voice to the thoughts, desires, and sacrifices of generations of African Americans whose stories have been buried in the past.