These introspective tales (described by one critic as "the perfect panacea for minds stressed by life's challenges") feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events - like searching for a lost key, watching late night TV, or eating a taco. As the author admits in the afterward, these pieces feel more like "sketches" than stories with conventional plot and character. Many end at odd places or don't end at all. Scattered through the stories are moments of isolation, confusion and foreboding. Some pieces (like the essayistic "Indolence: Notebooks") investigate a philosophical idea to such absurd lengths that one is almost tempted to take a nap. In one of the lighter pieces ("3 Fake Recommendation Letters,") Balengo submits fake recommendation letters (by Rabelais, Kafka and Hans Christian Anderson) to an MFA program. In a more somber story ("The Deletionist") a disgruntled system administrator tries to delete as much of his digital footprint as he can - with mixed results. Written in plain, careful language, this debut collection by Alberto Balengo depicts people (and creatures) trying valiantly to investigate a world that seems neither rational nor reassuring.
Before winning the 1934 Pulitzer Prize for poetry, Robert Hillyer (1895-1961) explored a variety of subjects and poetic forms in his books. This new poetry collection contains six of Hillyer's pre-Pulitzer books in their entirety, including a longer narrative poem (Carmus) that is a haunting fairy tale for adults with beautiful imagery and sentences. Hillyer was classmates with E.E. Cummings at Harvard and became lifelong friends with Robert Frost (who said that he and Hillyer had been "running side-by-side all these years, and he knows that I think of his poetry as he thinks of mine: with affection ... (and) ... admiration." While poets of Hillyer's era were flirting with modernism, imagism and symbolism, Hillyer was working with sonnets and pastorals, mostly rejecting free verse and the "existential agonies of modern man" in order to write about eternal themes like nature, love and death. Hillyer was not really an innovator. Hillyer felt most comfortable writing sonnets and other constricted forms with meter and rhyme, and his poems rarely sounded artificial or stilted. Although occasionally the poems used allusions to art and history and mythology, the poems mostly remained accessible and didn't require elaborate footnotes. This ebook edition also contains illustrations by Beatrice Stevens and two books of translations: a collection of Danish poetry and an improved translation in verse of the Egyptian Book of the Dead. It also includes an essay about Robert Hillyer's poetry by horror writer Arthur Machen and an essay that Hillyer wrote comparing Egyptian religion with Christianity. Recently Personville Press republished Hillyer's 1942 poetic novel My Heart for Hostage (which evokes Hillyer's experiences of living in Paris after WWI and presents a coherent aesthetic sensibility for a lyrical novel). This sensibility is apparent in his poems as well. Critics Horace Gregory and Marya Zaturenska said that the "gift that Hillyer possessed was an extremely sensitive ear for verbal music, a gift that, however 'literary' its speech may be, never fails to delight the reader, for among the best of Hillyer's lyrics the clear strains of sixteenth-century music were revived and were sounded with the mastery that conceals its art." This volume includes English translations Hillyer did of Danish poems by notable Danish poets (sometimes for the first time). That includes: Adam Oehlenschläger (1779-1850), B.S. Ingeman (1789-1862), Poul M. Møller (1794-1838), Christian Winther (1796-1876), Frederick Paludan-Müller (1809-1876), Holger Drachmann (1846-1908), Johannes Jørgensen (1866-1956), Ludvig Holstein (1864-1943), Jeppe Aakjær (1866-1930), Sophus Claussen (1865-1931) and Johannes V. Jensen (1873-1950) . Between 1937-1945 Hillyer was the Boylston Professor of Rhetoric and Oratory at Harvard and taught several authors including Howard Nemerov, James Agee and Theodore Roethke. After that appointment ended, Hillyer taught at Kenyon College between 1948-1951 and ultimately finished his teaching career at University of Delaware between 1954-1961. In addition to publishing several more poetry collections after winning the Pulitzer, Hillyer published two books about versification and several scholarly essays about well-known poets. To avoid having lines of poetry run onto multiple lines, reading this ebook on smaller displays (such as mobile phones) is not recommended.
Did Edgar Allen Poe fake his death? That’s what a Baltimore doctor needs to figure out in the title tale for this 11th story collection by Jack Matthews. As one critic wrote, “Matthews stories are like friends from small towns: They are honest, warm, occasionally lyrical and as strange and idiosyncratic as the rest of us.” Characters face all kinds of improbable situations in this collection. A US army battalion finds itself locked in an absurd stalemate with German troops at the end of World War Two. A second-string college football player inexplicably receives an athletic prize. A middle-aged man discovers that random women around his neighborhood are walking around nude. A man witnesses a car falling out of the sky into a supermarket parking lot. A book collector and his wife concoct a mad plan to outbid a mysterious competitor for a 17th century manuscript. In the novella-sized title story, Edgar Allen Poe’s doctor investigates the mystery of Poe’s disappearance from his deathbed and the very real possibility that Poe (or someone purporting to be him) has fled to Louisiana and been sending enigmatic clues. As author of several novels set in 19th century America (Gambler’s Nephew, Sassafras and Soldier Boys), Jack Matthews (1925-2013) writes about early America with gusto and insight. In contrast to previous story collections (which lean more to the cerebral or poetic), the Matthews stories collected here are down-to-earth yarns: gently satirical and reminiscent of John Cheever’s fiction. Most are like pleasant strolls through Midwestern neighborhoods, glimpsing random people at backyard parties, cafes and parking lots.
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
