Minoan Realities
Minoan Realities

Author: Diamantis Panagiotopoulos

Publisher: Presses univ. de Louvain

Published: 2012

Total Pages: 189

ISBN-13: 2875881000

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What is the social role of images and architecture in a pre-modern society? How were they used to create adequate environments for specific profane and ritual activities? In which ways did they interact with each other? These and other crucial issues on the social significance of imagery and built structures in Neopalatial Crete were the subject of a workshop which took place on November 16th, 2009 at the University of Heidelberg. The papers presented in the workshop are collected in the present volume. They provide different approaches to this complex topic and are aimed at a better understanding of the formation, role, and perception of images and architecture in a very dynamic social landscape. The Cretan Neopalatial period saw a rapid increase in the number of palaces and 'villas', characterized by elaborate designs and idiosyncratic architectural patterns which were themselves in turn generated by a pressing desire for a distinctive social and performative environment.

Minoan Zoomorphic Culture
Minoan Zoomorphic Culture

Author: Emily S. K. Anderson

Publisher: Cambridge University Press

Published: 2024-06-06

Total Pages: 431

ISBN-13: 1009452037

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Since the earliest era of archaeological discovery on Crete, vivid renderings of animals have been celebrated as defining elements of Minoan culture. Animals were crafted in a rich range of substances and media in the broad Minoan world, from tiny seal-stones to life-size frescoes. In this study, Emily Anderson fundamentally rethinks the status of these zoomorphic objects. Setting aside their traditional classification as 'representations' or signs, she recognizes them as distinctively real embodiments of animals in the world. These fabricated animals-engaged with in quiet tombs, bustling harbors, and monumental palatial halls-contributed in unique ways to Bronze Age Aegean sociocultural life and affected the status of animals within people's lived experience. Some gave new substance and contour to familiar biological species, while many exotic and fantastical beasts gained physical reality only in these fabricated embodiments. As real presences, the creatures that the Minoans crafted artfully toyed with expectation and realized new dimensions within and between animalian identities.

Minoan Archaeology
Minoan Archaeology

Author: Sarah Cappel

Publisher: Presses universitaires de Louvain

Published: 2015-10-14

Total Pages: 400

ISBN-13: 2875583948

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More than 100 years ago Sir Arthur Evans' spade made the first cut into the earth above the now well-known Palace at Knossos. His research saw the birth of a new discipline: Minoan Archaeology. The present volume aim to outline current trends and prospects of this scientific field.

Knossos and the Prophets of Modernism
Knossos and the Prophets of Modernism

Author: Cathy Gere

Publisher: University of Chicago Press

Published: 2010-09-15

Total Pages: 288

ISBN-13: 0226289559

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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

Who Were the Minoans?
Who Were the Minoans?

Author: Graham Campbell - Dunn

Publisher:

Published: 2006

Total Pages: 254

ISBN-13: 9781425920074

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Lakota Winds narrates the battle of the Little Big Horn as seen through the eyes of the Sioux. It is a fast-paced story bringing to life that fateful encounter between Custer's 7th Cavalry and the Sioux and Cheyenne. Never again would Native Americans assemble in such numbers as they did on that day in 1876, and never again would they inflict such a punishing defeat upon the United States military. Lakota Winds recaptures these precious hours of Sioux heritage. Matowla, Tankala Pay-ta, Unci, Osota, and Ishna were all witnesses to this final episode of the era of the Plains Indian. These characters represent the thousands of Lakota and Cheyenne who were camped along the Greasy Grass (Little Big Horn River) that summer morning when Custer's troops attacked. Matowla, Pay-ta, Unci, and Ishna have been entrusted to act as vocal embassies for their historical counterparts. It will be their obligation to speak for a people whose voices have all but been stilled by the passage of time.

Space and Time in Mediterranean Prehistory
Space and Time in Mediterranean Prehistory

Author: Stella Souvatzi

Publisher: Routledge

Published: 2013-10-15

Total Pages: 320

ISBN-13: 1135042896

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Space and Time in Mediterranean Prehistory addresses these two concepts as interrelated, rather than as separate categories, and as a means for understanding past social relations at different scales. The need for this volume was realised through four main observations: the ever growing interest in space and spatiality across the social sciences; the comparative theoretical and methodological neglect of time and temporality; the lack in the existing literature of an explicit and balanced focus on both space and time; and the large amount of new information coming from prehistoric Mediterranean. It focuses on the active and interactive role of space and time in the production of any social environment, drawing equally on contemporary theory and on case-studies from Mediterranean prehistory. Space and Time in Mediterranean Prehistory seeks to break down the space-time continuum, often assumed rather than inferred, into space-time units and to uncover the varying and variable interrelations of space and time in prehistoric societies across the Mediterranean. The volume is a response to the dissatisfaction with traditional views of space and time in prehistory and revisits these concepts to develop a timely integrative conceptual and analytical framework for the study of space and time in archaeology.

Current Approaches and New Perspectives in Aegean Iconography
Current Approaches and New Perspectives in Aegean Iconography

Author: Fritz Blakolmer

Publisher: Presses universitaires de Louvain

Published: 2020-06-25

Total Pages: 411

ISBN-13: 2875589687

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The aim of this volume is to present an overview of current trends and individual methodological attempts towards arriving at an adequate understanding of Minoan, Cycladic, and Mycenaean iconography.

The Minoan Epiphany - A Bronze Age Visionary Culture
The Minoan Epiphany - A Bronze Age Visionary Culture

Author: Bruce Rimell

Publisher: Xibalba Books

Published: 2021-01-02

Total Pages: 296

ISBN-13:

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The art and iconography of the Minoan civilisation of Bronze Age Crete is rightly described as having a refreshing vitality with a fortunate combination of stylisation and spontaneity in which the artist is able to transform conventional imagery into a personal expression. The dynamism, torsion and naturalism evident in Minoan art stands in stark contrast to the hieratic rigidity of other ancient civilisations, and nowhere is this more apparent than in the iconography of the Minoan Epiphany, a set of mainly glyptic (rings, seals, and seal impression) images which appear to depict religious celebrants experiencing direct and seemingly ecstatic encounters with deities. This collection of essays explores this central aspect of Minoan religion, taking a strongly archaeological focus to allow the artefacts to speak for themselves, and moving from traditional ‘representational’ interpretations into ‘embodied’ perspectives in which the ecstatic capabilities of the human body throw new light on Aegean Bronze Age ritual practices. Such ideas challenge rather passive assumptions modern Western observers hold about the nature of religious feelings and experiences, in particular the depictions of altered states of consciousness in ancient art, and the visionary potential of dance gestures. Speculative asides on the potential for a Minoan origin for Classical Greek humanism, and hints in the imagery on ancient Cretan conceptions of the cosmos, are set against sound archaeological theories to explain this lively and dynamic corpus of images. Beautifully illustrated with images and sketches of the relevant artefacts, this wide-ranging volume will stimulate audiences with archaeological, prehistorical and spiritual interests, as well as historians of religion and art. ‘The Minoan Epiphany’ also represents an influential antecendent to the Visionary Humanist philosophy which forms the majority of Bruce’s current independent research interests.

Colour and Light in Ancient and Medieval Art
Colour and Light in Ancient and Medieval Art

Author: Chloë N. Duckworth

Publisher: Routledge

Published: 2017-12-15

Total Pages: 302

ISBN-13: 1351682962

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The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour’s iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today’s world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.