Minnesota Rag takes the reader on a tour of the underside of a dark period in Minnesota's past, one filled with crooked public officials, vengeful gangsters, and yellow journalists. Featuring notorious characters such as Jay M. Near, racist and antilabor publisher of Minneapolis's Saturday Press, pioneering newsman Fred W. Friendly weaves the tale of a court case that molded our understanding of freedom of the press and set a precedent for the publication of the Pentagon Papers.
“Karlen offers a colorful and impressively researched account of the Minneapolis underworld and his fascinating relative that feels right out of Damon Runyon’s Guys and Dolls.” Star Tribune “Deliciously snappy.” American Jewish World “Karlen brings back the days when Peggy Lee walked into Augie’s straight off the bus from North Dakota, when mid-century celebrities like Frank Sinatra visited Hennepin Avenue, and when the most powerful crime lords in the land checked their guns at the door when they visited Augie’s.” MinnPost “Augie’s Secrets is filled with stunning, stylish prose that captures the flavor of the Jewish underworld of downtown Minneapolis down to its last rubout and pastrami sandwich.” Paul Maccabee, author of John Dillinger Slept Here: A Crooks’ Tour of Crime and Corruption in St. Paul, 1920–1936
From his assumption of the Norfolk Virginian-Pilot's editorial helm in 1919 until his death in 1950, Louis Isaac Jaffé served as one of the South's leading and most respected liberal journalists. Prejudice he faced as a Jew created in him an abiding empathy with the downtrodden, and his World War I military service and subsequent Red Cross work deepened his sensitivity to injustice. Alexander Leidholdt's new biography maps the battlefield of intolerance and civil rights violations on which Jaffé fired his journalistic salvos and explores the complexities of a man who was poised to become a national spokesman for a better South. Jaffé worked ceaselessly to advance racial understanding, successfully lobbying locally for black parks and beaches, black police, and a black college. A high point of Leidholdt's book is the account of Jaffé's attacks on mob justice, a stirring record of one writer's response to what he saw as inexcusable moral sluggishness in civil authorities. For his campaign urging Virginia lawmakers to adopt stiff antilynching legislation, he earned the 1929 Pulitzer Prize for distinguished editorial writing. Achieving a poignant balance between Jaffé's significant professional accomplishments and the private pains he bore—including anti-Semitism, a mentally unstable wife, and an estranged son—this superb study demonstrates how Jaffé's difficulties limited him as an active liberal reformer but also fueled his prescient and impassioned warnings against Hitler's rise to power in the early thirties. Drawing extensively from primary source material, much of it previously unexamined, Editor for Justice makes an important contribution to journalism and to southern, Jewish, and black history. Readers will treasure the depiction of an extraordinary champion of human rights.
The classic 1940 study of con men and con games that Luc Sante in Salon called “a bonanza of wild but credible stories, told concisely with deadpan humor, as sly and rich in atmosphere as anything this side of Mark Twain.” “Of all the grifters, the confidence man is the aristocrat,” wrote David Maurer, a proposition he definitely proved in The Big Con, one of the most colorful, well-researched, and entertaining works of criminology ever written. A professor of linguistics who specialized in underworld argot, Maurer won the trust of hundreds of swindlers, who let him in on not simply their language but their folkways and the astonishingly complex and elaborate schemes whereby unsuspecting marks, hooked by their own greed and dishonesty, were “taken off” – i.e. cheated—of thousands upon thousands of dollars. The Big Con is a treasure trove of American lingo (the write, the rag, the payoff, ropers, shills, the cold poke, the convincer, to put on the send) and indelible characters (Yellow Kid Weil, Barney the Patch, the Seldom Seen Kid, Limehouse Chappie, Larry the Lug). It served as the source for the Oscar-winning film The Sting.
