117 years Strong…and Counting! This all-new edition, which follows the Boston Marathon into the 21st century and through the tragedy of the 2013 race, is a colorful and moving portrait of what it feels like to run the world’s oldest annual marathon, escorting the reader through the past, present, and bright future of the race. 26.2 Miles to Boston is a rich, vibrant, and inspiring history of the Boston Marathon and of the men and women of varying abilities whose struggles and triumphs have colored this historic event for over a century. From suburban Hopkinton, Massachusetts, to the center of metropolitan Boston, the author takes readers through the mile-by-mile sights, sounds, and traditions that make the race what it is.
Into the mind of an athlete running 155 miles in 24 hours around an athletics track, to qualify to run for Great Britain at the age of 50. The mental tools that make it possible, and the life lessons revealed at the extremes of endurance.
Presents an in-depth exploration of the musician's controversial electric period and the impact it had on the jazz community, as drawn from firsthand recollections about his artistic and personal life. Reprint.
This is a personal narrative about growing. It is also about growing up, which does not necessarily follow. Some grow in wisdom; some grow in foolishness; some grow in the grace of God. Some only grow old, without much else. The tale it tells touches three centuries: the nineteenth, the twentieth, and the twenty-first. May it bless you and cheer your journey through this mortal life.
The major purpose of this book is to illustrate and explain the fundamental similarities and correspondences between humankind's oldest and newest thought-technologies: oral tradition and the Internet. Despite superficial differences, both technologies are radically alike in depending not on static products but rather on continuous processes, not on "What?" but on "How do I get there?" In contrast to the fixed spatial organization of the page and book, the technologies of oral tradition and the Internet mime the way we think by processing along pathways within a network. In both media it's pathways--not things--that matter. To illustrate these ideas, this volume is designed as a "morphing book," a collection of linked nodes that can be read in innumerable different ways. Doing nothing less fundamental than challenging the default medium of the linear book and page and all that they entail, Oral Tradition and the Internet shows readers that there are large, complex, wholly viable, alternative worlds of media-technology out there--if only they are willing to explore, to think outside the usual, culturally constructed categories. This "brick-and-mortar" book exists as an extension of The Pathways Project (http://pathwaysproject.org), an open-access online suite of chapter-nodes, linked websites, and multimedia all dedicated to exploring and demonstrating the dynamic relationship between oral tradition and Internet technology
One small, seemingly insignificant event turns the quiet, well-ordered life of Paul Brett upside down. His curiosity leads him to take dangerous chances while trying to find a missing man and solve a puzzling note. His powers of reason and his courage are tested on a number of occasions. His good fortune in teaming up with a very smart woman will ultimately bring successs to this very unusual adventure.
New Critical Nostalgia weighs the future of literary study by reassessing its past. It tracks today's impassioned debates about method back to the discipline’s early professional era, when an unprecedented makeover of American higher education with far-reaching social consequences resulted in what we might call our first crisis of academic life. Rovee probes literary study’s nostalgic attachments to this past, by recasting an essential episode in the historiography of English—the vigorous rejection of romanticism by American New Critics—in the new light of the American university’s tectonic growth. In the process, he demonstrates literary study’s profound investment in romanticism and reveals the romantic lyric’s special affect, nostalgia, as having been part of English’s professional identity all along. New Critical Nostalgia meticulously shows what is lost in reducing mid-century American criticism and the intense, quirky, and unpredictable writings of central figures, such as Cleanth Brooks, Josephine Miles, and W. K. Wimsatt, to a glib monolith of New Critical anti-romanticism. In Rovee’s historically rich account, grounded in analysis of critical texts and enlivened by archival study, readers discover John Crowe Ransom’s and William Wordsworth’s shared existential nostalgia, witness the demolition of the “immature” Percy Shelley in the revolutionary textbook Understanding Poetry, explore the classroom give-and-take prompted by the close reading of John Keats, consider the strange ambivalence toward Lord Byron on the part of formalist critics and romantic scholars alike, and encounter the strikingly contemporary quantitative studies by one of the mid-century’s preeminent poetry scholars, Josephine Miles. These complex and enthralling engagements with the romantic lyric introduce the reader to a dynamic intellectual milieu, in which professionals with varying methodological commitments (from New Critics to computationalists), working in radically different academic locales (from Nashville and New Haven to Baton Rouge and Berkeley), wrangled over what it means to read, with nothing less than the future of the discipline at stake.
“[A] cross between Harry Potter and Stranger Things because the main characters were all kids who go on danger-filled adventures.” —City Book Review “[F]antasy fans will relish this enticing, attention-grabbing read.” —BookLife “I adored the world-building on show in this book as Domino’s powers are established and then developed and elaborated upon as the story moves forward.” —K.C. Finn for Readers' Favorite "Marcus offers a YA novel about a superpowered high schooler and his pals who go on a mission to save the world from an earth-shaking threat." —Kirkus Review Domino Garrison knows that he is the king of all that is weird, but he would rather abdicate that throne. He would rather be a normal teenager who just goes to school and works at a bookstore—and for all intents and purposes—that's exactly how he appears to his peers; however, aside from his best friend, Griswold, no one knows Domino's secret, or his secrets. His father abandoned him and his only family—his mom—when he was 5 years old, and his mom is a drug addict who has a parade of men coming in and out of their home. Oh, and Domino has the ability to see into other people's fantasies. He thinks this ability is pretty useless; however, little does he know that his ability is more powerful and expansive than he thinks. When extraordinary circumstances begin to occur, like massive earthquakes hitting the East coast, exotic animals wandering around zoos that they had not escaped from, and black sludge eviscerating everything in its path, Domino soon discovers that not only can he see fantasies, but he can also pull these fantasies into reality; however, doing so causes horrendous pain and mental anguish as Domino is concerned that the power he has could corrupt his mind. However, he knows that it is up to him—with the support of his friends Griswold and Lucy, and his boss Miles—to put a stop to the unnatural occurrences plaguing the earth before it is too late.
Finalist for the PEN/Faulkner Award for Fiction A New York Times Book Review Editors' Choice Marrying the philosophical absurdities of life, technology, start-up culture, and family, Users is for readers of Ling Ma, Dave Eggers’s The Circle, and viewers of the hit Apple TV+ original series Severance Miles, a lead creative at a midsize virtual reality company known for its “original experiences,” has engineered a new product called The Ghost Lover. Wildly popular from the outset, the “game” is simple: a user’s simulated life is almost identical to their reality, except they’re haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children. The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness. In a world rife with the unchecked power and ambition of tech, Users investigates—with both humor and creeping dread—how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.
"...considerably more wit and pizazz than the legendary Georgette [Heyer] herself.” —Kirkus Reviews Miss Gillian Spencer is faced with an impossible challenge—to rescue the Viscount Sherbourne's standing. To do so, she’ll have to find wealthy husbands for his two charming and beautiful daughters. Without a farthing at the Viscount's command and his London house in ruins, Miss Spencer’s matchmaking work is certainly cut out for her. At the advanced age of twenty-seven, Gillian had dismissed the possibility of marriage for herself, of course—but who can predict where her talent for romantic intrigue on others’ behalf might lead her?
