The legend returns . . . - It is seven years since a stake was driven through the heart of the infamous Count Dracula. Seven years which have not eradicated the terrible memories for Jonathan and Mina Harker, who now have a young son. To lay their memories to rest they return to Transylvania, and can find no trace of the horrific events. But, beneath the earth, Draculas soul lies in limbo, waiting for the Lifeblood that will revive him . . .
The Nevermoor series meets Hotel Transylvania in this “delightful and spooky” (Booklist) debut middle grade adventure set in a world of talking spiders, living forests, and haunted castles about a vampire girl who wants to fit in but first must defeat an evil ghost. After one hundred years of being a vampire, it’s time for Eleonora to have her Birthnight. Since Leo’s last rite of passage, her Grimwalk, ended with her losing her right leg and a good deal of her confidence, she’s hoping to redeem herself in the eyes of her mother, the fearsome Lady Sieglinde. All Leo has to do is hunt down and kill her first prey, and she already has the perfect plan. After all, who will miss an orphan from the bleak St. Frieda’s Home for Unfortunate Children? But an accidental fire causes more death and destruction than Leo bargained for. Instead of killing one carefully selected victim, she’s created several ghosts from the orphanage residents. And one sinister specter, the Orphanmaster, is poised to terrorize the living residents in a nearby town. To stop him and try to undo some of the mess she’s made, Leo must team up with the orphan ghost Minna. Will Leo have the chance to prove herself as a vampire before her Birthnight is over, or will she discover that there are no winners in the battle of undead versus undead?
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
Bellamy's debut novel revives the central female character from Bram Stoker's Dracula and imagines her as an independent woman living in San Francisco during the 1980s. Hypocrisy's not the problem, I think, it's allegory the breeding ground of paranoia. The act of reading into--how does one know when to stop? KK says that Dodie has the advantage because she's physical and I'm "only psychic." ... The truth is: everyone is adopted. My true mother wore a turtleneck and a long braid down her back, drove a Karmann Ghia, drank Chianti in dark corners, fucked Gregroy Corso ... --Dodie Bellamy, The Letters of Mina Harker First published in 1998, Dodie Bellamy's debut novel The Letters of Mina Harker sought to resuscitate the central female character from Bram Stoker's Dracula and reimagine her as an independent woman living in San Francisco during the 1980s--a woman not unlike Dodie Bellamy. Harker confesses the most intimate details of her relationships with four different men in a series of letters. Vampirizing Mina Harker, Bellamy turns the novel into a laboratory: a series of attempted transmutations between the two women in which the real story occurs in the gaps and the slippages. Lampooning the intellectual theory-speak of that era, Bellamy's narrator fights to inhabit her own sexuality despite feelings of vulnerability and destruction. Stylish but ruthlessly unpretentious, The Letters of Mina Harker was Bellamy's first major claim to the literary space she would come to inhabit.
Mina Hamilton's parents want her dead. (Or undead to be precise.) They're vampires, and like it or not, Mina must decide whether to become a vampire herself. But Mina's more interested in hanging out with best friend Serena and trying to catch the eye of the too-hot-for-high-school Nathan Able than in the vampire training classes she's being forced to take. How's a girl supposed to find the perfect prom date and pass third-year French when her mom and dad are breathing down her neck--literally?
Child and Youth Agency in Science Fiction: Travel, Technology, Time intersects considerations about children’s and youth’s agency with the popular culture genre of science fiction. As scholars in childhood studies and beyond seek to expand understandings of agency in children’s lives, this collection places science fiction at the heart of this endeavor. Retellings of the past, narratives of the present, and new landscapes of the future, each explored in science fiction, allow for creative reimaginings of the capabilities, movements, and agency of youth. Core themes of generation, embodiment, family, identity, belonging, gender, and friendship traverse across the chapters and inform the contributors’ readings of various film, literature, television, and virtual media sources. Here, children and youth are heterogeneous, and agency as a central analytical concept is interrogated through interdisciplinary, intersectional, intergenerational, and posthuman analyses. The contributors argue that there is vast power in science fiction representations of children’s agency to challenge accepted notions of neoliberal agency, enhance understandings of agency in childhood studies, and further contextualize agency in the lives, voices, and cultures of youth.
FROM THE BEST-SELLING AUTHOR OF THE SUPERVILLAINY SAGA: It's been a rough year for Peter Stone. Vampires are not meant to be quarantined and most of the nation is under lockdown. It has been extra hard in the city of New Detroit that depends on tourism not only for its economy but blood supply. With his creator kidnapped, mother dead, and once more exiled to the fringes of their society--he's ready to call it quits. That's when he receives a mysterious message from a long-dead friend who tells him that his problems are just beginning. A mysterious new player in town wants to recruit Peter to help form a supernatural alliance against the oppressive new voivode and his human hunter allies. Unfortunately, Hell itself has sent an assassin against our antihero and even a new set of allies may not be enough to protect him. Enjoy Peter's final exciting adventure! Part of the United States of Monsters universe with the Bright Falls Mysteries, Psycho Killers in Love, Morgan Detective Agency, and The Red Room.
Movie audiences seem drawn, almost compelled, toward tales of the horrific and the repulsive. Partly because horror continues to evolve radically—every time the genre is deemed dead, it seems to come up with another twist—it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films—including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.
Mina's Journal is a quirky, sexy vampire tale with a new spin on the legends of yore. Over one hundred years old and still going strong, Mina thinks she knows it all. But what this self-centered vampiress doesn't know could fill a book. Out on her own after years in captivity, Mina forgets her old world sensibilities and lets her needs and desires take control. It isn't too long before she is caught up in a web of sex, lies, and betrayal. Can the living dead learn the true meaning of existence? Join Mina as she struggles to figure out the meaning of it all, before it's too late.
In its own way, each essay seeks to investigate the consequences of abstract categories such as Irishness, modernism, and postmodernism when they are applied to a variety of modern Irish writers.
