Mimesis as Make-Believe

Mimesis as Make-Believe

Author: Kendall L. Walton

Publisher: Harvard University Press

Published: 1990

Total Pages: 472

ISBN-13: 9780674576032

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Representations in visual arts and fiction play an important part in our lives and culture. Walton presents a theory of the nature of representation, which shows its many varieties and explains its importance. His analysis is illustrated with examples from film, art, literature and theatre.


Child's Play

Child's Play

Author: Laurence Goldman

Publisher:

Published: 1998

Total Pages: 301

ISBN-13: 9781474214582

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This anthropological account of make-believe behaviour of Huli (Papua New Guinea) children demonstrates how our shared knowledge about make-believe routines, about role playing, and about the kinds of social information these representations incorporate allow children to invoke their own experiences of the world and reinvent them as types of virtual reality.


Fiction and Narrative

Fiction and Narrative

Author: Derek Matravers

Publisher: Oxford University Press, USA

Published: 2014-04

Total Pages: 193

ISBN-13: 0199647011

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Do fictions depend upon imagination? Derek Matravers argues against the mainstream view that they do, and offers an original account of what it is to read, listen to, or watch a narrative. He downgrades the divide between fiction and non-fiction, largely dispenses with the imagination, and in doing so illuminates a succession of related issues.


A Companion to Ancient Aesthetics

A Companion to Ancient Aesthetics

Author: Pierre Destrée

Publisher: John Wiley & Sons

Published: 2015-07-20

Total Pages: 547

ISBN-13: 1444337645

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The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society


How to Make Believe

How to Make Believe

Author: J. Alexander Bareis

Publisher: ISSN

Published: 2015

Total Pages: 0

ISBN-13: 9783110441536

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A major question in studies of aesthetic expression is how we can understand and explain similarities and differences among different forms of representation. In the current volume, this question is addressed through the lens of make-believe theory, a philosophical theory broadly introduced by two seminal works - Kendall Walton's Mimesis as Make-Believe and Gregory Currie's The Nature of Fiction, both published 1990. Since then, make-believe theory has become central in the philosphical discussion of representation. As a first of its kind, the current volume comprises 17 detailed studies of highly different forms of representation, such as novels, plays, TV-series, role games, computer games, lamentation poetry and memoirs. The collection contributes to establishing make-believe theory as a powerful theoretical tool for a wide array of studies traditionally falling under the humanities umbrella.


Imaginary Games

Imaginary Games

Author: Chris Bateman

Publisher: John Hunt Publishing

Published: 2011

Total Pages: 334

ISBN-13: 1846949416

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Can games be art or is all art a kind of game? A philosophical investigation of play and imaginary things.


Mimesis

Mimesis

Author: Erich Auerbach

Publisher: Princeton University Press

Published: 2013-10-06

Total Pages: 614

ISBN-13: 1400847958

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The classic book that has taught generations how to read Western literature More than half a century after its translation into English, Erich Auerbach’s Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depict reality has taught generations how to read Western literature. A German Jew who was forced out of his professorship at the University of Marburg in 1935, Auerbach left for Turkey, where he taught in Istanbul. There he wrote Mimesis, publishing it in German after the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how, from antiquity to modernity, literature progresses toward ever more naturalistic and democratic forms of representation. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach uses his remarkable skills in philology and comparative literature to present an optimistic view of Western history and culture and to refute any narrow form of nationalism or chauvinism. This expanded Princeton Classics edition of Mimesis includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.


Conversations on Art and Aesthetics

Conversations on Art and Aesthetics

Author: Hans Maes

Publisher: Oxford University Press

Published: 2017-05-12

Total Pages: 337

ISBN-13: 0191509620

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What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror movie even though we know it to be fictional? In Conversations on Art and Aesthetics, Hans Maes discusses these and other key questions in aesthetics with ten world-leading philosophers of art: Noël Carroll, Gregory Currie, Arthur Danto, Cynthia Freeland, Paul Guyer, Carolyn Korsmeyer, Jerrold Levinson, Jenefer Robinson, Roger Scruton, and Kendall Walton. The exchanges are direct, open, and sharp, and give a clear account of these thinkers' core ideas and intellectual development. They also offer new insights into, and a deeper understanding of, contemporary issues in the philosophy of art.


Mathematics and Reality

Mathematics and Reality

Author: Mary Leng

Publisher: OUP Oxford

Published: 2010-04-22

Total Pages: 288

ISBN-13: 0191576247

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Mary Leng offers a defense of mathematical fictionalism, according to which we have no reason to believe that there are any mathematical objects. Perhaps the most pressing challenge to mathematical fictionalism is the indispensability argument for the truth of our mathematical theories (and therefore for the existence of the mathematical objects posited by those theories). According to this argument, if we have reason to believe anything, we have reason to believe that the claims of our best empirical theories are (at least approximately) true. But since claims whose truth would require the existence of mathematical objects are indispensable in formulating our best empirical theories, it follows that we have good reason to believe in the mathematical objects posited by those mathematical theories used in empirical science, and therefore to believe that the mathematical theories utilized in empirical science are true. Previous responses to the indispensability argument have focussed on arguing that mathematical assumptions can be dispensed with in formulating our empirical theories. Leng, by contrast, offers an account of the role of mathematics in empirical science according to which the successful use of mathematics in formulating our empirical theories need not rely on the truth of the mathematics utilized.


Models as Make-Believe

Models as Make-Believe

Author: Adam Toon

Publisher: Springer

Published: 2012-10-17

Total Pages: 242

ISBN-13: 1137292237

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Scientists often try to understand the world by building simplified and idealised models of it. Adam Toon develops a new approach to scientific models by comparing them to the dolls and toy trucks of children's imaginative games, and offers a unified framework to solve difficult metaphysical problems and help to make sense of scientific practice.