In Mimesis and the Human Animal, Robert Storey argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question "What does it mean to say that art imitates life?" he must consider both "What is life?" and "What is art?" A unique approach to the subject of mimesis, Storey's book goes beyond the politicizing of literature grounded in literary theory to develop a scientific basis for the creation of literature and art.
The human-animal relationship has always been characterized by a wide net of interactions and exchanges. By providing an overview of the concept of animality – and of the several meanings attached to it – this book aims at rethinking the real nature of this notion, towards a new definition of both the human and the animal. The authors highlight the need to overcome the traditional tendency to read the animal merely as a symbol, a metaphor or an allegory, whose only purpose is that of representing and negotiating human power relations of race, class, and gender. Within this context, the edited collection Bestiarium intends to contribute to the present debate on Animal Studies, by focusing on literary texts and discursive practices, which reveal the epistemological and cultural dynamics that structure the very representation of the animal.
Roberto Marchesini presents a timely proposal within post-human philosophy in order to overcome the centuries-long separation between human beings, non-human animals and technology. This book highlights the inspiring nature of the relationship with non-human beings – what Marchesini calls “Epiphany” – and how its enhancement can open new existential dimensions. Technology is also reinterpreted, no longer as a performative tool, but as a virus that infiltrates the human dimension and changes its predicates. Technopoietic events are not just the product of human intelligence, but they arise from an epiphany (a becoming alterity), thus positioning technology well within the ontological and somatic dimension of human beings. This book lays the foundations for a new and non-anthropocentric Humanism, which is able to recognize the essential role that non-human alterities have had throughout our history.
From his groundbreaking Violence and the Sacred and Things Hidden since the Foundation of the World, René Girard’s mimetic theory is presented as elucidating “the origins of culture.” He posits that archaic religion (or “the sacred”), particularly in its dynamics of sacrifice and ritual, is a neglected and major key to unlocking the enigma of “how we became human.” French philosopher of science Michel Serres states that Girard’s theory provides a Darwinian theory of culture because it “proposes a dynamic, shows an evolution and gives a universal explanation.” This major claim has, however, remained underscrutinized by scholars working on Girard’s theory, and it is mostly overlooked within the natural and social sciences. Joining disciplinary worlds, this book aims to explore this ambitious claim, invoking viewpoints as diverse as evolutionary culture theory, cultural anthropology, archaeology, cognitive psychology, ethology, and philosophy. The contributors provide major evidence in favor of Girard’s hypothesis. Equally, Girard’s theory is presented as having the potential to become for the human and social sciences something akin to the integrating framework that present-day biological science owes to Darwin—something compatible with it and complementary to it in accounting for the still remarkably little understood phenomenon of human emergence.
This anthology, from the literature of sociology and other disciplines as well, examines the various roles that animals play in human societies. It covers a full spectrum of human-animal interaction: pets and companions; animals as sources of food, clothing and labor; animals in captivity; humans and wildlife; animals as research subjects; and animals as objects of recreation and sport. "Between the Species" represents many of the leading experts in this field, including the authors, who co-edit a scholarly series on animals, society, and culture.
Exploring a hitherto unexamined aspect of San cosmology, Mathias Guenther’s two volumes on human-animal relations in San cosmology link “new Animism” with Khoisan Studies, providing valuable insights for Khoisan Studies and San culture, but also for anthropological theory, relational ontology, folklorists, historians, literary critics and art historians. Building from the examinations of San myth and contemporary culture in Volume I, Volume II considers the experiential implications of a cosmology in which ontological mutability—ambiguity and inconstancy—hold sway. As he considers how people experience ontological mutability and deal with profound identity issues mentally and affectively, Guenther explores three primary areas: general receptiveness to ontological ambiguity; the impact of the experience of transformation (both virtual/vicarious and actual/direct); and the intersection of the mythic, spirit world with reality. Through a comparative consideration of animistic cosmology amongst the San, Bantu-speakers and the Inuit of Canada’s eastern Arctic, alongside a discussion of animistic currents in Western humanities and ethology, Guenther clearly paints the relative strengths and weaknesses of New Animism discourse, particularly in relation to San ontology and cosmology, but with overarching relevance.
One of the most provocative science books ever published—"a feast of great thinking and writing about the most profound issues there are" (The New York Times Book Review). "Fiercely intelligent, beautifully written and engrossingly original." —The New York Times Book Review Are men literally born to cheat? Does monogamy actually serve women's interests? These are among the questions that have made The Moral Animaled one of the most provocative science books in recent years. Wright unveils the genetic strategies behind everything from our sexual preferences to our office politics—as well as their implications for our moral codes and public policies. Illustrations.
This book presents a new way to understand human–animal interactions. Offering a profound discussion of topics such as human identity, our relationship with animals and the environment, and our culture, the author channels the vibrant Italian traditions of humanism, materialism, and speculative philosophy. The research presents a dialogue between the humanities and the natural sciences. It challenges the separation and oppression of animals with a post-humanism steeped in the traditions of the Italian Renaissance. Readers discover a vision of the human as a species informed by an intertwining with animals. The human being is not constructed by an onto-poetic process, but rather by close relations with otherness. The human system is increasingly unstable and, therefore, more hybrid. The argument it presents interests scholars, thinkers, and researchers. It also appeals to anyone who wants to delve into the deep animal–human bond and its philosophical, cultural, political instances. The author is a veterinarian, ethologist, and philosopher. He uses cognitive science, zooanthropology, and philosophy to engage in a series of empirical, theoretical, and practice-based engagements with animal life. In the process, he argues that animals are key to human identity and culture at all levels.
This book explores human–animal relations amongst the Bebelibe of West Africa, with a focus on the establishment of totemic relationships with animals, what these relationships entail and the consequences of abusing them. Employing and developing the concepts of "presencing" and "the ontological penumbra" to shed light on the manner in which people make present and engage in the world around them, including the shadowy spaces that have to be negotiated in order to make sense of the world, the author shows how these concepts account for empathetic and intersubjective encounters with non-human animals. Grounded in rich ethnographic work, Totemism and Human–Animal Relations in West Africa offers a reappraisal of totemism and considers the implications of the ontological turn in understanding human–animal relations. As such, it will appeal to anthropologists, sociologists and anthrozoologists concerned with human–animal interaction.
The juxtaposition of biopolitical critique and animal studies--two subjects seldom theorized together--signals the double-edged intervention of Animal Capital. Nicole Shukin pursues a resolutely materialist engagement with the "question of the animal," challenging the philosophical idealism that has dogged the question by tracing how the politics of capital and of animal life impinge on one another in market cultures of the twentieth and early twenty-first centuries.
