Samson

Samson

Author: James L. Crenshaw

Publisher: Mercer University Press

Published: 1978

Total Pages: 186

ISBN-13: 9780804201704

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The Atheist Milton

The Atheist Milton

Author: Michael E. Bryson

Publisher: Routledge

Published: 2016-03-23

Total Pages: 223

ISBN-13: 1317040953

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Basing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.


Milton and the Drama of History

Milton and the Drama of History

Author: David Loewenstein

Publisher: Cambridge University Press

Published: 1990-07-27

Total Pages: 216

ISBN-13: 9780521372534

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This book explores the role of history in Milton's literary works. It focuses on the writer's imaginative responses to the historical process - his interpretations of the past, visions of the future, and sense of the contemporary historical moment.


Toward Samson Agonistes

Toward Samson Agonistes

Author: Mary Ann Radzinowicz

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 462

ISBN-13: 1400870801

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The endurance of a work of art such as Samson Agonistes, this book suggests, derives from its incorporation of the principle of change as the very foundation of its permanence. In a deft and perceptive analysis, Mary Ann Radzinowicz shows how the poem embodies the principle of change, reveals Milton's perpetual concerns, and illuminates the course of his poetic and intellectual development. The author holds that Samson Agonistes represents the culmination of Milton's poetic Ĺ“uvre. Its subject is growth, and the tragedy imitates a Biblical story of movement from self-destruction to self-transcendence. In each section of her book, the author considers the poem in a different context or area of Milton's thought. Each new aspect suggests a widening circle of implication as the discussion moves from Milton's dialectic to the representation of tragic failure, from change and growth as themes to the discovery of history as tragic design. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Art of Biblical Narrative

The Art of Biblical Narrative

Author: Robert Alter

Publisher: Basic Books

Published: 2011-04-26

Total Pages: 272

ISBN-13: 0465025552

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From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.