A Concise Companion to Milton
A Concise Companion to Milton

Author: Angelica Duran

Publisher: John Wiley & Sons

Published: 2016-02-18

Total Pages: 384

ISBN-13: 1444393804

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With brevity, depth, and accessibility, this book helps readers to appreciate the works of John Milton, and to understand the great influence they have had on literature and other disciplines. Presents new and authoritative essays by internationally respected Milton scholars Explains how and why Milton’s works established their central place in the English literary canon Structured chronologically around Milton’s major works Also includes a select bibliography and a chronology detailing Milton’s life and works alongside relevant world events Ideal as a first critical work on Milton

Milton and the Reformation Aesthetics of the Passion
Milton and the Reformation Aesthetics of the Passion

Author: Erin Henriksen

Publisher: BRILL

Published: 2009-11-23

Total Pages: 224

ISBN-13: 9004183663

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Scholarship on Milton's view of God the Father and the Son has focused on the author's theological beliefs. For Milton, these are equally artistic questions, and to address them this study considers the precedents in Christian art that provide models for portraying the divine within a reformed context. Milton's revision of the passion tradition in his short poems of 1645 and his later epic poems substitutes a living, obedient and subservient Son in place of late medieval representations of the crucifixion. His alternative passion unfolds through a poetic vocabulary of fragmentation, omission, and restoration, drawing on iconoclasm as an artistic strategy. This study addresses the long-standing question about Milton's avoidance of the crucifixion and contributes to the broader study of his reformed poetics.

Milton's Epics and the Book of Psalms
Milton's Epics and the Book of Psalms

Author: Mary Ann Radzinowicz

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 246

ISBN-13: 1400860458

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The Psalms were of intense interest to Milton, who read them not only as impassioned voices conveying significant moments in life's journey, but also as examples of various genres, each containing rhetorical and poetical conventions appropriate to the expressive intent of the speaker. In this book Mary Ann Radzinowicz describes the pervasive influence of these biblical works on Paradise Lost and Paradise Regained. She shows that the dramatic moments when Milton's characters respond to the numinous are shaped by his appreciation of the lyricism of the Psalms and by his studies of their thematic relationships. This book traces the density of poetic voices in the epicsvoices arising from the echoing of psalm kindsand the ironic paralleling of important episodes in them. At the same time, Radzinowicz's book relates to each other Milton's two remarkable poetic oeuvres derived from the Old and New Testaments: one an anonymous, powerful, ancient, worship-centered, lyric work, the other an individually determined, revolutionary, heroic work. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A Milton Encyclopedia
A Milton Encyclopedia

Author: William Bridges Hunter

Publisher: Bucknell University Press

Published: 1978

Total Pages: 188

ISBN-13: 9780838750537

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This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.

Milton and the Rabbis
Milton and the Rabbis

Author: Jeffrey Shoulson

Publisher: Columbia University Press

Published: 2001-10-24

Total Pages: 357

ISBN-13: 0231506392

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Taking as its starting point the long-standing characterization of Milton as a "Hebraic" writer, Milton and the Rabbis probes the limits of the relationship between the seventeenth-century English poet and polemicist and his Jewish antecedents. Shoulson's analysis moves back and forth between Milton's writings and Jewish writings of the first five centuries of the Common Era, collectively known as midrash. In exploring the historical and literary implications of these connections, Shoulson shows how Milton's text can inform a more nuanced reading of midrash just as midrash can offer new insights into Paradise Lost. Shoulson is unconvinced of a direct link between a specific collection of rabbinic writings and Milton's works. He argues that many of Milton's poetic ideas that parallel midrash are likely to have entered Christian discourse not only through early modern Christian Hebraicists but also through Protestant writers and preachers without special knowledge of Hebrew. At the heart of Shoulson's inquiry lies a fundamental question: When is an idea, a theme, or an emphasis distinctively Judaic or Hebraic and when is it Christian? The difficulty in answering such questions reveals and highlights the fluid interaction between ostensibly Jewish, Hellenistic, and Christian modes of thought not only during the early modern period but also early in time when rabbinic Judaism and Christianity began.

Milton and the Resources of the Line
Milton and the Resources of the Line

Author: John Creaser

Publisher: Oxford University Press

Published: 2022-06-30

Total Pages: 433

ISBN-13: 0192679295

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This book will change how readers read not only Milton but any poetry. Whereas prose is written in sentences, poetry is written in lines, lines that may or may not coincide with the syntax of the sentence. Lines add an aural and visual mode of punctuation, with some degree of pause and weight at the line-turn. So lineation, the division of poetry into lines, opens a repertoire of possibilities to the poet. Notably, it encourages an enhanced concentration on meaning, rhythm, and sound. It makes metrical patterns possible, with interactions between regularity and deviation; or it makes possible the presence or absence of structural rhyme; or the multiple variations of the line-turn, whether in harmony with syntax or overflowing, in ways that may be either more or less conspicuous. Starting from theories of Derek Attridge, this book develops new methods for exploring the expressive resources of the verse line as exploited by the greatest of English poets, John Milton. Topics examined include: the interaction of strictness and freedom in the rhythms of Milton's line and paragraph; the interfusion of diverse prosodies in a single poem; approaches to free verse; rhyme in the earlier lyric verse and modes of near-rhyme in the later blank verse; the diverse modes of onomatopoeia; and the complex interweavings of prosody and ideology in this very political poet. The great themes and issues and characters of Milton's innovative and always controversial poetry are perceived afresh, being approached intimately through the rich possibilities of the line, and the insights of the approach illuminate the reading of any poetry.

Reverberating Song in Shakespeare and Milton
Reverberating Song in Shakespeare and Milton

Author: Erin Minear

Publisher: Routledge

Published: 2016-04-08

Total Pages: 338

ISBN-13: 1317063724

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In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.

Paradise Lost, 1668-1968
Paradise Lost, 1668-1968

Author: Earl Roy Miner

Publisher: Bucknell University Press

Published: 2004

Total Pages: 520

ISBN-13: 9780838755778

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The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari