Milton and Servetus
Author: Martin Alfred Larson
Publisher:
Published: 1926
Total Pages: 60
ISBN-13:
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Author: Martin Alfred Larson
Publisher:
Published: 1926
Total Pages: 60
ISBN-13:
DOWNLOAD EBOOKAuthor: Christopher Hill
Publisher: Verso Books
Published: 2020-01-14
Total Pages: 561
ISBN-13: 1788736850
DOWNLOAD EBOOKRemarkable reinterpretation of Milton and his poetry by one of the most famous historians of the 17th Century In this remarkable book Christopher Hill used the learning gathered in a lifetime's study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular imagination: instead of a gloomy, sexless 'Puritan', we have a dashingly original thinker, branded with the contemporary reputation of a libertine. For Hill, Milton is an author who found his real stimulus less in the literature of classical and times and more in the political and religious radicalism of his own day. Hill demonstrates, with originality, learning and insight, how Milton's political and religious predicament is reflected in his classic poetry, particularly 'Paradise Lost' and 'Samson Agonistes'.
Author: James Holly Hanford
Publisher:
Published: 1926
Total Pages: 334
ISBN-13:
DOWNLOAD EBOOKAuthor: Zulfiqar Ali Shah
Publisher: Claritas Books
Published: 2022-06-02
Total Pages: 270
ISBN-13: 1800119844
DOWNLOAD EBOOK“Never before to my knowledge has the cross-fertilisation of Western and Islamic ideas been so encyclopedically documented as it is here. In reading Islam and the English Enlightenment, you will never see the relationship between Islam and the West in the same way again.” ROBERT F. SHEDI NGER Professor of Religion, Luther College “Dr. Zulfiqar Ali Shah’s Islam and the English Enlightenment is one of the most profoundly enlightening books I have read in years. Dr. Shah compellingly demonstrates that the thinkers of English Enlightenment were undeniably indebted to Islamic sciences and thought, and that the foundational principles of rationalist thought, scientific inquiry and religious toleration were deeply anchored in the Islamic tradition.” KHALED ABOU EL FADL Omar & Azmeralda Alfi Distinguished Professor of Law, UCLA School of Law “This is a book that anyone interested in stepping outside a Eurocentric view of the rise of the West and of the modern age must read.” MICHAEL A. GILLESPIE Professor of Political Science & Philosophy, Duke University “Dr. Shah convincingly demonstrates the central role that Islam played in shaping the values and ideas of the Enlightenment reformers such as John Locke and Isaac Newton who had helped to produce the modern world.” GERALD MACLEAN Emeritus Professor, University of Exeter
Author: Modern Language Association of America
Publisher:
Published: 1926
Total Pages: 1302
ISBN-13:
DOWNLOAD EBOOKVols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Author: English Association
Publisher:
Published: 1928
Total Pages: 348
ISBN-13:
DOWNLOAD EBOOKAuthor: Timothy J. O'Keeffe
Publisher:
Published: 1982
Total Pages: 366
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael E. Bryson
Publisher: Routledge
Published: 2016-03-23
Total Pages: 223
ISBN-13: 1317040953
DOWNLOAD EBOOKBasing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.