Born on 26 December 1776 in East Flanders, then an Austrian province, Charles Hamilton Smith was a descendent of a Flemish Protestant family named Smet. In England he attended school in Richmond, Surrey, but having returned to Flanders he went on to study at the Austrian Academy for Artillery and Engineers at Malines and Louvain. He was a talented artist and as such provided one of the most valuable references to military costume ever produced. In Costume of the Army of the British Empire, Hamilton Smith placed on record a detailed account of the several uniforms worn around the time of the Peninsular War. Originally issued in sets of four, the prints were produced from work drawn and etched by Hamilton Smith, then aquatinted by IC Stadler. Publication took place between March 1812 and June 1815 by the London firm of Colnaghi & Co who could be found in Cockspur Street. The printing was done by W Bulmer & Co of Cleveland Row. In this Guide, Ray Westlake has drawn together a full set of Hamilton Smith's scarce and extremely difficult-to-find colour plates. As well as the British Army, a number of lesser-painted formations have been featured, such as the West India Regiment, King's German Legion, Duke of Brunswick Oels's Corps, the York Light Infantry Volunteers, Royal Military Asylum and native troops of the East India Company. For some 30 of them, he has included copies of Hamilton Smith's original drawings used for the work. Also useful are the six colour charts showing facing and lace colours. With a total of 60 informative plates, this Guide will prove to be a welcome addition to the library of all those interested in military uniform.
Gale and Polden's postcards of British uniforms are now widely collected but little is known about the artists and few of their original paintings have survived. Now over 130 of these rare works by artists such as Harry Payne, Edgar A. Holloway, John McNeill, and Ernest Ibbetson are reproduced here for the first time in full colour with background information as to how the pictures were created. This book is a useful reference for postcard collectors, miniature modelers, as well as collectors and scholars of early twentieth century British uniforms.
Charles Hamilton Smith's illustrations of soldiers of the British Army are a faithful and delightful record of how Wellington's troops were uniformed and equipped. Wellington's Army presents a collection of these sought after plates in a special, large format and provides a superb evocation of British military uniforms during the closing years of the Peninsular War and at the epic battle of Waterloo. The plates, drawn from life and completed in 1814, cover all the branches of service including line infantry; light infantry and rifles; heavy and light cavalry; general officers; foreign troops; artillery and engineers; and cadets and veterans. Each plate is accompanied by an incisive text by the leading expert on Wellington's troops - Philip Haythornthwaite - which discusses the unit in question, the uniform and its significant features. Wellington's Army also includes an extensive introduction analyzing the evolution of the British Army of the period and examining the colorful life of Charles Hamilton Smith.
This book contains over 600 rare and never before published photographs of the British Soldier in World War I. The quality images selected were photographed in peace and wartime, in the studio and the field, and show in detail the service dress uniform, equipment and weapons in use by the British Army between 1900-1918. The chapters contain photographic postcards of: Infantry officers and other ranks, Dominion Troops, Infantry Weapons, Machine Gun and Tank Corps, Royal Artillery, Wheels and Transport, Army Service Corps, Royal Army Medical Corps, Royal Engineers, Royal Flying Corps and Battle Insignia. Also included is a full color section of Army, Corps and Divisional signs. Each photograph caption has been carefully and thoroughly researched affording the reader information not to be found in any other single source. The introduction discusses early war photography and goes into further detail on the service dress and equipment to make this a must book for the military historian, collector, researcher, modeller and general enthusiast.
In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity.
“You offer yourself to be slain,” General Sir John Hackett once observed, remarking on the military profession. “This is the essence of being a soldier.” For this reason as much as any other, the British army has invariably been seen as standing apart from other professions—and sometimes from society as a whole. A British Profession of Arms effectively counters this view. In this definitive study of the late Victorian army, distinguished scholar Ian F. W. Beckett finds that the British soldier, like any other professional, was motivated by considerations of material reward and career advancement. Within the context of debates about both the evolution of Victorian professions and the nature of military professionalism, Beckett considers the late Victorian officer corps as a case study for weighing distinctions between the British soldier and his civilian counterparts. Beckett examines the role of personality, politics, and patronage in the selection and promotion of officers. He looks, too, at the internal and external influences that extended from the press and public opinion to the rivalry of the so-called rings of adherents of major figures such as Garnet Wolseley and Frederick Roberts. In particular, he considers these processes at play in high command in the Second Afghan War (1878–81), the Anglo-Zulu War (1879), and the South African War (1899–1902). Based on more than thirty years of research into surviving official, semiofficial, and private correspondence, Beckett’s work offers an intimate and occasionally amusing picture of what might affect an officer’s career: wealth, wives, and family status; promotion boards and strategic preferences; performance in the field and diplomatic outcomes. It is a remarkable depiction of the British profession of arms, unparalleled in breadth, depth, and detail.
The end of the Seven Years? War found Britain?s professional army in America facing new and unfamiliar responsibilities. In addition to occupying the recently conquered French settlements in Canada, redcoats were ordered into the trans-Appalachian west, into the little-known and much disputed territories that lay between British, French, and Spanish America. There the soldiers found themselves serving as occupiers, police, and diplomats in a vast territory marked by extreme climatic variation?a world decidedly different from Britain or the settled American colonies. Going beyond the war experience, Army and Empire examines the lives and experiences of British soldiers in the complex, evolving cultural frontiers of the West in British America. From the first appearance of the redcoats in the West until the outbreak of the American Revolution, Michael N. McConnell explores all aspects of peacetime service, including the soldiers? diet and health, mental well-being, social life, transportation, clothing, and the built environments within which they lived and worked. McConnell looks at the army on the frontier for what it was: a collection of small communities of men, women, and children faced with the challenges of surviving on the far western edge of empire.