This is the story of 61-year-old Mildred Aldrich and her experiences of the Great War. She retired to a small hill-top house called La Creste in February 1914, with views across the Marne river and valley, little realising she would become embroiled in the first major battle of the war. In spite of the danger she decided to stay and help the British soldiers. Her home was for a few days behind German lines but the British pushed the Germans into retreat and La Creste remained in British territory for the duration. They entrenched in the Marne Valley and Mildred's 'beloved panorama' as she described the view, turned into the valley of horror and death. Informed by journalist Mildred's unpublished journals and voices of those serving in the BEF, along with historical military background, this book examines events from the unique perspective of a remarkable woman who lived through them.
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On the Edge of the War Zone From the Battle of the Marne to the Entrance of the Stars and Stripes by Mildred Aldrich In "The Hilltop on the Marne" Mildred Aidrich had something to say and said it well. In "On the Edge of the War Zone" she appears to have nothing of much moment to write of and she only succeeds in being tiresome. One suspects that the success of the earlier work led to a call for more "copy," with an unhappy result. The hilltop is now back of the French line and little seems to happen there except as soldiers pass to and fro along the road. The days go by in comparative monotony, and the intimate details of household affairs fill up many weary pages. With so many interesting stories of war to be told one can only regret this long-drawn-out, gossipy chronicle of small happenings. The Dial, 1918.
In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing - and the refusal to see - for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination. Interdisciplinary in focus, this book brings together visual (twenty-two illustrations) and literary texts, "high" and "popular" expressive forms, and well-known and lesser-known figures and texts.
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
This is the story of 61-year-old Mildred Aldrich and her experiences of the Great War. She retired to a small hill-top house called La Creste in February 1914, with views across the Marne river and valley, little realising she would become embroiled in the first major battle of the war. In spite of the danger she decided to stay and help the British soldiers. Her home was for a few days behind German lines but the British pushed the Germans into retreat and La Creste remained in British territory for the duration. They entrenched in the Marne Valley and Mildred's 'beloved panorama' as she described the view, turned into the valley of horror and death. Informed by journalist Mildred's unpublished journals and voices of those serving in the BEF, along with historical military background, this book examines events from the unique perspective of a remarkable woman who lived through them.
This collection of squadron histories has been prepared by the USAF Historical Division to complement the Division's book, Air Force Combat Units of World War II. The 1,226 units covered by this volume are the combat (tactical) squadrons that were active between 7 December 1941 and 2 September 1945. Each squadron is traced from its beginning through 5 March 1963, the fiftieth anniversary of the organization of the 1st Aero (later Bombardment) Squadron, the first Army unit to be equipped with aircraft for tactical operations. For each squadron there is a statement of the official lineage and data on the unit's assignments, stations, aircraft and missiles, operations, service streamers, campaign participation, decorations, and emblem.
Claude Wheeler is a young man who was born after the American frontier has vanished. The son of a successful farmer and an intensely pious mother, Wheeler is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.Thus, devoid of parental and spousal love, Wheeler finds a new purpose to his life in France, a faraway country that only existed for him in maps before the First World War. Will Wheeler ever succeed in his new goal? The novel is inspired from real-life events and also won the Pulitzer Prize in 1923.
Edward Steichen (1879–1973) played a key role in the development of photography in the twentieth century. He is well known for his varied career as an artist, a celebrated photographer and a museum curator. However, Steichen is less known for his pivotal role in shaping America's first experiments in aerial photography as a tool for intelligence gathering in what may be called his 'lost years'. In Camera Aloft, Von Hardesty tells how Steichen volunteered in 1917 to serve in the American Expeditionary Forces (AEF). He rose rapidly in the ranks of the Air Service, emerging as Chief of Air Photography during the dramatic final offensives of the war. His photo sections were responsible for the rapid processing of aerial images gained through the daily and hazardous sorties over the front and in the enemy rear areas. What emerged in the eighteen months of his active service was a new template for modern aerial reconnaissance. The aerial camera, as with new weapons such as the machine gun, the tank and the airplane, profoundly transformed modern warfare.
