This Migrant Earth is Rolando Hinojosa's re-casting into English of the novel that is the basis of the modern Chicano literary movement: Tomas Rivera's ... y no se lo trago la tierra. Rivera's memorable book was awarded the first national award for Chicano literature in 1970 and has since become the standard text in U.S. Hispanic literature courses throughout the country. Three years after Rivera's death, his friend and fellow novelist Rolando Hinojosa captured the spirit and poetry of Rivera's original for an English-language audience.
The first publication to outline the complex global story of human migration and dispersal throughout the whole of human prehistory. Utilizing archaeological, linguistic and biological evidence, Peter Bellwood traces the journeys of the earliest hunter-gatherer and agriculturalist migrants as critical elements in the evolution of human lifeways. The first volume to chart global human migration and population dispersal throughout the whole of human prehistory, in all regions of the world An archaeological odyssey that details the initial spread of early humans out of Africa approximately two million years ago, through the Ice Ages, and down to the continental and island migrations of agricultural populations within the past 10,000 years Employs archaeological, linguistic and biological evidence to demonstrate how migration has always been a vital and complex element in explaining the evolution of the human species Outlines how significant migrations have affected population diversity in every region of the world Clarifies the importance of the development of agriculture as a migratory imperative in later prehistory Fully referenced with detailed maps throughout
A one-way ticket to Australia...two months of travel...and a shoestring budget. In Red Earth Diaries we meet Jason and Ambika, a newlywed couple who migrated to Australia with the hope of a fresh start. However, unlike most migrants, they made a bold decision to postpone their settlement plans, throw caution to the wind and backpack in Australia on a shoestring budget. Their intention was to learn about the country and its people first-hand ... a land they would someday call home. Swimming with sharks, cuddling cute koalas, chartering private helicopters, venturing deep into ancient rainforests, and getting to know plenty of locals - the couple had incredible experiences in this stunning country. Their travel story is interwoven with snippets of history and provides the reader with a glimpse of Australia as viewed through the eyes of newly arrived migrants. Join Jason and Ambika on their spectacular journey of discovery. Red Earth Diaries is founded on four primary pillars: a migrant's journal, a travelogue, a delve into Australian history, and an inspirational tale. The central message of the book is for everyone to chase their dreams - however distant and impossible they may seem. The central message of the book is for everyone to chase their dreams - however distant and impossible they may seem. Moving to Australia has been one seemingly impossible goal the author had set decades ago, and he likewise urges the reader to shed all reservations and to dream the wildest dreams possible. The Preface of Red Earth Diaries is called Dreamtime, and in it, the author describes the evolution of his journey to this strange and peculiar wonderland. As a travelogue, the book harkens to all travellers as well as migrants who are already in Australia or who are thinking of making the move to this beautiful country. The book also contains stories of local Australians the couple met along the way. In it you will meet, amongst others - Helen, a 10-Pound-pom; Rowland Mosbergen, a sprightly man in his eighties who survived the horrors of WWII in a remote jungle in Bahau; Rafael and Nadia and their three kids based in Research, Victoria; Ranjit, a practising surgeon and his wife who are based in Kew, Melbourne. The travelogue aims to deliver an essential message to all migrants in Australia - to not take this country for granted but to try to understand and embrace its culture first. Some key personalities mentioned: Paul Hogan, Ned Kelly, Steve Irwin, Captain Cook, Burley Griffin, Gregory Blaxland, Jorn Utzon, Eddie Mabo Some key historical events described: The Endeavour striking the reef, finding a passage through the Blue Mountains, the discovery of gold, the naming of Sunshine Coast, the birth of Canberra as the nation's capital, the iconic rail journeys in Australia, WWI and WWII, Early colonization, Blackbirding, construction of Opera House. Charity Donation: Five per cent of all profits from the sale of this book in the first year of publication will be donated to the Red Cross towards the 2019-20 bushfire crisis management (www.redcross.org.au) and a further five per cent will be also be given to aged care in India through Help Age India (www.helpageindia.org).
This book examines today’s massive migrations between Global South and Global North in light of Spain and Portugal’s complicated colonial legacies. It offers unique material on Spanish-speaking and Lusophone Africa in conjunction to transatlantic and transpacific perspectives encompassing the Americas, Asia, and the Caribbean. For the first time, these are brought together to explore how movement within and beyond these former metropoles came to define the Iberian Peninsula. The collection is composed of papers that study human mobility in Spanish-speaking or Lusophone contexts from a myriad of approaches. The project thus sheds critical light on migratory movement within the Luso-Hispanic world, and also beyond its traditional geo-linguistic parameters, through an eclectic and inter-disciplinary collection of essays, traversing anthropology, literary studies, theater, and popular culture. Beyond focusing solely on the geo-political limits of Peninsular space, several essays interrogate the legacies of Iberian colonial projects in a global perspective, and how the discursive underpinnings of these impact the politics of migration in the broader Luso-Hispanic world.
This is a joint publication of Berkeley and Floricanto Presses. "Migrant Earth" very eloquently documents the travels and travails of a family of Mexican migrant workers as they wander the Western United States in the nineteen forties and fifties. These are poignant tales that paint the life and death struggle of a family living on the periphery of a dominant white culture that simultaneously loathed and needed them. They owned but the clothes on their backs and lived in rat infested, dilapidated agricultural labor camps throughout the Pacific Northwest. They worked from sunup to sundown in pesticide laced fields under scorching, unrelenting summer suns. While wandering the countryside working the fields-White society was too genteel to harvest-they dreamed of better times and the safety of a piece of land they could call home. Ultimately they were able to save enough to purchase a small thirty acre farm in Eastern Washington. But just when the hard life seemed over, his padres divorced and mama with nine children in tow was sent back on the migrant labor circuit. Senor Ledesma's writes passionately about a hard as nails papa he feared but who taught him to love the land and respect hard work. He credits his mama for teaching him the transformative nature of dreams. If he took them seriously, she explained a thousand times, they would save him from the brutal life that tragically killed his four older siblings. Migrant Earth is historical and hopeful. Until now Senor Ledesma's stories have been too painful to talk about. His stories lie quietly in the shadows of a middle class life with no resemblance to where his family began or what they experienced. This book is about how those experiences shaped what he and his siblings became. These stories talk about the long journey of hope that brought them out of those desperate times. The voice you hear throughout the book is that of a frightened child living a life no child should live, trying in vain to make sense of who he was, where he was and what he saw . . . fearful he would never make it out of the camps alive. In our country's present, contentious debate over immigration policy, Migrant Earth is helpful in bringing to light the subculture of the migrant workers in America. Through education comes understanding and understanding can lead to a more humane view of those of us who have sacrificed health and life to bring our nation's food to our tables. Ramon Ledesma again invites readers into the world of his youth as a migrant worker through evocative poetry and prose. In stories both heartbreaking and bursting with joy, Ledesma deftly shares his family and life experiences in imagery so vivid and words so powerful you will feel like you were there. The visit into his world is a journey well worth taking. -Laura Gjovaag, "Daily Sun News" -Reporter Senor Ledesma was born in Toppenish, Washington, into a family of sixteen brothers and sisters. He spent his formative years living and working in migrant labor camps throughout the Pacific Northwest. He is a Vietnam veteran. He attended Eastern Washington State College, now Eastern Washington University in Cheney, Washington, earning a BA with majors in history and sociology and a minor in anthropology. He also earned a master's in counseling. He worked as a mental health therapist for thirty-eight years before retiring in 2012. He now devotes himself to writing. He lives with his wife, Kendra, a high school mathematics teacher on ten acres in rural Sedro Woolley, Washington.
This book offers a much-needed new political theory of an old phenomenon. The last decade alone has marked the highest number of migrations in recorded history. Constrained by environmental, economic, and political instability, scores of people are on the move. But other sorts of changes—from global tourism to undocumented labor—have led to the fact that to some extent, we are all becoming migrants. The migrant has become the political figure of our time. Rather than viewing migration as the exception to the rule of political fixity and citizenship, Thomas Nail reinterprets the history of political power from the perspective of the movement that defines the migrant in the first place. Applying his "kinopolitics" to several major historical conditions (territorial, political, juridical, and economic) and figures of migration (the nomad, the barbarian, the vagabond, and the proletariat), he provides fresh tools for the analysis of contemporary migration.
Migrant Housing, the latest book by author Mirjana Lozanovska, examines the house as the architectural construct in the processes of migration. Housing is pivotal to any migration story, with studies showing that migrant participation in the adaptation or building of houses provides symbolic materiality of belonging and the platform for agency and productivity in the broader context of the immigrant city. Migration also disrupts the cohesion of everyday dwelling and homeland integral to housing, and the book examines this displacement of dwelling and its effect on migrant housing. This timely volume investigates the poetic and political resonance between migration and architecture, challenging the idea of the ‘house’ as a singular theoretical construct. Divided into three parts, Histories and theories of post-war migrant housing, House/home and Mapping migrant spaces of home, it draws on data studies from Australia and Macedonia, with literature from Canada, Sweden and Germany, to uncover the effects of unprivileged post-war migration in the late twentieth century on the house as architectural and normative model, and from this perspective negotiates the disciplinary boundaries of architecture.
By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over. Glenda R. Carpio argues that we need a new paradigm for migrant fiction. Migrant Aesthetics shows how contemporary authors—Teju Cole, Dinaw Mengestu, Aleksandar Hemon, Valeria Luiselli, Julie Otsuka, and Junot Díaz—expose the historical legacies and political injustices that produce forced migration through artistic innovation. Their fiction rejects the generic features of immigrant literature—especially the acculturation plot and the use of migrant narrators as cultural guides who must appeal to readerly empathy. They emphasize the limits of empathy, insisting instead that readers recognize their own roles in the realities of migration, which, like climate change, is driven by global inequalities. Carpio traces how these authors create literary echoes of the past, showing how the history of (neo)colonialism links distinct immigrant experiences and can lay the foundation for cross-ethnic migrant solidarity. Revealing how migration shapes and is shaped by language and narrative, Migrant Aesthetics casts fiction as vital testimony to past and present colonial, imperial, and structural displacement and violence.
