Two separate worlds . . . One passion that binds them Wild and passionate by nature, Lyra Black is not just any werewolf. She's the future leader of the powerful pack of the Thorn-if she can stay alive long enough to inherit the title. One of the Cait Sith bloodline of vampire cat-shifters, Jaden Harrison has no interest in the wars plaguing the world of night. But when he rescues Lyra from a violent attack, they're both captured by an insatiable desire that threatens to overwhelm them and bind them together for eternity . . . just as ancient enemies prepare to strike. And when they do, the Thorn and the Cait Sith-and Lyra and Jaden's love-may never recover from the deadly blow . . .
Darkness comes for everyone, and some fates are inescapable. For over a thousand years, the legendary sword Laylat al Hisab—the Night’s Reckoning—has been lost in the waters of the East China Sea. Forged as a peace offering between two ancient vampires, the sword has eluded treasure hunters, human and immortal alike. But in time, even the deep gives up its secrets. When Tenzin’s sire hears about the ninth-century shipwreck found off the coast of southern China, Zhang Guo realizes he’ll need the help of an upstart pirate from Shanghai to retrieve it. And since that pirate has no desire to be in the middle of an ancient war, he calls the only allies who might be able to help him avoid it. Unfortunately, Tenzin is on one side of the globe and Ben is on the other. Tenzin knows she’ll need Ben’s keen mind and political skills to complete the job. She also knows gaining Ben’s cooperation won’t be an easy task. She’ll have to drag him back into the darkness he’s been avoiding. Whether Ben knows it or not, his fate is balanced on the edge of a thousand-year-old blade, and one stumble could break everything Tenzin has worked toward. Night’s Reckoning is the third novel in the Elemental Legacy series, a paranormal mystery by Elizabeth Hunter, USA Today best-selling author of the Elemental Mysteries.
Too often lost in our understanding of the American Cold War crisis, with its nuclear brinkmanship and global political chess game, is the simultaneous crisis on the nation's racial front. Reckoning Day is the first book to examine the relationship of African Americans to the atom bomb in postwar America. It tells the wide-ranging story of African Americans' response to the atomic threat in the postwar period. It examines the anti-nuclear writing and activism of major figures such as W.E.B. Du Bois, Rev. Dr. Martin Luther King, Jr., and Lorraine Hansberry as well as the placement (or absence) of black characters in white-authored doomsday fiction and nonfiction. Author Jacqueline Foertsch analyzes the work of African American thinkers, activists, writers, journalists, filmmakers, and musical performers in the "atomic" decades of 1945 to 1965 and beyond. Her book tells the dynamic story of commitment and interdependence, as these major figures spoke with force and eloquence for nuclear disarmament, just as they argued unassailably for racial equality on numerous other occasions. Foertsch also examines the placement of African American characters in white-authored doomsday novels, science fiction, and survivalist nonfiction such as government-sponsored forecasts regarding post-nuclear survival. In these, black characters are often displaced or absented entirely: in doomsday narratives they are excluded from executive decision-making and the stories' often triumphant conclusions; in the nonfiction, they are rarely envisioned amongst the "typical American" survivors charged with rebuilding US society. Throughout Reckoning Day, issues of placement and positioning provide the conceptual framework: abandoned at "ground zero" (America's inner cities) during the height of the atomic threat, African Americans were figured in white-authored survival fiction as compliant servants aiding white victory over atomic adversity, while as historical figures they were often perceived as "elsewhere" (indifferent) to the atomic threat. In fact, African Americans' "position" on the bomb was rarely one of silence or indifference. Ranging from appreciation to disdain to vigorous opposition, atomic-era African Americans developed diverse and meaningful positions on the bomb and made essential contributions to a remarkably American dialogue.
Exquisite and nuanced in its storytelling, Midnight crafts intimate, humanizing portraits of Jane Austen, Mary Shelley, and Joan of Arc that ask us to behold the women behind the icons. Midnight is a study in the courage of three women—Jane Austen, Mary Shelley, and Joan of Arc. Jane Austen was poor in 1802, unmarried and homeless. She had outlines, ideas, and first drafts of her future novels but no place to sit and write them. It is at this bleak moment that she receives an offer of marriage from a rich man. Midnight takes us to the hour of her decision between financial security and her writing life. When sixteen-year-old Mary Godwin elopes to France with the poet Percy Bysshe Shelley, she scoffs at the cost—life as an outcast. Together they travel through Europe, reading and writing, but Midnight finds her alone, eight years later, pacing a terrace overlooking the Italian shore, watching for Shelley to sail home over stormy seas in a shaky boat. Joan of Arc, imprisoned in chains, kept her faith for a long year. Be brave, daughter of God, her saints had whispered, you will be saved—and she believes it, until she is taken to be burned at the stake. Midnight is the story of Joan’s final days, between her terrified recantation and her heroic return to the stake.
What is time and how does it influence our knowledge of international politics? For decades International Relations (IR) paid little explicit attention to time. Recently this began to change as a range of scholars took an interest in the temporal dimensions of politics. Yet IR still has not fully addressed the issue of why time matters in international politics, nor has it reflected on its own use of time -- how temporal ideas affect the way we work to understand political phenomena. Moreover, IR remains beholden to two seemingly contradictory visions of time: the time of the clock and a longstanding tradition treating time as a problem to be solved. International Relations and the Problem of Time develops a unique response to these interconnected puzzles. It reconstructs IR's temporal imagination by developing an argument that all times - from natural rhythms to individual temporal experience - spring from social and practical timing activities, or efforts to establish meaningful and useful relationships in complex and dynamic settings. In IR's case, across a surprisingly wide range of approaches scholars employ narrative timing techniques to make sense of confounding processes and events. This innovative account of time provides a more systematic and rigorous explanation for time in international politics. It also develops provocative insights about IR's own history, its key methodological commitments, supposedly 'timeless' statistical methods, historical institutions, and the critical vanguard of time studies. This book invites us to reimagine time, and in so doing to significantly rethink the way we approach the analysis of international politics.
