Irian Jaya is the official name of the western half of New Guinea, a province of Indonesia since the 1960s. Its inhabitants are generally untouched by civilization, and most of their hundreds of native languages and cultures remain unstudied. Van Enk and de Vries gained access to one of the most isolated parts of Irian Jaya in order to study the Korowai, a tribe in southern Irian Jaya. The Korowai still use stone tools, live in tree-houses, and have no knowledge of the outside world. Van Enk and de Vries provide the first study of the Korowai language and culture. They reproduce oral texts that show patterns of grammar, discourse, and culture, and discuss the phonological, morphological, and syntactical aspects of the language. In the process, van Enk and de Vries reveal a number of key semantic fields and conceptual patterns such as kinship, counting, the role of lunar phases, and Korowai cosmology.
Believers know that when we die we enter heaven and will spend eternity there with God and the saints who have gone before us. But what actually happens in heaven? What are we going to be doing there? Won't it get boring at some point? According to Scripture, a large part of our experience of heaven will be a continual revealing of God's glory. Not just his glory in the moment, but during all of time. The mysteries of providence, the hidden movements of God throughout history, and the forgotten and unnoted works of even the most obscure of God's people will be unveiled so that we can see how wise, loving, gracious, and powerful our God is. And though we will experience perfection in heaven, we will never be omniscient, which means we will always be learning more about God's glory, inspiring us to return joyful praise and thanksgiving. If your vision of heaven has been limited to clouds and harps and angels, it's time to expand that view with the truth found in this biblically based look at the afterlife.
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety. One reviewer said: 'This book is a sheer delight. It is beautifully written, full of vitality and endlessly inventive: its format, with half a dozen episodes and intervening rest periods for both the hero and the reader, allows for a huge range of characters, scenarios and action. It's thought-provoking without being in the least dogmatic, witty without descending to farce and packed with sword fights without being derivative. The dialogue sparkles; characters morph almost imperceptibly from semi-cliche to completely original; nothing is as it first seems. Sapkowski succeeds in seamlessly welding familiar ideas, unique settings and delicious twists of originality: his Beauty wants to rip the throat out of a sensitive Beast; his Snow White seeks vengeance on all and sundry, his elves are embittered and vindictive. It's easily one of the best things I've read in ages.'
Winner of the 2012 Costa Poetry Award, the latest collection by Kathleen Jamie, "the leading Scottish poet of her generation" (The Sunday Times) See when it all unravels—the entire project reduced to threads of moss fleeing a nor'wester; d'you ever imagine chasing just one strand, letting it lead you to an unsung cleft in a rock, a place you could take to, dig yourself in—but what are the chances of that? Of the birds, few remain all winter; half a dozen waders mediate between sea and shore, that space confirmed—don't laugh—by your own work. —from "Materials" The Overhaul continues Kathleen Jamie's lyric inquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or, sometimes, the desire to escape our own lives, her poetry is earthy and rigorous, her language at once elemental and tender. The Overhaul is a midlife book of repair, restitution, and ultimately hope—of the wisest and most worldly kind.
Woods etc. is Alice Oswald's third collection of poems, and follows the success of her widely acclaimed river-poem Dart, which was awarded the T. S. Eliot Prize in 2002. Extending the concerns of Dart and written over a period of several years, these poems combine abrupt honesty with an exuberant rhetorical confidence, at times recalling the oral and anonymous tradition with which they share such affinity.
ABOUT THE BOOK:This book serves as an introductory study of Tantric Saivism in its original scriptural sources. It traces the features and content of the canon of the Saiva Tantras, making use of many unpublished manuscripts from Kashmiri Saiva author
A fresh interpretation of the dakini—a Tibetan Buddhist symbol of the feminine—that will appeal to practitioners interested in goddess worship, female spirituality, and Tantric Buddhism The primary emblem of the feminine in Tibetan Buddhism is the dakini, or “sky-dancer,” a semi-wrathful spirit-woman who manifests in visions, dreams, and meditation experiences. Western scholars and interpreters of the dakini, influenced by Jungian psychology and feminist goddess theology, have shaped a contemporary critique of Tibetan Buddhism in which the dakini is seen as a psychological “shadow,” a feminine savior, or an objectified product of patriarchal fantasy. According to Judith Simmer-Brown—who writes from the point of view of an experienced practitioner of Tibetan Buddhism—such interpretations are inadequate. In the spiritual journey of the meditator, Simmer-Brown demonstrates, the dakini symbolizes levels of personal realization: the sacredness of the body, both female and male; the profound meeting point of body and mind in meditation; the visionary realm of ritual practice; and the empty, spacious qualities of mind itself. When the meditator encounters the dakini, living spiritual experience is activated in a nonconceptual manner by her direct gaze, her radiant body, and her compassionate revelation of reality. Grounded in the author's personal encounter with the dakini, this unique study will appeal to both male and female spiritual seekers interested in goddess worship, women's spirituality, and the tantric tradition.
"Aghor Medicine moves seamlessly between an ethnography of religion and medical anthropology. The stories of suffering and renunciation, of collective experience that turn Indian hierarchy and discrimination upside down are quite marvelous. The writing is clear and direct and the interpretations balanced and scrupulously documented. Barrett has written one of the best accounts on local traditions "modernizing" in ways that combine indigenous significance with globally crucial changes that react against health and social inequalities."—Arthur Kleinman, Harvard University "Ronald Barrett's fine account of aghor medicine reveals essential characteristics of India's popular culture, and, since an ashram in California has an important role in the story, of American popular culture as well."—Charles Leslie, author of Death Row Letters (forthcoming)