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Author: George Lipsitz
Publisher: U of Minnesota Press
Published: 2010
Total Pages: 287
ISBN-13: 0816666784
DOWNLOAD EBOOKLooking closely at the limit of both multilingual literary expression and the literary journalism, criticism, and scholarship that comments on multilingual work, Babel's Shadow presents a critical reflection on the fate of literature in a world gripped by the crisis of globalization.
Author: Johnny Otis
Publisher: Wesleyan University Press
Published: 1993-11-19
Total Pages: 218
ISBN-13: 9780819562876
DOWNLOAD EBOOKAn intriguing memoir by the legendary bandleader.
Author: Ben Wynne
Publisher: LSU Press
Published: 2024-02-07
Total Pages: 179
ISBN-13: 0807181498
DOWNLOAD EBOOKThe release of the song “Hound Dog” in 1953 marked a turning point in American popular culture, and throughout its history, the hit ballad bridged divides of race, gender, and generational conflict. Ben Wynne’s A Hound Dog Tale discusses the stars who made this rock ’n’ roll standard famous, from Willie Mae “Big Mama” Thornton to Elvis Presley, along with an eclectic cast of characters, including singers, songwriters, musicians, record producers and managers, famous television hosts, several lawyers, and even a gangster or two. Wynne’s examination of this American classic reveals how “Hound Dog” reflected the values and issues of 1950s American society, and sheds light on the lesser-known elements of the song’s creation and legacy. A Hound Dog Tale will capture the imagination of anyone who has ever tapped a foot to the growl of a blues riff or the bark of a rock ’n’ roll guitar.
Author: Johnny Otis
Publisher: U of Minnesota Press
Published: 2009
Total Pages: 287
ISBN-13: 0816665311
DOWNLOAD EBOOKIn the summer of 1965, the Los Angeles neighborhood of Watts exploded in a race riot that spanned six days, claimed thirty-four lives, and brought America's struggle with racial oppression into harrowing relief. For Johnny Otis, "Godfather of Rhythm and Blues," the events of that summer would inspire one of the most compelling books to ever explore that fateful August in Watts. Originally published in 1968, Listen to the Lambs grew from a letter Otis wrote to an expatriate friend during the days following the riots. Otis moves back and forth between Watts and his own childhood to reveal an alternative history of the riots. Equal parts memoir, social history, and racial manifesto, Listen to the Lambs is a moving witness of collective turmoil and a people for whom the long-promised American Dream was nowhere to be found.
Author: Eric Weisbard
Publisher: Duke University Press
Published: 2023-08-04
Total Pages: 77
ISBN-13: 147802707X
DOWNLOAD EBOOKMany listeners first heard “Hound Dog” when Elvis Presley’s single topped the pop, country, and R&B charts in 1956. But some fans already knew the song from Big Mama Thornton’s earlier recording, a giant but exclusively R&B hit. In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis’s appropriation of a Black woman’s anthem. He rethinks the history and influences of rock music in light of Rolling Stone's replacement of Presley’s “Hound Dog” with Thornton’s version in its 2021 “500 Greatest Songs of All Time” list. Taking readers from Presley and Thornton to Patti Page’s “Doggie in the Window,” the Stooges’ “I Wanna Be Your Dog,” and other dog ditties, Weisbard uses “Hound Dog” to reflect on one of rock’s fundamental dilemmas: the whiteness of the wail.
Author: Reva Marin
Publisher: Univ. Press of Mississippi
Published: 2020-10-15
Total Pages: 272
ISBN-13: 1496830016
DOWNLOAD EBOOKOutside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans–style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
Author: Kelly Lytle Hernández
Publisher: UNC Press Books
Published: 2017-02-15
Total Pages: 312
ISBN-13: 1469631199
DOWNLOAD EBOOKLos Angeles incarcerates more people than any other city in the United States, which imprisons more people than any other nation on Earth. This book explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest, namely its settler colonial form, and the eliminatory capacities of incarceration. But City of Inmates is also a chronicle of resilience and rebellion, documenting how targeted peoples and communities have always fought back. They busted out of jail, forced Supreme Court rulings, advanced revolution across bars and borders, and, as in the summer of 1965, set fire to the belly of the city. With these acts those who fought the rise of incarceration in Los Angeles altered the course of history in the city, the borderlands, and beyond. This book recounts how the dynamics of conquest met deep reservoirs of rebellion as Los Angeles became the City of Inmates, the nation's carceral core. It is a story that is far from over.
Author: Mark Ribowsky
Publisher: W. W. Norton & Company
Published: 2015-06-01
Total Pages: 444
ISBN-13: 0871408740
DOWNLOAD EBOOKA Kirkus Reviews Best Book of the Year (Nonfiction) Finalist for the Marfield Prize, National Award for Arts Writing “Evokes the fire of Redding.... Ribowsky tells the story with nonstop energy, while always probing for the larger social and musical pictures.” —New York Times Book Review When he died in one of rock's string of tragic plane crashes, Otis Redding was only twenty-six, yet already the avatar of a new kind of soul music. The beating heart of Memphis-based Stax Records, he had risen to fame belting out gospel-flecked blues in stage performances that seemed to ignite not only a room but an entire generation. If Berry Gordy's black-owned kingdom in Motown showed the way in soul music, Redding made his own way, going where not even his two role models who had preceded him out of Macon, Georgia—Little Richard and James Brown—had gone. Now, in this transformative work, New York Times Notable Book author Mark Ribowsky contextualizes his subject's short career within the larger cultural and social movements of the era, tracing the crooner's rise from preacher's son to a preacher of three-minute soul sermons. And what a quick rise it was. At the tender age of twenty-one, Redding needed only a single unscheduled performance to earn a record deal, his voice so "utterly unique" (Atlantic) that it catapulted him on a path to stardom and turned a Memphis theater-turned-studio into a music mecca. Soon he was playing at sold-out venues across the world, from Finsbury Park in London to his ultimate conquest, the 1967 Monterrey Pop Festival in California, where he finally won over the flower-power crowd. Still, Redding was not always the affable, big-hearted man's man the PR material painted him to be. Based on numerous new interviews and prodigious research, Dreams to Remember reintroduces an incredibly talented yet impulsive man, one who once even risked his career by shooting a man in the leg. But that temperament masked a deep vulnerability that was only exacerbated by an industry that refused him a Grammy until he was in his grave—even as he shaped the other Stax soul men around him, like Wilson Pickett, Sam and Dave, and Booker T. and The MG's. As a result, this requiem is one of great conquest but also grand tragedy: a soul king of truth, a mortal man with an immortal voice and a pain in his heart. Now he, and the forces that shaped his incomparable sound, are reclaimed, giving us a panoramic of an American original who would come to define an entire era, yet only wanted what all men deserve—a modicum of respect and a place to watch the ships roll in and away again.
Author: Art M. Blake
Publisher: Springer Nature
Published: 2019-11-08
Total Pages: 92
ISBN-13: 3030318419
DOWNLOAD EBOOKIn the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.
Author: Natalia Molina
Publisher: University of California Press
Published: 2019-02-05
Total Pages: 380
ISBN-13: 0520299671
DOWNLOAD EBOOKRelational Formations of Race brings African American, Chicanx/Latinx, Asian American, and Native American studies together in a single volume, enabling readers to consider the racialization and formation of subordinated groups in relation to one another. These essays conceptualize racialization as a dynamic and interactive process; group-based racial constructions are formed not only in relation to whiteness, but also in relation to other devalued and marginalized groups. The chapters offer explicit guides to understanding race as relational across all disciplines, time periods, regions, and social groups. By studying race relationally, and through a shared context of meaning and power, students will draw connections among subordinated groups and will better comprehend the logic that underpins the forms of inclusion and dispossession such groups face. As the United States shifts toward a minority-majority nation, Relational Formations of Race offers crucial tools for understanding today’s shifting race dynamics.
