The first modern Chinese middle grade series to be translated and brought to the English-speaking market, from bestselling author Chen Jiatong. A young white fox dreams of being human. When his parents are taken from him, long-held secrets and a legend about a miraculous treasure rise to the surface in this perilous quest for self-discovery. When a young white fox named Dilah discovers a human family, he begins to dream of being human himself. But when his parents are assassinated, long-held secrets and a legend about a miraculous treasure rise to the surface. A treasure with the power to make animals human... The clues to its location are contained in a moonstone buried beneath their den. But evil blue foxes seek the treasure too and Dilah must race to find it first. Along the way, he meets all sorts of other creatures: a friendly seal, an ancient tortoise, and a fierce leopard -- but can he stay one step ahead?
An investigation of the spiritual encounter between a twentieth-century Dominican friar and an eleventh-century Afghani Sufi master. This book explores the profound spiritual encounter between Serge de Beaurecueil (19172005), a twentieth-century French Dominican friar and Christian mystic, and the eleventh-century ?anbal? Sufi master Khw?ja Abdull?h An??r? of Her?t (10061089). De Beaurecueil lived much of his Christian discipleship in Cairo and Afghanistan, where he became the foremost expert on the life and thought of An??r?. His mystical conversation and scholarly engagement with An??r?, his experience of Islamic hospitality, and the transformation of his own practical spirituality or praxis mystica through his experience of dwelling in the abode of Islam provide us with not only a magnificent and luminous meditation on the hidden and abiding presence of God among Muslims but also a contemplation on the quandary of genuine engagement with and openness to the religious other. To place a French Dominican friar who died in 2005 and a Sufi who died in 1089 in juxtaposition in the same book is not the most obvious path in comparative religious scholarship. Yet Dallh has not only done precisely that, but he has also produced a brilliant monograph in the process which makes for a fascinating read. Dallhs work exhibits painstaking scholarship which illuminates two notable figures in Christianity and Islam respectively and makes an original contribution to the study of these two great faith traditions. Ian Richard Netton, author of Islam, Christianity and Tradition: A Comparative Exploration
The Mediterranean, both a sea and a theatre, has served throughout history as a fundamental crossroads for the political-religious dynamics and international tensions that characterize the various worlds, east and west, south and north, that meet in this basin. Starting from these premises, the present work examines - within a chronological span that goes from the conclusion of the Second World War to the end of Pius XII’s pontificate - the contribution offered by the Holy See and by Catholics from different national contexts in deciphering the role of the Mediterranean Sea within the wider global context. As such, it constitutes a reflection on this geographical space with its peculiar cultural, economic, political, and religious realities by highlighting the role played by the Mediterranean in the elaboration of visions and projects of civilization. This work is the fruit of a wider research programme called Occidentes - Horizons and projects of civilization in the Church of Pius XII. It brings together the work of seven historians from different European Universities.
In this unique insight into the history and philosophy of mathematics and science in the mediaeval Arab world, the eminent scholar Roshdi Rashed illuminates the various historical, textual and epistemic threads that underpinned the history of Arabic mathematical and scientific knowledge up to the seventeenth century. The first of five wide-ranging and comprehensive volumes, this book provides a detailed exploration of Arabic mathematics and sciences in the ninth and tenth centuries. Extensive and detailed analyses and annotations support a number of key Arabic texts, which are translated here into English for the first time. In this volume Rashed focuses on the traditions of celebrated polymaths from the ninth and tenth centuries ‘School of Baghdad’ - such as the Banū Mūsā, Thābit ibn Qurra, Ibrāhīm ibn Sinān, Abū Ja ́far al-Khāzin, Abū Sahl Wayjan ibn Rustām al-Qūhī - and eleventh-century Andalusian mathematicians like Abū al-Qāsim ibn al-Samh, and al-Mu’taman ibn Hūd. The Archimedean-Apollonian traditions of these polymaths are thematically explored to illustrate the historical and epistemological development of ‘infinitesimal mathematics’ as it became more clearly articulated in the eleventh-century influential legacy of al-Hasan ibn al-Haytham (‘Alhazen’). Contributing to a more informed and balanced understanding of the internal currents of the history of mathematics and the exact sciences in Islam, and of its adaptive interpretation and assimilation in the European context, this fundamental text will appeal to historians of ideas, epistemologists, mathematicians at the most advanced levels of research.
Scholars have come to recognize the importance of classical Islamic philosophy both in its own right and in its preservation of and engagement with Greek philosophical ideas. At the same time, the period immediately following the so-called classical era has been considered a sort of dark age, in which Islamic thought entered a long decline. In this monumental new work, Frank Griffel seeks to overturn this conventional wisdom, arguing that what he calls the "post-classical" period has been unjustly maligned and neglected by previous generations of scholars. The Formation of Post-Classical Philosophy in Islam is a comprehensive study of the far-reaching changes that led to a re-shaping of the philosophical discourse in Islam during the twelfth century. Earlier Western scholars thought that Islam's engagement with the tradition of Greek philosophy ended during that century. More recent analyses suggest that Islamic thinkers instead integrated Greek thought into the genre of rationalist Muslim theology (kal=am). Griffel argues that even this new view misses a key point. In addition to the integration of Greek ideas into kal=am, Muslim theologians picked up the discourse of classical philosophy in Islam (falsafa) and began to produce books in the tradition of Plato, Aristotle, and Avicennaa new and oft-misunderstood genre they called ".hikma"in which they left aside theological concerns. They wrote in both genres, kal=am and .hikma, and the same writers argued for opposing teachings on the nature of God, the world's creation, and the afterlife depending on the genre in which they were writing. Griffel shows how careful attention to genre demonstrates both the coherence and ambiguity of this new philosophical approach. A work of extraordinary breadth and depth, The Formation of Post-Classical Philosophy in Islam offers a detailed, insightful history of philosophy in Iraq, Iran, and Central Asia during the twelfth century. It will be essential reading for anyone interested in the history of philosophy or the history of Islam.
Each volume deals with a wide variety of scholarly subjects, all revolving around the central theme of Syro-Egypt's high and late medieval history. Topics dealt with include archaeology, architecture, codicology, economic, political, and religious history, as well as belles-lettres.
This volume provides a unique primary source on the history and philosophy of mathematics and the exact sciences in the mediaeval Arab world. The second of five comprehensive volumes, this book offers a detailed exploration of Arabic mathematics in the eleventh century as embodied in the legacy of the celebrated polymath al-Hasan ibn al-Haytham. Extensive analyses and annotations from the eminent scholar, Roshdi Rashed, support a number of key Arabic texts from Ibn al-Haytham’s treatises in infinitesimal mathematics, translated here into English for the first time. Rashed shows how Ibn al-Haytham’s works demonstrate a remarkable mathematical competence in mathematical subjects like the quadrature of the circle and of lunes, the calculation of the volumes of paraboloids, the problem of isoperimetric plane figures and solid figures with equal surface areas, along with the extraction of square and cubic roots. The present text is complemented by the first volume of A History of Arabic Sciences and Mathematics, which focused on founding figures and commentators in the ninth and tenth centuries Archimedean-Apollonian mathematical ‘School of Baghdad’. This constellation of works illustrates the historical and epistemological development of ‘infinitesimal mathematics’ as it became clearly articulated in the oeuvre of Ibn al-Haytham. Contributing to a more informed and balanced understanding of the internal currents of the history of mathematics and the exact sciences in Islam, and of its adaptive interpretation and assimilation in the European context, this fundamental text will appeal to historians of ideas, epistemologists and mathematicians at the most advanced levels of research.
This is the third of a three-volume set on medieval scholarship that presents original biographical essays on scholars whose work has shaped medieval studies for the past four hundred years. A companion to Volume 1: History and Volume 2: Literature and Philology, Volume 3: Philosophy and the Arts covers the lives of twenty eminent individuals-from Victor Cousin (1792-1867) to Georges Chehata Anawati (1905-1994) in Philosophy; from H.J.W. Tillyard (1881-1968) to Gustave Reese (1899-1977) in Music; and from Alois Riegl (1858-1905) to Louis Grodecki (1910-1982) in Art History-whose subjects were the art, music, and philosophical thought of Europe between 500-1500. The scholars of medieval philosophy strove to identify the nexus of philosophical truth, whether they were engaged in the clash of the Christian church and secular republicanism as reflected in the tension between theology and philosophy, in addressing the conflicting perceptions of Muslim identity, or in defining Jewish philosophical theology in non-Jewish culture. Medieval musicologists, who are included as the subjects of the essays, pioneered or recontextualized traditional views on the definition of music as subject matter, on the relationship between music and philosophical concepts, on interpretative distinctions between secular and sacred music, monophony and polyphony, and concepts of form and compositional style. The art historians treated in this volume not only overturn the view of medieval art as an aesthetic decline from classical art, but they demonstrate the continual development of form and style inclusive of minor and major arts, in textiles, architecture and architectural sculpture, manuscripts, ivory carvings, and stained glass. The philosophers, musicologists, and art historians who appear in Volume 3 worked in three newly-emerging disciplines largely of nineteenth-century origin. In their distinguished and extraordinary output of energy in scholarly and academic arenas, they contributed significantly to the emergence and formation of medieval studies as the prime discipline of historical inquiry into and hence the key to understanding of the human experience.
