Society and Politics in the Plays of Thomas Middleton

Society and Politics in the Plays of Thomas Middleton

Author: Swapan Chakravorty

Publisher: Clarendon Press

Published: 1996-05-23

Total Pages: 246

ISBN-13: 019159170X

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A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.


Penitent Brothellers

Penitent Brothellers

Author: Herbert Jack Heller

Publisher: University of Delaware Press

Published: 2000

Total Pages: 238

ISBN-13: 9780874137019

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"Panitent Brothellers focuses on the recurring incidents of repentance and conversion in Thomas Middleton's major comedies. Panitent Brothel's conversion in a Mad World, My Masters and Sir Walter Whorehound's repentance in A Chaste Maid in Cheapside are familiar examples of behavior that, while having precedents with St. Augustine and St. Paul, had been newly described by Luther and Calvin." "This study emphasizes close readings of Middleton's city comedies to reveal the importance of repentance and conversion in his theology."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


A Mad World, My Masters and Other Plays:

A Mad World, My Masters and Other Plays:

Author: Thomas Middleton

Publisher: Oxford University Press

Published: 1998-05-07

Total Pages: 420

ISBN-13: 9780192834553

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Michaelmas term: Cast gender - mixed; number - 19 males, 7 females (total 16); size - large; length - 5 acts, 18 scenes. Elizabethan drama. Property swindling of country landowner by city merchant.


Critical Analyses in English Renaissance Drama

Critical Analyses in English Renaissance Drama

Author: Brownell Salomon

Publisher: Popular Press

Published: 1979

Total Pages: 172

ISBN-13: 9780879721251

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This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.


The Making of Modern Cynicism

The Making of Modern Cynicism

Author: David Mazella

Publisher: University of Virginia Press

Published: 2007

Total Pages: 326

ISBN-13: 9780813926155

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Asks: how did ancient Cynic philosophy come to provide a name for its modern, unphilosophical counterpart, and what events caused such a dramatic reversal of cynicism's former meanings? This work traces the concept of cynicism from its origins as a philosophical way of life in Greek antiquity.


The Oxford Handbook of Thomas Middleton

The Oxford Handbook of Thomas Middleton

Author: Gary Taylor

Publisher: Oxford University Press

Published: 2012-04-05

Total Pages: 690

ISBN-13: 0199559880

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The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.


Dynamics Of Role-Playing In Jacobean Tragedy

Dynamics Of Role-Playing In Jacobean Tragedy

Author: Joan L Hall

Publisher: Springer

Published: 1991-10-23

Total Pages: 248

ISBN-13: 1349216526

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Jacobean actors fascinated audiences with their convincingly mimetic performances; often they appeared to assume the identities of the fictional characters they impersonated. A similar dynamic emerges in several tragedies of the period, where dramatic characters are frequently changed--for better or worse--by the roles they adopt within the play illusion. This study discusses how certain plays of Jonson and Middleton reveal the destructive consequences of assuming new personae; how three of Shakespeare's tragedies explore the ambivalent results of characters' experimentation with roles; and how Webster and Ford treat role-playing (including ceremonial behavior) creatively, as a vehicle for expressing and consolidating the dramatic self.