Middleton's Cynics
Author: Charles A. Hallett
Publisher:
Published: 1975
Total Pages: 326
ISBN-13:
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Author: Charles A. Hallett
Publisher:
Published: 1975
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKAuthor: Swapan Chakravorty
Publisher: Clarendon Press
Published: 1996-05-23
Total Pages: 246
ISBN-13: 019159170X
DOWNLOAD EBOOKA comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.
Author: Herbert Jack Heller
Publisher: University of Delaware Press
Published: 2000
Total Pages: 238
ISBN-13: 9780874137019
DOWNLOAD EBOOK"Panitent Brothellers focuses on the recurring incidents of repentance and conversion in Thomas Middleton's major comedies. Panitent Brothel's conversion in a Mad World, My Masters and Sir Walter Whorehound's repentance in A Chaste Maid in Cheapside are familiar examples of behavior that, while having precedents with St. Augustine and St. Paul, had been newly described by Luther and Calvin." "This study emphasizes close readings of Middleton's city comedies to reveal the importance of repentance and conversion in his theology."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Thomas Middleton
Publisher: Oxford University Press
Published: 1998-05-07
Total Pages: 420
ISBN-13: 9780192834553
DOWNLOAD EBOOKMichaelmas term: Cast gender - mixed; number - 19 males, 7 females (total 16); size - large; length - 5 acts, 18 scenes. Elizabethan drama. Property swindling of country landowner by city merchant.
Author: Brownell Salomon
Publisher: Popular Press
Published: 1979
Total Pages: 172
ISBN-13: 9780879721251
DOWNLOAD EBOOKThis bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.
Author: David Mazella
Publisher: University of Virginia Press
Published: 2007
Total Pages: 326
ISBN-13: 9780813926155
DOWNLOAD EBOOKAsks: how did ancient Cynic philosophy come to provide a name for its modern, unphilosophical counterpart, and what events caused such a dramatic reversal of cynicism's former meanings? This work traces the concept of cynicism from its origins as a philosophical way of life in Greek antiquity.
Author: Krystan V. Douglas
Publisher: Macmillan Reference USA
Published: 1996
Total Pages: 600
ISBN-13:
DOWNLOAD EBOOKAuthor: Gary Taylor
Publisher: Oxford University Press
Published: 2012-04-05
Total Pages: 690
ISBN-13: 0199559880
DOWNLOAD EBOOKThe 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.
Author: Joan L Hall
Publisher: Springer
Published: 1991-10-23
Total Pages: 248
ISBN-13: 1349216526
DOWNLOAD EBOOKJacobean actors fascinated audiences with their convincingly mimetic performances; often they appeared to assume the identities of the fictional characters they impersonated. A similar dynamic emerges in several tragedies of the period, where dramatic characters are frequently changed--for better or worse--by the roles they adopt within the play illusion. This study discusses how certain plays of Jonson and Middleton reveal the destructive consequences of assuming new personae; how three of Shakespeare's tragedies explore the ambivalent results of characters' experimentation with roles; and how Webster and Ford treat role-playing (including ceremonial behavior) creatively, as a vehicle for expressing and consolidating the dramatic self.