The second of a planned 10 volumes that will reprint all Sturgeon's short fiction covers his prolific output during 1940 and 1941, after which he suffered five years of writer's block. Showcasing Sturgeon's early penchant for fantasy, the first six selections include whimsical ghost stories, such as "Cargo," in which a World War II munitions freighter is commandeered by invisible, peace-loving fairies. With the publication of his enduring SF classic, "Microcosmic God," Sturgeon finally found his voice, combining literate, sharp-edged prose with fascinating speculative science while recounting the power struggle between a brilliant scientist, who creates his own miniature race of gadget makers, and his greedy banker. Voice found or not, every one of the stories here is readable and entertaining today because of Sturgeon's singular gifts for clever turns of phrase and compelling narrative. As Samuel R. Delaney emphasizes in an insightful introduction, Sturgeon was the single most influential SF writer from the 1940s through the 1960s.
Kurt Vonnegut cites Theodore Sturgeon as the inspiration for his character Kilgore Trout. This volume includes 12 stories from 1953, considered Sturgeon's golden era. Among them are such favorites as the title story, "The Silken-Swift," "A Way of Thinking," "The Dark Room," "The Clinic," and "The World Well Lost," a story very ahead of its time in advocating gay rights.
Hugo and Locus Award Finalist An Economist Best Book of the Year A Milwaukee Journal Sentinel Best Book of 2018 “An amazing and engrossing history...Insightful, entertaining, and compulsively readable.” — George R. R. Martin Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself. "Enthralling…A clarion call to enlarge American literary history.” — Washington Post “Engrossing, well-researched… This sure-footed history addresses important issues, such as the lack of racial diversity and gender parity for much of the genre’s history.” — Wall Street Journal “A gift to science fiction fans everywhere.” — Sylvia Nasar, New York Times bestselling author of A Beautiful Mind
Throughout history, man has been searching for better ways to gather information about his universe. But although they may have longed for it, not even the most brilliant minds could conceive of a device as infinitely powerful or as immeasurably precise as the Macroscope, until the twenty-first century. This is a story of mans desperate search for a compromise between his mind and his heart, between knowledge and humanity.
Six misfits, one powerful entity. An award-winning novel about belonging by “one of the greatest writers of science fiction and fantasy who ever lived” (Stephen King). Individually, they are a seemingly simpleminded young man living in the woods who can read the thoughts of others, a runaway girl with telekinetic powers, twin girls who can barely speak but can teleport across great distances, and an infant with a mind like a supercomputer. Together, they are the Gestalt—a single extraordinary being comprised of remarkable parts—although an essential piece may be missing . . . But are they the next stage in human development or harbingers of the end of civilization? The answer may come when they are joined by Gerry. Powerfully telepathic, he lacks a moral compass—and his hatred of the world that has rejected him could prove catastrophic. Winner of the International Fantasy Award and considered Theodore Sturgeon’s masterpiece, More Than Human is a genre-bending wonder that explores themes of responsibility and morality, individuality, and belonging. Moving and suspenseful, lyrical and provocative, the novel was one of the first to elevate science fiction into the realm of literature, and inspired musicians and artists, including the Grateful Dead and Crosby, Stills and Nash. From the Nebula Award–winning author of Godbody, The Dreaming Jewels, and other great works of science fiction, this is an unforgettable reading experience and a must for anyone who enjoys Ramsey Campbell, Robert Silverberg, or Philip José Farmer. This ebook features an illustrated biography of Theodore Sturgeon including rare images and never-before-seen documents from the University of Kansas’s Kenneth Spencer Research Library and the author’s estate, among other sources.
A collection of the early works of Theodore Sturgeon, acclaimed Grand Master of Science Fiction—featuring forewords by Ray Bradbury and Arthur C. Clarke Although Theodore Sturgeon's reach was limited to the lengths of the short story and novelette, his influence was strongly felt by even the most original science fiction stylists—including Ray Bradbury, Arthur C. Clarke, and Gene Wolfe. Written from 1937 to 1940, the stories here showcase Sturgeon's masterful knack for clever, O. Henry-ish plot twists, sparkling character development, and almost archetypal, “Why didn't I think of that?” story ideas. Early Sturgeon masterpieces include “It,” a story about the violence done by a creature spontaneously born from garbage and mud, and “Helix the Cat,” about an inventor's bizarre encounter with a disembodied soul and the cat that saves it. Featuring more than forty stories, The Ultimate Egoist is a timelessly entertaining tour through the early career and unique genius of this legend of science fiction.
In his most deeply personal work, religious scholar Needleman cuts a clear path through today?s clamorous debates over the existence of God, illuminating an entirely new way of approaching the question of how to understand a higher power. I n this new book, philosopher Jacob Needleman? whose voice and ideas have done so much to open the West to esoteric and Eastern religious ideas in the twentieth and twenty-first centuries?intimately considers humanity?s most vital question: What is God? Needleman begins by taking us more than a half century into the past, to his own experience as a brilliant, promising, Ivyeducated student of philosophy?atheistic, existential, and unwilling to blindly accept childish religiosity. But an unsettling meeting with the venerated Zen teacher D. T. Suzuki, combined with the sudden need to accept a dreary position teaching the philosophy of religion, forced the young academician to look more closely at the religious ideas he had once thought dead. Within traditional religious texts the scholar discovered a core of esoteric and philosophical ideas, more mature and challenging than anything he had ever associated with Judaism, Christianity, and the religions of the East. At the same time, Needleman came to realize?as he shares with the reader?that ideas and words are not enough. Ideas and words, no matter how profound, cannot prevent hatred, arrogance, and ultimate despair, and cannot prevent our individual lives from descending into violence and illusion. And with this insight, Needleman begins to open the reader to a new kind of understanding: The inner realization that in order to lead the lives we were intended for, the very nature of human experience must change, including the very structure of our perception and indeed the very structure of our minds. In What Is God?, Needleman draws us closer to the meaning and nature of this needed change?and shows how our present confusion about the purpose of religion and the concept of God reflects a widespread psychological starvation for this specific quality of thought and experience. In rich and varied detail, the book describes this inner experience?and how almost all of us, atheists and ?believers? alike, actually have been visited by it, but without understanding what it means and why the intentional cultivation of this quality of experience is necessary for the fullness of our existence.
