THE STORY: While their nine-year-old son is away for the night on his first sleepover, Adam and Jan have an evening alone together, their first in years. Adam's attempt to seduce his wife before he leaves on business the next day begins a suspensef
Comic drama / Characters: 7 male, 4 or 5 female Scenery: Various sets or unit set After showing dazzling promise in school but no success in Hollywood, director Dan Rittman suffered a breakdown and quit film making. Cameraman Neil Toomie, a hilarious, irreverent lapsed Catholic, shows up five years later with a horror film project he wants his friend to direct. Neil doesn't know that he has a brain tumor and limited time in which to rekindle the spark of old dreams. Dan doesn't realize how t
"It blew me away. I underlined things on nearly every page." —Anderson Cooper, All There Is The Wild Edge of Sorrow offers hope and healing for a profoundly fractured world—and a pathway home to the brightness, pains, and gifts of being alive. Introducing the 5 gates of grief, psychotherapist Francis Weller explores how we move through the waters of grief and loss in a culture so fundamentally detached from the needs of the soul. • The first gate recognizes—and invites us to accept—the painful truth that everything we love, we will lose. With this acceptance comes beauty and responsibility—and an openness into which we can pour the full love of our hearts. At the first gate, we meet the sorrow of losing a loved one; the grief of illness; and the unique and profound pains that accompany loss by suicide. • The second gate helps us uncover and tend to the places that have not known love: the neglected pieces of our soul that need restoration and care. These “places” can be our secret shames, or the parts of us that we feel are undeserving of love. At the second gate, we face our shadows and heal our most tender wounds. • The third gate meets us at the sorrows of the world, inviting us to open to the grave pain of our planet: the destruction of ecosystems, the harms of extractive capitalism, the unfathomable pain of war and occupation. We learn to honor and hold this grief even as we move through it, recommitting ourselves to the actions our souls call upon us to perform in service of healing and renewal. • The fourth gate, what we expected but did not receive, is present in each and every one of our lives. We may need love from a parent or partner unable to give it; we may lack the language to ask for the care we deserve. Each is a loss that must be acknowledged and grieved to move toward wholeness. • The fifth gate opens to our ancestral grief: the traumas, pains, losses, and unrealized dreams of those who came before us. Weller invites us to reconnect to our bodies, our communities, and the ancestral knowledge we hold in our bones...but may have forgotten. Profoundly moving, beautifully written, this book is a balm for the soul and a necessary salve for moving together through difficult times. Grounded in ritual and connection, The Wild Edge of Sorrow welcomes each grief with care and attention, opening us to the feelings, experiences, and sacred knowledge that connect us to each other and ultimately make us whole.
THE STORY: Michael Weller's Fifty Words culminated in one desperate phone call. SIDE EFFECTS is the story of what happened on the other end of the line. Hugh and Lindy's marriage seems picture-perfect, a beacon in their microcosmic Midwester
"Fifty Words has a gimlet eye, providing meticulously chosen, artfully integrated details that let us understand why its characters so love and loathe each other. Like Mr. Albee's Who's Afraid of Virginia Woolf? it understands how closely hate and love can be linked in marriage."—The New York Times In Fifty Words, a Brooklyn brownstone becomes a marital battleground for Adam and Jan; Do Not Disturb dramatizes Adam's infidelity at a hotel with former lover Melinda; and in Side Effects, Melinda and her husband Hugh come to terms with their broken relationship. Michael Weller has written over forty dramatic works, including the plays Moonchildren, Fishing, Loose Ends, and Beast, and the screenplays for Hair and Ragtime.
Ten years after the end of their affair in New York, two lovers meet in a hotel room far from their homes. Both are now married, both have children and both have been wondering about the road not taken. What begins as a casual meal and an evening of catching up turns into a painful, hilarious, passionate and moving voyage towards a moment that could change both their lives forever. Uncompromising in its attitude to modern marriage and infidelity, What the Night is For poses timeless questions - Am I with the right person? Or is my real soul mate still out there, living another life?
For many years, best-selling author Michael Phillips assumed he clearly understood the life of Jesus. Though Jesus was in truth his Savior, and even his Lord, Phillips felt challenged to understand more of the remarkable life lived two thousand years ago in Palestine. Then came a crisis in his spiritual pilgrimage when circumstances forced him...
THE STORY: Hurston's evocative prose and Wolfe's unique theatrical style blend to create an evening of theatre that celebrates the human spirit's ability to overcome and endure. Utilizing the blues, choral narrative and dance, the three tales focus
Michael Bradley joined his school friend's group in Derry, Northern Ireland in the summer of 1974. They had two guitars and no singer. Four years later the Undertones recorded 'Teenage Kicks', John Peel's favourite record, and became one of the most fondly remembered UK bands of the post punk era. Sticking to their punk rock principles, they signed terrible deals, made great records and had a wonderful time. They broke up in 1983 when they realised there was no pot of gold at the end of the rock and roll rainbow. His story is a bitter-sweet, heart-warming and occasionally droll tale of unlikely success, petty feuding and playful mischief during five years of growing up in the music industry. Wiser but not much richer, Michael became a bicycle courier in Soho after the Undertones split. "Sixty miles a day, fresh air, no responsibilities," he writes. "Sometimes I think it was the best job I ever had. It wasn't, of course."