MGM

MGM

Author: Steven Bingen

Publisher: Santa Monica Press

Published: 2011-02-25

Total Pages: 1157

ISBN-13: 1595808930

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M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.


Film Composers in America

Film Composers in America

Author: Clifford McCarty

Publisher:

Published: 2000

Total Pages: 554

ISBN-13: 9780195114737

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Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.


Incongruous Entertainment

Incongruous Entertainment

Author: Steven Cohan

Publisher: Duke University Press

Published: 2005-10-20

Total Pages: 379

ISBN-13: 0822387077

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With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity—between the camp value and popular appreciation of these musicals—is not as contradictory as it seems. He demonstrates that the films’ extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre’s production and marketing, paying particular attention to the studio’s employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars—including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne—and he explores the complex relationship between Gene Kelley’s dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin’ in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That’s Entertainment! series as well as on home video and cable; and the debates about Garland’s legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.


Billboard

Billboard

Author:

Publisher:

Published: 1951-04-28

Total Pages: 96

ISBN-13:

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.


American Journal of Physiology

American Journal of Physiology

Author:

Publisher:

Published: 1926

Total Pages: 750

ISBN-13:

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Vols. for 1898-1941, 1948-56 include the Society's proceedings (primarily abstracts of papers presented at the 10th-53rd annual meetings, and the 1948-56 fall meetings).


The Stars of Hollywood Remembered

The Stars of Hollywood Remembered

Author: J.G. Ellrod

Publisher: McFarland

Published: 1997-07-15

Total Pages: 208

ISBN-13: 0786402946

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Don Ameche, Eve Arden, George Burns, Bette Davis, Greer Garson, Rex Harrison, Lilli Palmer, George Raft, Ginger Rogers, Barbara Stanwyck, Orson Welles, Cornel Wilde--these are among the stars who graced the silver screen in Hollywood's Golden Age. Biographies and filmographies of these actors and actresses and 70 others who had passed from the scene by September 1996 are presented in this reference work. The biographical section focuses on how they came to be involved with whom they shared the screen. The filmography lists all the films in which they appeared, along with the studio and the year of release.


A Mystical Philosophy

A Mystical Philosophy

Author: Donna J. Lazenby

Publisher: A&C Black

Published: 2014-01-30

Total Pages: 345

ISBN-13: 1472523105

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Revealing, in an original and provocative study, the mystical contents of the works of famous atheists Virginia Woolf and Iris Murdoch, Donna Lazenby shows how these thinkers' refusal to construe worldviews on available reductive models brought them to offer radically alternative pictures of life which maintain its mysteriousness, and promote a mystical way of knowing. A Mystical Philosophy contributes to the contemporary resurgence of interest in Spirituality, but from an entirely new direction. This book provides a warning against reductive scientific and philosophical models that impoverish our understanding of ourselves and the world, and a powerful endorsement of ways of knowing that give art, and a restored concept of contemplation, their consummative place.