The daughter of an American diplomat, Mila has spent her childhood moving from country to country. When her mother is reassigned to Mexico City for Mila’s senior year of high school, Mila has no idea what to expect. Mexico seems to be a country with the ultimate freedoms: the wealthy students at her private international school—the sons and daughters of Mexico’s ruling class—party hard at exclusive clubs, dress in expensive clothing, and see more of their housekeepers than they do of their globe-trotting parents. But Mila has more in common with them than they know: her father, whose identity has been kept from her, is a high-ranking politician with whom Mila’s mother had a one-night stand in her hippie days. Now Mila is determined to discover who he is, whatever the cost may be. Mexican High is a coming-of-age story about identity, belonging, and first love. In a setting rife with sex, drugs, and political corruption, it is also a revealing look at elite Mexican society and its freedoms, dangers, and excesses. Monroy’s flawless evocation of the brink of adulthood, in many ways mirrored by the turmoil of Mexico City itself, makes this a truly memorable debut.
Monroy's memorable debut novel is an eye-opening, coming-of-age story about identity, belonging, and first love. In a setting rife with sex, drugs, and political corruption, it is also a revealing look at elite Mexican society and its freedoms and excesses.
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
We Heard It When We Were Young tells the story of a young boy, first-generation Mexican American, who is torn between cultures: between immigrant parents trying to acclimate to midwestern life and a town that is, by turns, supportive and disturbingly antagonistic.
This is the first comprehensive, one-volume encyclopedia in English devoted to pre-Columbian archaeology of the Mesoamerican culture area. In more than 500 articles by the major experts in the field, this work brings the most recent scholarship to an examination of regional environments and their cultural evolution. Entries range from the familiar and world-renowned archaeological discoveries of Maya and Aztec sites to more recent excavations such as the Sayil archaeological zone in the Yucatan and Teopantecuanitlan in Guerrero. A rich historical and cultural resource on one of the world's six cradles of civilization, this reference is ideal for students, scholars, and prospective travellers.
This review looks at gender equality in Mexico, examining what advancement has already been made and exploring what needs to be done to close existing gender gaps in political, social and economic life and promote real social change.
In The 1624 Tumult of Mexico in Perspective Angela Ballone offers, for the first time, a comprehensive study of an understudied period of Mexican early modern history. By looking at the mandates of three viceroys who, to varying degrees, participated in the events surrounding the Tumult, the book discusses royal authority from a transatlantic perspective that encompasses both sides of the Iberian Atlantic. Considering the similarities and tensions that coexisted in the Iberian Atlantic, Ballone offers a thorough reassessment of current historiography on the Tumult proving that, despite the conflicts and arguments underlying the disturbances, there was never any intention to do away with the king’s authority in New Spain.
