Over 790 detailed illustrations depict stylish ladies coats, dresses, jackets, children s wear and more. A delightful pictorial archive. Descriptive captions. "
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 5-Aug. 15, 2010, and at the Brooklyn Museum, May 7-Aug. 1, 2010.
An illustrated guide to one hundred of the gowns from the permanent collection of the Costume Institute at the Metropolitan Museum of Art, dating from the eighteenth century to the dawn of the twenty-first century.
Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.
Maira Kalman, the author of the bestsellers The Principles of Uncertainty and The Elements of Style, and Alex Kalman, the designer, curator, writer, and founder of Mmuseumm, combine their talents in this captivating family memoir, a creative blend of narrative and striking visuals that is a paean to an exceptional woman and a celebration of individuality, personal expression, and the art of living authentically. In the early 1950s, Jewish émigré Sara Berman arrived in the Bronx with her husband and two young daughters When the children were grown, she and her husband returned to Israel, but Sara did not stay for long. In the late 1960s, at age sixty, she left her husband after thirty-eight years of marriage. One night, she packed a single suitcase and returned alone to New York City, moving intoa studio apartment in Greenwich Village near her family. In her new home, Sara began discovering new things and establishing new rituals, from watching Jeopardy each night at 7:00 to eating pizza at the Museum of Modern Art’s cafeteria every Wednesday. She also began discarding the unnecessary, according to the Kalmans: "in a burst of personal expression, she decided to wear only white." Sara kept her belongings in an extraordinarily clean and organized closet. Filled with elegant, minimalist, heavily starched, impeccably pressed and folded all-white clothing, including socks and undergarments, as well as carefully selected objects—from a potato grater to her signature perfume, Chanel No.19—the space was sublime. Upon her death in 2004, her family decided to preserve its pristine contents, hoping to find a way to exhibit them one day. In 2015, the Mmuseumm, a new type of museum located in a series of unexpected locations founded and curated by Sara’s grandson, Alex Kalman, recreated the space in a popular exhibit—Sara Berman's Closet—in Tribeca. The installation eventually moved to the Metropolitan Museum of Art, and in spring 2019, will become an outdoor monument to independence at the National Museum of American Jewish History on Independence Mall in Philadelphia. Inspired by the exhibit, this spectacular illustrated memoir, packed with family photographs, exclusive images, and Maira Kalman's distinctive paintings, is an ode to Sara’s life, freedom, and re-invention. Sara Berman’s Closet is an indelible portrait of the human experience—overcoming hardship, taking risks, experiencing joy, enduring loss. It is also a reminder of the significance of the seemingly insignificant moments in our lives—the moments we take for granted that may turn out to be the sweetest. Filled with a daughter and grandson’s wry and touching observations conveyed in Maira’s signature script, Sara Berman’s Closest is a beautiful, loving tribute to one woman’s indomitable spirit.
A delightfully illustrated history of women’s wear in Victorian England, with decade-by-decade details of the styles—and the lifestyles they represented. Victorian Fashions for Women explores British styles and clothing throughout the long reign of Queen Victoria, from the late 1830s to the first years of the twentieth century. It provides a superb overview of the dresses, hats, hairstyles, corsetry, undergarments, shoes, and boots that combined to present the prevailing styles for each decade. It reflects a variety of women—from those who had enough money to have day and evening wear and clothes for sports and outdoor activities, to those with limited income and wardrobes, to laboring folk with little more than the clothes they stood up in. All decades are illustrated with original photographs, advertisements, and contemporary magazine features from the authors’ own remarkable collections, accompanied by a knowledgeable and informative text that describes the fashions, their social history context, and influences reflected in the clothes of the time. Laid out in a clear and easy-to-follow chronological order, the key features of styles, decoration, and accoutrements will help family historians to date family photographs and provide a useful resource for students, costume historians, or anyone with a love of fashion and style to enjoy.
"A provocative look at late 19th-century French fashion, which discredits the couturier as "genius creator" and makes you think differently about the impact of the American women who influenced the market"--
The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.