"Metromarxism" discusses Marxism's relationship with the city from the 1850s to the present by way of biographical chapters on figures from the Marxist tradition, including Marx, Walter Benjamin, Guy Debord, and David Harvey. Each chapter combines interesting biographical anecdotes with an accessible analysis of each individual's contribution to an always-transforming Marxist theory of the city. He suggests that the interplay between the city as center of economic and social life and its potential for progressive change generated a major corpus of work. That work has been key in advancing progressive political and social transformations.
"Metromarxism" discusses Marxism's relationship with the city from the 1850s to the present by way of biographical chapters on figures from the Marxist tradition, including Marx, Walter Benjamin, Guy Debord, and David Harvey. Each chapter combines interesting biographical anecdotes with an accessible analysis of each individual's contribution to an always-transforming Marxist theory of the city. He suggests that the interplay between the city as center of economic and social life and its potential for progressive change generated a major corpus of work. That work has been key in advancing progressive political and social transformations.
Henri Lefebvre has been celebrated as one of the most influential social theorists of the twentieth century. Understanding Henri Lefebvre places Lefebvre in his historical and intellectual context and analyzes the extraordinary range of his work, across politics, philosophy, history, literature and culture. Particular emphasis is given to Lefebvre's trilogy of inspirational thinkers-Hegel, Marx and Nietzsche; his links to contemporaries such as Heidegger, Axelos and the Situationalists; and his critiques of existentialism and structuralism. Analysis of his writings on cities are balanced with those on rural communities, the production of space connected to ideas of time and history, and everyday life linked to the festival and cultural revolution. Understanding Henri Lefebvre offers the most wide-ranging and reliable account of this central theorist available.
Shortlisted for the Deutscher Memorial Prize 2023 This book presents an encompassing, detailed and thorough overview and reconstruction of Lefebvre's theory of space and of the urban. Henri Lefebvre belongs to the generation of the great French intellectuals and philosophers, together with his contemporaries Michel Foucault and Jean-Paul Sartre. His theory has experienced a remarkable revival over the last two decades, and is discussed and applied today in many disciplines in humanities and social sciences, particularly in urban studies, geography, urban sociology, urban anthropology, architecture and planning. Lefebvre, together with David Harvey, is one of the leading and most read theoreticians in these fields. This book explains in an accessible way the theoretical and epistemological context of this work in French philosophy and in the German dialectic (Hegel, Marx, and Nietzsche), and reconstructs in detail the historical development of its different elements. It also gives an overview on the receptions of Lefebvre and discusses a wide range of applications of this theory in many research fields, such as urban and regional development, urbanization, urbanity, social space, and everyday life.
Dan Webb explores an undervalued topic in the formal discipline of Political Theory (and political science, more broadly): the urban as a level of political analysis and political struggles in urban space. Because the city and urban space is so prominent in other critical disciplines, most notably, geography and sociology, a driving question of the book is: what kind of distinct contribution can political theory make to the already existing critical urban literature? The answer is to be found in what Webb calls the "properly political" approach to understanding political conflict as developed in the work of thinkers like Chantal Mouffe, Jodi Dean, and Slavoj Žižek. This "properly political" analysis is contrasted with and a curative to the predominant "ethical" or "post-political" understanding of the urban found in so much of the geographical and sociological critical urban theory literature. In order to illustrate this primary theoretical argument of the book, Webb suggests that "common property" is the most useful category for conceiving the city as a site of the "properly political." When the city and urban space are framed within this theoretical framework, critical urbanists are provided a powerful tool for understanding urban political struggles, in particular, anti-gentrification movements in the inner city.
The linchpin of the momentous paradigm shift that produced the new hermeneutics of everyday life was a focus on people as active agents in various cultural contexts, uses and practices, the merging of the conventional distinctions between the private and the public, the local and the global, the material and the symbolic, and the bridging of the agency/structure divide marking grand historical and cultural narratives. In their place, a wealth of new kinds of narratives were produced out what ...
The Politics of the Encounter is a spirited interrogation of the city as a site of both theoretical inquiry and global social struggle. The city, writes Andy Merrifield, remains "important, virtually and materially, for progressive politics." And yet, he notes, more than forty years have passed since Henri Lefebvre advanced the powerful ideas that still undergird much of our thinking about urbanization and urban society. Merrifield rethinks the city in light of the vast changes to our planet since 1970, when Lefebvre's seminal Urban Revolution was first published. At the same time, he expands on Lefebvre's notion of "the right to the city," which was first conceived in the wake of the 1968 student uprising in Paris. We need to think less of cities as "entities with borders and clear demarcations between what's inside and what's outside" and emphasize instead the effects of "planetary urbanization," a concept of Lefebvre's that Merrifield makes relevant for the ways we now experience the urban. The city—from Tahrir Square to Occupy Wall Street—seems to be the critical zone in which a new social protest is unfolding, yet dissenters' aspirations are transcending the scale of the city physically and philosophically. Consequently, we must shift our perspective from "the right to the city" to "the politics of the encounter," says Merrifield. We must ask how revolutionary crowds form, where they draw their energies from, what kind of spaces they occur in—and what kind of new spaces they produce.
With a career in literature and art spanning more than sixty years, John Berger is characterized by an independent and anti-institutional approach to creativity. Working in a range of media including novels, painting, essays and scriptwriting, Berger's voice has resounded through mainstream and alternative culture alike. He is perhaps best known for his seminal book of art criticism Ways of Seeing, published in 1972. Tied directly into a four-part BBC television series, the book presented a radical new interpretation of Western cultural aesthetics. In the same year, Berger's experimental novel G. was awarded the Man Booker Prize for Fiction, cementing his reputation as a boundary-pushing writer and thinker. In this concise yet detailed study of Berger's life and work, the first for decades, Andy Merrifield sheds light on Berger the man, the artist, and the concerned citizen. Merrifield shows Berger to be a figure who constantly strives to open up new horizons, and also reveals the depth of feeling that infuses even his most intellectual work. In this sense, Berger is a creator who feels reality like the irrationalist Rousseau, yet is also a meticulous realist, probing objects critically and rationally like Spinoza. John Berger stitches together art, literature, biography and politics into a lucid, coherent whole. The result is a reader-friendly, freewheeling narrative, which gives fascinating insight into one of the most influential thinkers of our times. The book is essential reading for students and scholars of art, literature and twentieth-century culture.
Mapping the Megalopolis: Order and Disorder in Mexico City brings the humanities and the social sciences into a conversation about Mexico City in its social, political, and aesthetic manifestations. Through a shared exploration of the order and disorder that mutually constitute the city, contributing authors engage topics such as the privatization of public space, challenges to existing conceptualizations of the urban form, and variations on the flâneur and other urban actors. Mexico City is truly a city of versions, and Mapping the Megalopolis celebrates the intersection of the image of the city and the lived experience of it. Readers will find substantive entries on a great variety of Mexico City’s monumental and counter-monumental spaces, as well as some of its pivotal contemporary debates and cultural products. The volume serves both as supplemental reading on the world city or the Latin American city, and as a central text in a multidisciplinary study of Mexico City.
