Perfect Italian Diction for Singers

Perfect Italian Diction for Singers

Author: Timothy Cheek

Publisher: Rowman & Littlefield

Published: 2022-09-30

Total Pages: 251

ISBN-13: 153816342X

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Perfect Italian Diction for Singers: An Authoritative Guide provides the steps and tools for singing beautifully and expressively in this language. Timothy Cheek and Anna Toccafondi systematically home in on the essential features of the most beautiful Italian, pitfalls of non-native singers, and how to overcome those issues. In addition to delving to the heart of Italian sounds and inflection, they present controversies, misconceptions, and various approaches—often conflicting—that have arisen throughout the last century. Chapters also address: Italian style and legato Best use of supplemental resources and dictionaries Recitative with suggested, short Mozart excerpts Working with text Singing diphthongs, triphthongs, and hiatus Also included are a plethora of audio and video examples and exercises (over seventy QR codes), exercises for group or self-study, and self-assessment summaries. This book will help singers and students lay a solid foundation in beautiful, lyric Italian.


Practical Method of Italian Singing

Practical Method of Italian Singing

Author: Nicola Vaccai

Publisher: Ravenio Books

Published: 1986-11

Total Pages: 55

ISBN-13:

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Anyone who wishes to sing really well should begin by learning how to sing in Italian, not only because the Italian school of vocalisation is acknowledged to be superior to all others, but also on account of the language itself, where the pure and sonorous tone of its many vowel sounds will assist the singer in acquiring a fine voice-production and a clear and distinct enunciation in any language he may have to sing, no matter what may be his nationality.


The Italian Traditions & Puccini

The Italian Traditions & Puccini

Author: Nicholas Baragwanath

Publisher: Indiana University Press

Published: 2011-07-08

Total Pages: 439

ISBN-13: 0253001668

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“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice


Singing in Style

Singing in Style

Author: Martha Elliott

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 380

ISBN-13: 9780300109320

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Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.


Cantare Italiano - The Language of Opera

Cantare Italiano - The Language of Opera

Author: Sara Gamarro

Publisher: Rugginenti Editore

Published: 2020-09-07

Total Pages: 166

ISBN-13: 8876652612

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This book is a complete guide to the magic spells that the lyric diction of Italian Opera has cast on its audience for the last four hundred years, revealed and explained in their secrets by the author through an exact method of study whose effectiveness has been proven, over more than a decade of coaching activity, on her many students - Opera stars included - all over the world.


Italian Opera

Italian Opera

Author: David R. B. Kimbell

Publisher: Cambridge University Press

Published: 1991

Total Pages: 708

ISBN-13: 9780521466431

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David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.


Blumenfeld's Dictionary of Musical Theater

Blumenfeld's Dictionary of Musical Theater

Author: Robert Blumenfeld

Publisher: Hal Leonard Corporation

Published: 2010

Total Pages: 419

ISBN-13: 0879103728

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Have you heard of the first American musical, "The Black Crook", which opened in 1866 and had fifteen revivals? Its chorus of ladies in pink tights was a sensation! Do you know Oscar Straus' hilarious parody of Wagner's Ring cycle, "Die lustigen Nibelungen" ("The Merry Nibelungs")? Do you know who the Ricci brothers, the Piccinni family, Edmond Audran, David Braham, or Francois-Joseph Gossec were? Look them up in this remarkable, thoroughly researched, lively book. Packed with nuggets of useful and fascinating information, with nearly 1,800 entries, this is a must-have research tool and handy reference for the theater and music lover, student, teacher, professional singer, director, and producer. Meant as a supplement and companion to Blumenfeld's "Dictionary of Acting and Show Business" (Limelight, 2009), this unique dictionary is chock-full of information about all the various genres of musical theater; thumbnail plot summaries of many well-known and some more obscure works; thumbnail biographies of composers and writers; and, dance, theatrical, and music terminology. Historical terms and foreign terms (with pronunciations) are included, along with information on available recordings of many obscure pieces. Convenient lists of the works of Verdi, Puccini, Wagner, Gilbert and Sullivan, Sondheim, Rodgers and Hammerstein, and many others are provided.


The Cambridge Companion to Rossini

The Cambridge Companion to Rossini

Author: Emanuele Senici

Publisher: Cambridge University Press

Published: 2004-04-29

Total Pages: 320

ISBN-13: 1139826654

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This 2004 Companion is a collection of specially commissioned essays on one of the most influential opera composers in the repertoire. The volume is divided into four parts, each exploring an important element of Rossini's life, his world, and his works: biography and reception; words and music; representative operas; and performance. Within these sections accessible chapters, written by a team of specialists, examine Rossini's life and career; the reception of his music in the nineteenth century and today; the librettos and their authors; the dramaturgy of the operas; and Rossini's non-operatic works. Additional chapters centre on key individual operas chosen for their historical importance or position in the present repertoire, and include Tancredi, Il barbiere di Siviglia, Semiramide, and Guillaume Tell. The last section, Performance, focuses on the history of Rossini's operas from the viewpoint of singing and staging, as well as the influence of editorial work on contemporary performance practice.