El Metodo Moderno para la Guitarra, Nivel 1/Edicion Ampliada ofrece mejorasinvaluables al metodo para guitarra mas popular del mundo. Este volumen completo dobla la cantidad de estudios y solos del libro original. Cada conceptonuevo es reforzado por varias paginas de nuevo material de estudio. Adicionalmente, cada nota del Metodo Moderno para la Guitarra, Nivel 1 original ha sido incluido y apoyado por material adicional para interpretar.
Este es el método más importante del mundo para aprender a tocar una guitarra de estilo plectrum, probado en el tiempo y demostrado ser exitoso en la construcción del conocimiento armónico y la técnica necesaria para tocar en cualquier estilo. El libro 1 enseña la lectura de notas en primera posición y presenta solos, duetos, escalas y acordes en las teclas C, A menor, G y E menor. Mel Bay, un pionero en la educación de la guitarra, ideó un sistema de enseñanza que requiere que el estudiante aprenda solo la teoría y la técnica de la música para comprender y realizar la tarea en cuestión. Notación estándar solamente. En español. This is the world's premier method for learning to play plectrum-style guitar, time-tested and proven to be successful in building the harmonic knowledge and technique needed to play in any style. Book 1 teaches note reading in first position and presents solos, duets, scales and chords in the keys of C, A minor, G and E minor. Mel Bay, a pioneer in guitar education, devised a teaching system which requires the student to learn only enough music theory and technique to understand and perform the assignment at hand. Standard notation only. In Spanish.
This supplement to the Modern Guitar Method series focuses on playing chords. Chords are Shown in easy to play forms and strumming patterns for chords in the key of C, G, D, E minor, and A minor. A companion CD is included.
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
New classical guitar edition of the world leading Mel Bay Modern Guitar Method written by well-known concert guitarist and teacher Stanley Yates. the beginning classical guitarist will learn music reading, hand and sitting positions, practice techniques, arpeggio and scale technique, chordal and melodic playing, and solo and duet playing in the first position.Many of the exercises and study pieces include accompaniments that can be played along with a teacher during lessons or with the included CD (the student and teacher parts are presented on separate stereo channels allowing either part to be turned off if desired). the CD also contains all of the exercises, studies and solos presented in the book.An instructional DVD containing demonstrations, practice tips and performances of many of the exercises, studies and solos contained in the book is also available.
The Mel Bay Modern Guitar Method Complete Edition is known worldwide for the incredible array of music presented, the thoroughness of educational music content and ease of understanding. The method contains hundreds of solos,duets, picking studies, chord etudes, position studies, scale and techniqueetudes, lessons in theory and harmony and much more! Every key and every position on the guitar fingerboard is thoroughly taught. Music is presented by many of the great master composers such as Bach, Chopin, Tchaikovsky, Handel, Grieg and also renown guitar composers such as Sor, Tarrega and Carcassi. The styles of music presented in this exhaustive course range from Early Music to Jazz to Bluegrass and Country to Rock. This method will equip any guitarist to perform the demands of modern music with ease and will transition the guitar student from beginner to virtuoso. This comprehensive method contains allof the music found in the Mel Bay Modern Guitar Method Expanded Edition volumes 1 through 7 and comes with extensive online audio and video
In 2007, the United Nations adopted the UN Declaration on the Rights of Indigenous People, a landmark political recognition of indigenous rights. A decade later, this book looks at the status of those rights internationally. Written jointly by indigenous and non-indigenous scholars, the chapters feature case studies from four continents that explore the issues faced by Indigenous Peoples through three themes: land, spirituality, and self-determination.
This book delves deeply into playing in various keys and positions and Mel Bay'smusical thought process. Scales, chords and their inversions in the relative major/minor keys of C/A minor G /E minor, F/D minor, D/B minor, A/F# minor, B- flat/G minor, A-flat/F, and D-flat/B-flat minor are reviewed or presented for the first time. The author progressively introduces the theory behind diminished seventh and augmented chords with chord etudes and expertly arranged solos and duets interspersed. Includes exercises in reading melodic lines in the third, fourth and fifth positions as well as all chord forms in the second, third, fourth, fifth, seventh, and ninth positions. Concludes with the Cycle of Keys in fourths and fifths. Written in standard notation only. On completion of this book you'll be well on your way to becoming an accomplished guitarist, with two grades yet to go!
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.
