William Wrede was among the first to recognise the creative contribution of the Gospel writers. His work thus laid the foundation for the work of the Form Critics, Redaction Critics and Literary Critics whose scholarship dominated New Testament studies during the twentieth century. This highly influential work was throughout this period the departure point for all studies in the Gospel of Mark and in the literary methods of the evangelists. It remains highly relevant for its ground-breaking approach to the classically complicated question of whether Jesus saw himself and represented himself as the Messiah.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
In this bold experiment in Christology, Ben Witherington develops a new, indirect method to discern Jesus' self-understanding.Using the evangelist's portrayals of Jesus' words, deeds, and relationships as avenues of insight, Witherington reveals a Jesus who both understood and disclosed himself in messianic terms, filling traditional terms?Son of man, Son of David, and Messiah'with new content.
David F. Watson brings a new perspective to the "messianic secret," relying not on the Christological concerns of 19th- and 20th-century theologians, but on recent insights into the role of honor and shame in ancient Mediterranean culture on the part of social scientists. Mark's portrayal of Jesus simultaneously shows his ability to provide favors and benefits to others and his refusal to put himself forward or draw attention to himself as a benefactor, thereby teaching that in God's kingdom it is not the great and powerful who are most highly regarded, but the humble.
This important work represents a major methodological advance in the study of the Gospels.... The result is a significant reassessment of Mark's Christology and a stunning, new interpretation of the secrecy motif.
When world-class biblical scholar Bart Ehrman first began to study the texts of the Bible in their original languages he was startled to discover the multitude of mistakes and intentional alterations that had been made by earlier translators. In Misquoting Jesus, Ehrman tells the story behind the mistakes and changes that ancient scribes made to the New Testament and shows the great impact they had upon the Bible we use today. He frames his account with personal reflections on how his study of the Greek manuscripts made him abandon his once ultraconservative views of the Bible. Since the advent of the printing press and the accurate reproduction of texts, most people have assumed that when they read the New Testament they are reading an exact copy of Jesus's words or Saint Paul's writings. And yet, for almost fifteen hundred years these manuscripts were hand copied by scribes who were deeply influenced by the cultural, theological, and political disputes of their day. Both mistakes and intentional changes abound in the surviving manuscripts, making the original words difficult to reconstruct. For the first time, Ehrman reveals where and why these changes were made and how scholars go about reconstructing the original words of the New Testament as closely as possible. Ehrman makes the provocative case that many of our cherished biblical stories and widely held beliefs concerning the divinity of Jesus, the Trinity, and the divine origins of the Bible itself stem from both intentional and accidental alterations by scribes -- alterations that dramatically affected all subsequent versions of the Bible.
Marvin Meyer is one of the leading experts on the secret gospels-Gospel of Thomas, Secret Gospel of Mark, and others-who has changed forever how we read the canonical gospels and understand early Christianity. In this new collection of his work, Meyer looks at these revolutionary texts in original and illuminating ways. He writes, for example, about the naked youths in the villa of the Mysteries. On the walls of a villa in Pompeii, a famous mural depicts a naked male reading from a scroll, a look of wonder on his face. A naked youth again appears in the Gospel of Mark, abandoning his garment and fleeing naked when apprehended during Jesus' arrest. A similar youth appears in the Secret Gospel of Mark. These youths, Meyer proposes, serve as an image of religious initiation, candidates for the mysteries of Dionysus or of Christ. This is one of the many aspects of the secret gospels that Meyer examines with expert insight and creativity. Topics range from gender and infancy stories to discipleship and the relationship of the Gospel of Thomas to Islamic literature. Meyer's spellbinding readings of these materials offer fresh understandings of the canonical gospels. Marvin Meyer is Griset Professor of Bible and Christian Studies, and Director of the Albert Schweitzer Institute at Chapman University, Orange, California. He is author of The Secret Teachings of Jesus: Four Gnostic Gospels and The Gospel of Thomas: The Hidden Sayings of Jesus, and co-editor of Jesus Then and Now (Trinity Press International).
With clarity and verve, Mark Allen Powell introduces the beginning student to the contents and structure of the Gospels, their distinctive characteristics, and their major themes. An introductory chapter surveys the political, religious, and social world of the Gospels, methods of approaching early Christian texts, the genre of the Gospels, and the religious character of these writings. This second edition has been updated to take fuller account of different theories regarding the Gospels, with new chapters on the historical Jesus and on gospel literature not included in our New Testament, and with a pleasing new format. Special features include illustrations and more than two dozen special topics.
