Messerschmidt and Modernity

Messerschmidt and Modernity

Author: Antonia Boström

Publisher: Getty Publications

Published: 2012-09-12

Total Pages: 82

ISBN-13: 0892369744

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An astonishing group of sixty-nine “Character Heads” by German sculptor Franz Xaver Messerschmidt (1736–1783) has fascinated viewers, artists, and collectors for more than two centuries. The heads, carved in alabaster or cast in lead or tin alloy, were conceived outside the norm of conventional portrait sculpture and explore the furthest limits of human expression. Since their first exposure to the public in 1793, artists, including Egon Schiele (1890–1918), Francis Bacon (1909–1992), Arnulf Rainer (born 1929), and, more recently, Tony Cragg (born 1949) and Tony Bevan (born 1951), have responded to their overwhelming visual power. Lavishly illustrated, Messerschmidt and Modernity presents remarkable works created by and inspired by Messerschmidt, an artist both of and ahead of his time. The Character Heads situate the artist’s work squarely within the eighteenth-century European Enlightenment, with its focus on expression and emotion. Yet their uncompromising style stands in sharp contrast to the florid Baroque style of Messerschmidt’s earlier sculptures for the court of Empress Maria Theresa of Austria. With their strict frontality and narrow silhouettes, the Character Heads appear to contemporary eyes as having been conceived in a “modern” aesthetic. Their position at the apparent limits of rational art have made them compelling to successive generations of artists working in a variety of media.


Messerschmidt's Character Heads

Messerschmidt's Character Heads

Author: Michael Yonan

Publisher: Routledge

Published: 2017-09-22

Total Pages: 377

ISBN-13: 1315448386

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This book examines a famous series of sculptures by the German artist Franz Xaver Messerschmidt (1736–1783) known as his "Character Heads." These are busts of human heads, highly unconventional for their time, representing strange, often inexplicable facial expressions. Scholars have struggled to explain these works of art. Some have said that Messerschmidt was insane, while others suggested that he tried to illustrate some sort of intellectual system. Michael Yonan argues that these sculptures are simultaneously explorations of art’s power and also critiques of the aesthetic limits that would be placed on that power.


Gender Reckonings

Gender Reckonings

Author: James W. Messerschmidt

Publisher: NYU Press

Published: 2018-02-13

Total Pages: 377

ISBN-13: 1479837350

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Vivid narratives, fresh insights, and new theories on where gender theory and research stand today Since scholars began interrogating the meaning of gender and sexuality in society, this field has become essential to the study of sociology. Gender Reckonings aims to map new directions for understanding gender and sexuality within a more pragmatic, dynamic, and socially relevant framework. It shows how gender relations must be understood on a large scale as well as in intimate detail. The contributors return to the basics, questioning how gender patterns change, how we can realize gender equality, and how the structures of gender impact daily life. Gender Reckonings covers not only foundational concepts of gender relations and gender justice, but also explores postcolonial patterns of gender, intersectionality, gender fluidity, transgender practices, neoliberalism, and queer theory. Gender Reckonings combines the insights of gender and sexuality scholars from different generations, fields, and world regions. The editors and contributors are leading social scientists from six continents, and the book gives vivid accounts of the changing politics of gender in different communities. Rich in empirical detail and novel thinking, Gender Reckonings is a lasting resource for students, researchers, activists, policymakers, and everyone concerned with gender justice.


The Miombo in Transition

The Miombo in Transition

Author: Bruce Morgan Campbell

Publisher: CIFOR

Published: 1996-01-01

Total Pages: 273

ISBN-13: 9798764072

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Miombo woodlands and their use: overview and key issues. The ecology of miombo woodlands. Population biology of miombo tree. Miombo woodlands in the wider context: macro-economic and inter-sectoral influences. Rural households and miombo woodlands: use, value and management. Trade in woodland products from the miombo region. Managing miombo woodland. Institutional arrangements governing the use and the management of miombo woodlands. Miombo woodlands and rural livelihoods: options and opportunities.


Live and Die Like a Man

Live and Die Like a Man

Author: Farha Ghannam

Publisher: Stanford University Press

Published: 2013-09-04

Total Pages: 238

ISBN-13: 0804787913

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An anthropologist deconstructs the notion of masculinity using twenty years of field research in the Cairo neighborhood of al-Zawiya. Watching the revolution of January 2011, the world saw Egyptians, men and women, come together to fight for freedom and social justice. These events gave renewed urgency to the fraught topic of gender in the Middle East. The role of women in public life, the meaning of manhood, and the future of gender inequalities are hotly debated by religious figures, government officials, activists, scholars, and ordinary citizens throughout Egypt. Live and Die Like a Man presents a unique twist on traditional understandings of gender and gender roles, shifting the attention to men and exploring how they are collectively “produced” as gendered subjects. It traces how masculinity is continuously maintained and reaffirmed by both men and women under changing socio-economic and political conditions. Over a period of nearly twenty years, Farha Ghannam lived and conducted research in al-Zawiya, a low-income neighborhood not far from Tahrir Square in northern Cairo. Detailing her daily encounters and ongoing interviews, she develops life stories that reveal the everyday practices and struggles of the neighborhood over the years. We meet Hiba and her husband as they celebrate the birth of their first son and begin to teach him how to become a man; Samer, a forty-year-old man trying to find a suitable wife; Abu Hosni, who struggled with different illnesses; and other local men and women who share their reactions to the uprising and the changing situation in Egypt. Against this backdrop of individual experiences, Ghannam develops the concept of masculine trajectories to account for the various paths men can take to embody social norms. In showing how men work to realize a “male ideal,” she counters the prevalent dehumanizing stereotypes of Middle Eastern men all too frequently reproduced in media reports, and opens new spaces for rethinking patriarchal structures and their constraining effects on both men and women. Praise for Live and Die Like a Man “In a book that lives up to its name, anthropologist Ghannam explores what it means to be a man . . . . Her thick descriptions, amassed over 20 years of research, will make readers laugh, cry, and gasp at the lives of these individuals . . . . By examining the construct of manhood, Ghannam is charting new territory in Middle Eastern studies. Summing Up: Highly recommended.” —CHOICE “With its focus on masculinity, Farha Ghannam’s thoughtful ethnography, Live and Die Like a Man, makes important interventions into the anthropological scholarship on gender, childhood, and family in the Middle East . . . . Her ethnographic sensibility perfectly grasps the dynamic and complex intertwining of male and female ways of being and self-presentation and how that interrelationship forms men’s lives.” —International Journal of Middle East Studies


Another World: The Transcendental Painting Group

Another World: The Transcendental Painting Group

Author: Michael Duncan

Publisher:

Published: 2021-07-06

Total Pages: 240

ISBN-13: 9781942884873

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Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.


Unequal Family Lives

Unequal Family Lives

Author: Naomi R. Cahn

Publisher: Cambridge University Press

Published: 2018-08-02

Total Pages: 349

ISBN-13: 1108415954

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This volume explores the causes and consequences of family inequality in the United States, Europe, and Latin America.


Francis Bacon

Francis Bacon

Author: Hugh Marlais Davies

Publisher:

Published: 2002

Total Pages: 86

ISBN-13:

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British artist Francis Bacon (1909-1992), one of the foremost artists of the twentieth century, is known for his expressive figurative paintings. Perhaps Bacon's most famous image - the so-called 'screaming pope' in Study after Velázquez's Portrait of Pope Innocent X (1953) - became the touchstone for the longest series of paintings in his career, the Papal Portraits of 1953.In 1953 'haunted and obsessed by the image...by its perfection,' Bacon sought to reinvent Velázquez's seventeenth-century Portrait of Pope Innocent X (1650) in the paintings that are the focus of this book. Francis Bacon replaced the grand, official state portrait with an intimate, spontaneous 'candid camera' glimpse behind the well-ordered exterior. While the Spanish master Velázquez portayed the pope ex cathedra, Bacon captured him in camera, as if behind a closed door or through a one-way mirror.This series of eight papal portraits, painted during a period of just a few weeks in the summer of 1953, was brought together for the first time by noted Bacon scholar Hugh M. Davies for a 1999 exhibition at the Museum of Contemporary Art, San Diego, along with several other works from the same period, including Sphinx I and two recently found Study after Velázquez paintings from 1950. This book includes a new essay by Davies, discussing the artist's influences and sources of imagery for the series, and a previously unpublished interview that Davies conducted with Bacon in 1973.


Thomas Schütte

Thomas Schütte

Author: Thomas Schütte

Publisher: Koenig Books

Published: 2016

Total Pages: 190

ISBN-13: 9783960980087

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Thomas Sch�tte: United Enemies takes the artist's sculptural works from the past two decades as its starting point. The heavy bronze giants in United Enemies (2011), originate in small hastily sculptured ?gures with heads of modelling clay, created almost twenty years earlier. The book is richly illustrated and presents the sculptures, along with a selection of the artist's works on paper and architectural models. In his works he explores transformations of scale, and the intimate and personal is juxtaposed with the monumental and authoritarian. The main essay by Bente Larsen, Professor in Art History at the University of Oslo, focuses on the fragmented body and how this aesthetical and philosophical concept relates to Thomas Sch�tte's work.