Merleau-Ponty and Nishida
Merleau-Ponty and Nishida

Author: Adam Loughnane

Publisher: SUNY Press

Published: 2019-12-19

Total Pages: 444

ISBN-13: 1438476116

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Places the phenomenologies of Merleau-Ponty and Nishida in dialogue and uncovers a demand for a motor-perceptual form of faith in both philosophers’ meditations on artistic expression. In Merleau-Ponty and Nishida, Adam Loughnane initiates a fascinating new dialogue between two of the twentieth century’s most important phenomenologists of the Eastern and Western philosophical worlds. Throughout the book, the reader is guided among the intricacies and innovations of Merleau-Ponty’s and Nishida’s ontological approaches to artistic expression with a focused look at a rarely explored connection between faith and negation in their philosophies. Exploring the intertwining of these concepts in their broader ontologies invokes a reappraisal of the ambiguous status of religion and art in the writings of both thinkers. Measuring these ambiguities, the ontologies of Flesh and Basho are read in-depth alongside great artworks and the motor-perceptual practices of seminal landscape artists such as Cézanne, Sesshū, Taiga, and Hasegawa, as well as other major figures of European, Chinese, and Japanese art history. Loughnane studies these artists’ bodily practices, focusing on the intimate relations realized with the landscapes they paint, and illuminating a valence of their expressive disciplines as a motor-perceptual form of faith. Merleau-Ponty and Nishida is an exciting intercultural reading, expanding two philosophers’ projects toward new horizons of research, revealing incitements in their writings that challenge unambiguous distinctions between art, philosophy, faith, and ultimately philosophy East and West. “Loughnane illuminates the ambiguous, chiasmatic, and dynamic relationality between the body and the world, providing concrete examples from art history East and West. He not only skillfully explains Nishida’s and Merleau-Ponty’s ontological notions, but also puts their philosophy to the test of art works, proving that their thinking reveals an important truth of art.” — Takeshi Kimoto, Chukyo University

Merleau-Ponty and Buddhism
Merleau-Ponty and Buddhism

Author: Jin Y. Park

Publisher: Lexington Books

Published: 2009-08-13

Total Pages: 350

ISBN-13: 0739140779

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Merleau-Ponty and Buddhism explores a new mode of philosophizing through a comparative study of Maurice Merleau-Ponty's phenomenology and philosophies of major Buddhist thinkers such as Nagarjuna, Chinul, Dogen, Shinran, and Nishida Kitaro. Challenging the dualistic paradigm of existing philosophical traditions, Merleau-Ponty proposes a philosophy in which the traditional opposites are encountered through mutual penetration. Likewise, a Buddhist worldview is articulated in the theory of dependent co-arising, or the middle path, which comprehends the world and beings in the third space, where the subject and the object, or eternalism and annihilation, exist independent of one another. The thirteen essays in this volume explore this third space in their discussions of Merleau-Ponty's concepts of the intentional arc, the flesh of the world, and the chiasm of visibility in connection with the Buddhist doctrine of no-self and the five aggregates, the Tiantai Buddhist concept of threefold truth, Zen Buddhist huatou meditation, the invocation of the Amida Buddha in True Pure Land Buddhism, and Nishida's concept of basho.

Intuition and Reflection in Self-Consciousness
Intuition and Reflection in Self-Consciousness

Author: Kitaro Nishida

Publisher: State University of New York Press

Published: 1987-01-09

Total Pages: 240

ISBN-13: 1438414749

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Nishida Kitaro's reformulation of the major issues of Western philosophy from a Zen standpoint of "absolute nothingness" and "absolutely contradictory self-identity" represents the boldest speculative enterprise of modern Japan, continued today by his successors in the "Kyoto School" of philosophy. This English translation of Intuition and Reflection in Self-Consciousness evokes the movement and flavor of the original, clarifies its obscurities, and eliminates the repetitions. It sheds new light on the philosopher's career, revealing a long struggle with such thinkers as Cohen, Natorp, Husserl, Fichte, and Bergson, that ended with Nishida's break from the basic ontological assumptions of the West. Throughout labyrinthine arguments, Nishida never loses sight of his theme: the irreducibility and unobjectifiability of the act of self-consciousness which constitutes the self. Extensive annotation is provided for the first time in any edition of Nishida's work. Historians of Japanese philosophy and culture, and all those interested in the interaction of Eastern and Western thought-forms, now have a document which highlights many of the cultural, psychological, and intellectual dynamics that have shaped Japanese intellectual life in one of its most fascinating and ambitious manifestations.

Merleau-Ponty and the Art of Perception
Merleau-Ponty and the Art of Perception

Author: Duane H. Davis

Publisher: SUNY Press

Published: 2016-03-01

Total Pages: 337

ISBN-13: 1438459599

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Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty’s aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher’s writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.

An Inquiry into the Good
An Inquiry into the Good

Author: Kitaro Nishida

Publisher: Yale University Press

Published: 1992-01-29

Total Pages: 222

ISBN-13: 9780300052336

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"An Inquiry into the Good, the earliest work of Kitarō Nishida, established its author as the foremost Japanese philosopher of the twentieth century. The book represents the foundation of Nishida's philosophy, which reflects both his deep study of Zen Buddhism and his thorough analysis of Western philosophy. In this important new translation, two scholars -- one Japanes and one American -- have worked together to present a lucid and accurate rendition of this basic work. They have also included an enlightening introduction and ample notes to aid the Western reader. Nishida sets forth the notion of "pure experience"--The concept that pure, or direct, experience precedes the separation of subject and object and is true reality. He next considers reality, investigating its relation to thinking, volition, and intuition. The Good, which Nishida considered to be the realization of our internal demands or ideals, is analyzed in the light of the nature of reality and pure experience. In conclusion, Nishida suggests a theory of God as the unifier of the universe and the universe as an expression of God. Throughout he touches upon the work of Western philosophers such as Kant, Hegel, Fichte, William James, and John Dewey in order to explicate his ideas"-- Front flap.

Merleau-Ponty Vivant
Merleau-Ponty Vivant

Author: Martin C. Dillon

Publisher: SUNY Press

Published: 1991-01-01

Total Pages: 272

ISBN-13: 9780791406588

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Situates Merleau-Ponty's thinking in the last decade of the twentieth century, both with regard to general context and specific themes.

The Kyoto School's Takeover of Hegel
The Kyoto School's Takeover of Hegel

Author: Peter Suares

Publisher: Rowman & Littlefield

Published: 2011

Total Pages: 234

ISBN-13: 0739146882

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The Kyoto School's Takeover of Hegel: Nishida, Nishitani, and Tanabe Remake the Philosophy of Spirit is Peter Suares' in-depth analysis of the Kyoto School's integration of Western philosophical idealism with Japanese religious traditions. Suares traces the School's attempts to develop a doctrine of absolute nothingness using Hegel's dialectic of self-consciousness. Hegel's dialectic plays a formative role in the work of the three principal figures of the School--Nishida Kitaro, Nishitani Keiji, and Tanabe Hajime--yet many of its aspects are difficult to integrate with their neo-Buddhist outlook. Suares shows how this difficulty manifests itself in the ambivalence of the three philosophers toward Hegel: they are not only his adherents, but also his outspoken critics. Their criticism itself is no less problematic. The ostensibly Hegelian ideas denounced by Nishida, Nishitani, and Tanabe are often difficult to identify in his philosophy. On the other hand, many of their own theses, which they advance in express opposition to Hegel, are in fact quite compatible with his teachings. Given the pivotal importance of Hegel to the Kyoto School, Suares demonstrates how these misreadings signal a problem with the coherence of the School's broader worldview. The Kyoto School's Takeover of Hegel suggests how this problem could have been mitigated, making the School's philosophy of nothingness more effective than it is today.

Japanese and Continental Philosophy
Japanese and Continental Philosophy

Author: Bret W. Davis

Publisher: Indiana University Press

Published: 2011-01-13

Total Pages: 347

ISBN-13: 0253222540

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Recognizing the importance of the Kyoto School & its influence on philosophy, politics, religion & Asian studies, this text seeks to initiate a conversation between Japanese & Western philosophers.

Encyclopedia of Phenomenology
Encyclopedia of Phenomenology

Author: Lester Embree

Publisher: Springer Science & Business Media

Published: 2013-06-29

Total Pages: 778

ISBN-13: 9401588813

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This encyclopedia presents phenomenological thought and the phenomenological movement within philosophy and within more than a score of other disciplines on a level accessible to professional colleagues of other orientations as well as to advanced undergraduate and graduate students. Entries average 3,000 words. In practically all cases, they include lists of works "For Further Study." The Introduction briefly chronicles the changing phenomenological agenda and compares phenomenology with other 20th Century movements. The 166 entries are a baut matters of seven sorts: ( 1) the faur broad tendencies and periods within the phenomenological movement; (2) twenty-three national traditions ofphenomenology; (3) twenty-two philosophical sub-disciplines, including those referred to with the formula "the philosophy of x"; (4) phenomenological tendencies within twenty-one non-philosophical dis ciplines; (5) forty major phenomenological topics; (6) twenty-eight leading phenomenological figures; and (7) twenty-seven non-phenomenological figures and movements ofinteresting sim ilarities and differences with phenomenology. Conventions Concern ing persons, years ofbirth and death are given upon first mention in an entry ofthe names of deceased non-phenomenologists. The names of persons believed tobe phenomenologists and also, for cross-referencing purposes, the titles of other entries are printed entirely in SMALL CAPITAL letters, also upon first mention. In addition, all words thus occurring in all small capital letters are listed in the index with the numbers of all pages on which they occur. To facilitate indexing, Chinese, Hungarian, and Japanese names have been re-arranged so that the personal name precedes the family name.