Think deep. The deep of the sea, the deep of space, the deep of our souls, our fears ... ourselves. Fear not the monsters under your bed—but the mermaids under your boat. Merciless Mermaids: Tails from the Deep?features thirty original stories and poems by Mercedes Lackey, Rick Wilber, D.J. Butler, Gama Ray Martinez, Julia Vee, Ken Bebelle, and many others. From Japanese legends to mafia mermen, from carnival freaks to flying aces, from bayou legends to kraken-like behemoths, these tales explore the darker side of merfolk: desire, envy, love unfulfilled, grace ungranted, loneliness turned to rage.... Can you see the shapes in the waters that watch you? Do you hear the lure of a siren’s call?
Forty, freckled and facing infertility, Megan Dunn hears the siren call that reawakens her lifelong obsession, and sets off in pursuit of mermaids. Real mermaids. From Coney Island and Copenhagen to Courtenay Place, Wellington, New Zealand, from the semiotics of 1984 romantic comedy Splash to meet-ups with top professional mermaids, her odyssey takes her fathoms deep, past the wreck and the boardwalk, as she asks the question that has plagued humans for millennia: What is it about mermaids? Diving into the caverns of her own life, Megan loses the plot but finds her voice and hears the mermaids singing. Shimmeringly intellectual and devastatingly deadpan, tragicomic and true, this is an off-the-hook tale about sex and death, mothers and daughters, women’s work and marriage, the stories we tell ourselves and the myths that define us all. ‘Her voice is so strong. It’s wonderful.’ — Lorde ‘A treasure of a memoir . . . funny, frank and moving.’ — Kim Hill ‘Observes the importance of fantasy with keen wit and an open heart’. — Pip Adam, author of Nothing to See ‘A fabulously witty adventure, written in deeply moving prose.’ — Philip Hoare, author of Leviathan or, The Whale
From the seas of antiquity to the city streets of today, A Mermaid's Tale explores the myth and meanings of the mermaid. Beginning with Melusina, the bathing mermaid par excellence, Amanda Adams goes on to describe the seductive sirens and their honeyed songs, the powerful Arctic sea goddess Sedna, and the long-haired rusalki or Russian lore, among other legendary mermaids. As she tells their stories, she also expresses a love of the mermaid that surely no sea-bound sailor could ever match. Grounded in cultural anthropology, folklore studies, and intellectual rigor, A Mermaid's Tale also draws.
She’s turned her back on killing. He’s looking for justice. When destiny throws them together, will their passions make war… or love? Merielle resents the violent path of being a mermaid. Yearning for romance and a peaceful life as a human, the beautiful sea nymph flees her monstrous family in search of a better future. But when she’s caught in a terrifying tempest, she’s cast onto the shore injured and at the mercy of a vengeance-minded man. Nikolas Cosara is determined to find the merfolk who kidnapped his brother. So when he comes across a beached ocean-dweller battered by the storm, he quells his desire for revenge and takes her in while hoping for word of his sibling’s fate. But as he nurses the deadly creature back to health, he cannot escape his surprising and growing affection. As the unlikely pair spends endless days together, Merielle starts to believe the guarded man with the turbulent past is the answer to her dreams. But when information regarding his brother bubbles to the surface, Nikolas fears trusting the lovely girl is a terrible mistake. Will these sworn enemies help one another heal and discover the forever they deserve? The Lord and the Mermaid is the sultry fourth book in The Queenmakers Saga epic fantasy romance series. If you like authentic characters, picture-painting detail, and steamy retellings of classic stories, then you’ll adore Bernadette Rowley’s exciting adventure.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Kali led a quiet, normal life, she had no reason to suspect she was anything but a human. A much needed vacation turned into a mysterious journey of magic in an underwater world. Now, along with a small group of merpeople including a powerful aunt, an implacable leader, an adventurer, a recluse and a protector, Kali was setting out to stop a powerful merman known as 'The Destroyer'. The outcome would forever change the lives of all mers and humans alike. Will \kali accept the changes in her and embrace this mysterious, magical world in order to save her kind, or would she forsake her true self?
Analysis of the mermaid in Japanese and English fairy tales through the framework of pleasure. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid "explores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale "The Little Mermaid" by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages. The book begins with the various approaches to reading and writing fairy tales, with a history of "The Little Mermaid" in Japanese and English culture. Disney's The Little Mermaid and Studio Ghibli's Ponyo on the Cliff by the Sea are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's "The Little Mermaid" and of the fairy tale itself, furthering the discussion with Nonaka Hiiragi's novel Ningyo-hime no kutsu, and D[di?]'s novel Sento no ningyo-hime to majo no mori, as well as an episode of the science fiction television series Dark Angel.Fraser concludes that the "pleasure" framework is useful for a cross-cultural study of creative engagements with and transformations of a particular fairy tale. Few studies have examined Japanese fairy-tale transformations to the extent that Fraser has, presenting fascinating information that will intrigue fairy-tale scholars and those wanting to learn more about the representation of pleasure behind the imaginative and fantastical.
Spanish writer Carmen Martín Gaite (1925-2000) defined religioso as the reconnection of that which was previously united, namely, the day-to-day and supernatural worlds - here defined as consciousness and the unconscious, bringing awareness and wholeness. In this book, Martín Gaite's religious outlook is explored through the inner journeys of five female characters in El balneario, Lo raro es vivir, Irse de casa and Nubosidad variable. Spanish writer Carmen Martín Gaite (1925-2000) defined religioso as the reconnection of that which was previously united, namely, the day-to-day and supernatural worlds - here defined as consciousness and the unconscious, bringing awareness and wholeness. In this book, Martín Gaite's religious outlook is explored through the inner journeys of five female characters in El balneario, Lo raro es vivir, Irse de casa and Nubosidad variable. For Martín Gaite, a truly religious, or spiritual, perspective requires conscious attention to the products of the unconscious (dreams, images, memories, premonitions), followed by reflection and action, as well as a similar attentiveness and responsiveness to external events both large and small. This reconnection of the supernatural and day-to-day worlds also involves descent to the unconscious - the way to wholeness - as depicted in so many myths and fairy tales, including those which Martín Gaite used to retell or enhance the works analysed in this book: Sleeping Beauty, The Little Mermaid, Amor and Psyche, Demeter and Persephone, and the Descent of the Goddess Inanna. Looking at the extent to which these female characters attend to, reflect on, and respond to their dreams, images, memories and events, the analysis suggests that Martín Gaite uses her stories to try to communicate both the road to her own enlightenment and warnings about paths that lead away from this.
