Menuet in Bi-modals
Author: Tibor Serly
Publisher:
Published: 1972
Total Pages: 3
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Tibor Serly
Publisher:
Published: 1972
Total Pages: 3
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1974
Total Pages: 1182
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1973
Total Pages: 1032
ISBN-13:
DOWNLOAD EBOOKThe record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Author:
Publisher:
Published: 1972
Total Pages: 526
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1973
Total Pages: 738
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1986
Total Pages: 294
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1973
Total Pages: 1022
ISBN-13:
DOWNLOAD EBOOKAuthor: Arnold Schoenberg
Publisher: Univ of California Press
Published: 1984
Total Pages: 564
ISBN-13: 9780520052949
DOWNLOAD EBOOKOne of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.
Author: John M. Gingerich
Publisher: Cambridge University Press
Published: 2014-05-22
Total Pages: 446
ISBN-13: 1139952080
DOWNLOAD EBOOKWhy couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.