From his childhood adventures to his prankster teens and from his Army years to his decades of being a Police Officer, Lonie B. Adcock continues with this, his sequel of memories as an Old Geezer. Sometimes he touches your heart and sometimes your funnybone, but you'll keep wondering what else this Old Geezer remembers!
"Like his bass, the lows are low and the style upfront."--Financial Times "An exhilarating journey."--Mojo A frank and fascinating account of a geezer's life in the music business. Jah Wobble begins by offering the most authentic insider's account of the beginning of punk rock yet. He covers the celebrated ups of his career along with the downs, both personally and professionally. Throughout the book Wobble tells it like he sees it. Jah Wobble is one of the founding members of Public Image Limited (PiL) along with John Lydon. He is a bassist, singer, composer, poet, and music journalist.
In a rural Kentucky river town, "Old Jack" Beechum, a retired farmer, sees his life again through the shades of one burnished day in September 1952. Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live from it. Through the eyes of one man can be seen the values Americans strive to recapture as we arrive at the next century.
Caldecott Medalist Allen Say presents a stunning graphic novel chronicling his journey as an artist during WWII, when he apprenticed under Noro Shinpei, Japan's premier cartoonist DRAWING FROM MEMORY is Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.
God for an Old Man blends elements of careful academic thought about God with elements of personal autobiography and memoir. The author is deeply influenced by modern process thought about God, stemming from the thought of Alfred North Whitehead and Charles Hartshorne, but he also describes his own life as a child, adult, and now a person entering his eighties. The central premise is that a person cannot write about a meaningful God without taking seriously the meaning, conflict, loss, and joy in one's own life. Thomas M. Dicken is immersed in both literature and visual art. He explores the ways in which art and literature can evoke a sense of ultimacy, even though we can never attain certain knowledge of the ultimate. Just as the psychiatrist Erik Erikson wrote about major stages in human lives, Dicken writes with a sense of fulfillment about the insights and values of old age. Old age is the age of wisdom, a time for offering younger people the insight that all the stages of life have been very much worth living. This is not a book of easy or dogmatic answers; it is a book of honest exploration.
DAD’S BEST MEMORIES AND RECOLLECTIONS is Chazzz Humber’s epithaph casting a very long and sentimental shadow across North America and beyond. This 230-page volume is his granite monument, well-polished! It lavishly records 125 of his best memories over a life-span of nearly eighty years. The vignettes are serenaded with more than 400 illustrations. Those discovering this volume likely will find themselves wanting to record, in their own sunset years, their personal memories and recollections. And when they do, they are apt to recall what it was like to live in their fluctuating world dominated by a variety of personalities and cascading events. Mr. Humber vividly describes what it was like, in 1945, to travel in a 1930 Model A Ford from Toronto to Boston. With lively enthusiasm, he reports what it was like to live in post-World War II Boston, to cook a lobster for a former President of the United States or to sell a pair of elevator shoes to one of Hollywood’s shortest celebrities or to shine the shoes of a Derby-hatted father of a future President of the United States. It is not a remarkable achievement to reflect, to recall or to have memories that are treasured. But to tell them with literary aplomb, to recall the events that happened nearly seventy-five years ago with utmost clarity is definitely an admirable achievement and should be cherished not only by the kin who follow Mr. Humber but by those who might like to imitate what he has monumentally achieved in Dad’s Best Memories and Recollections.