Deep in the hills of Martin County, in southern Indiana, there is a town called Loogootee. It is a town rich in fond memories, sports fame, church families, family ties, and good friends. This book is a collection of stories from friends, family and neighbors from Loogootee, Indiana.
"This "album of memories" introduces the reader to the people and places - neighborhoods, restaurants, department stores, parks, hotels, night clubs, racetracks, and theaters - that once put the charm in Charm City."--BOOK JACKET.
For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.
Milbank and Mitchell, dissimilar in size and separated by more than two hundred miles, have more in common than might appear at first glance. In the first half of the twentieth century towns such as Milbank and Mitchell formed hubs for commerce, social activities, and culture. Eric Fowler and Sheila Delaney looked at their communities from different viewpoints, but their childhood and young adult memories of South Dakota share common themes.
The Wall Street Journal drama critic and Missouri native remembers growing up in small-town America, paying tribute to the memories he developed and people he met while revealing the reasons he finally left for New York City. In this collection of anecdotes and memories, Terry Teachout sings of the pride of regional America. City Limits is the story of Teachout’s as he grew up in small town of Silkeston, Missouri, filled with countless adventures and embarrassments. Beginning with his life as a young boy and progressing to eventual his decision to leave the only place he knew for New York City, Teachout gives readers a glance into the mind of small-town boy that grew into a big-city man.
In the 1950s and '60s Neil Haugerud served as sheriff of Fillmore County in southeastern Minnesota. During this time, he and his wife and their four small children made their home in the building that housed the county jail. In Jailhouse Stories, Haugerud describes what it was like to live above a prison, where jailbirds and jailbreaks were part of family life. These are the reminiscences of a real-life Andy Griffith character, a man dedicated to maintaining order during both peaceful and turbulent days in rural America. Through the author we meet colorful characters on both sides of the law: for example, Doc Nehring, the county coroner, who uses dark humor to get through the grim duties of his job, and Irvin Johnson, who becomes the sheriff's friend despite his constant drinking and incarceration. Stories of domestic squabbles and infidelity are mixed with those of church functions and child rearing. Throughout the stories runs Haugerud's compassionate outlook on human nature. "I came to understand how people make a lot of mistakes, but in my view there are very few bad people, " he writes. The town where Haugerud lives is part Mayberry, part Twin Peaks. We get a glimpse into the lives of the town's citizens, whose problems range from the ordinary to the offbeat to the downright bizarre. In stories that are by turns heartwarming and sad, humorous and humane, Jailhouse Stories tells of the trials, tribulations, and pleasures of rural law enforcement during a bygone era.
For Sophie, small town life has never felt small. With her four best friends—loving, infuriating, and all she could ever ask for—she can weather any storm. But when Sophie’s beloved Acadia High School marching band is selected to march in the upcoming Rose Parade, it’s her job to get them all the way to LA. Her plan? To persuade country singer Megan Pleasant, their Midwestern town’s only claim to fame, to come back to Acadia to headline a fundraising festival. The only problem is that Megan has very publicly sworn never to return. What ensues is a journey filled with long-kept secrets, hidden heartbreaks, and revelations that could change everything—along with a possible fifth best friend: a new guy with a magnetic smile and secrets of his own.
Have you ever watched one of those old 1950s TV shows, like Leave It to Beaver, and wondered what growing up then would have been like? This was a time when most kids lived with two parents, often mom stayed home, before drugs, before quick and easy divorce, literally the last generation raised under those conditions. Well, this book will tell you what it was like, at least what it was like in small town Texas.This collection of memories and stories started as a project dreamed up by Wayne Scott and Jim Stedman with the aim of collecting the recollections of our peers about growing up during the 1940s and 50s. We sent out the call via email lists of classmates, asking for stories and memories about various themes: grade school, high school, sports, life in the country, places, entertainment, the songs, and so on. Very shortly, we had over 1,500 pages of email sent in by the "authors" you will get to know as you read our book.These "authors" were born between 1935 and 1944 when the country was still in the Great Depression and, then, entering WWII. Many of us still have memories of WWII events and the ensuing peacetime of the 1940s. Many of us were raised on farms and attended country schools with several grades in one or two rooms; some rode horses to school. Some experienced discrimination, both in where they attended school and where they could watch a movie. We grew up with few medications and few vaccinations, when the threat of polio was real, and family doctors still made house calls, even out in the country.Some of our stories will make you cringe a little; others will make you laugh. If you are old enough, some will seem similar to your own growing-up experiences. So, we invite you partake of our stories. They have been edited, but only with a light touch, so do not expect smooth prose. They are what they are: memories put down as our "authors" were moved by recall.Jim Stedman, Editor
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.