Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
Chock full of the wit and wisdom that has become the Foxfire trademark, this entirely new volume in the acclaimed, 6-million-copy best-selling Foxfire series is on oral history of Appalachian lives and traditions, homespun crafts, and folk arts. From the Trade Paperback edition.
Fiddle making, spring houses, horse trading, sassafras tea, berry buckets, gardening, and other affairs of plain living are the topics covered in this volume.
From its beginning as a tourist destination in the preaCivil War era, Tallulah Falls has drawn large numbers of travelers and adventurers. The earliest written account of Tallulah, published in 1819 in the Georgia Journal, stated, athe cataract of Niagara and its great whirlpool and banks, is the only superior natural curiosity to the Rapids of Tallulah, that I have ever seen.a Soon tourists were flocking to the area, and by the 1840s, groups of visitors were common. With the arrival of the railroad in 1882, hotels and businesses sprang up, leading to an increase in the number of visitors. Quite naturally, photographers have long been drawn to the lush natural beauty of the area, as well as the wealthy tourists and the hotels that catered to them.
On this visual journey documenting the history of Rabun County, vintage souvenir postcards span decades, showing adventurous visitors who descended into the gorge, hiked to waterfalls, and climbed mountains, as well as how hardworking early settlers built their communities. Follow the development of the county from the construction of Tallulah Falls Railroad to the building of hotels, boardinghouses, and summer camps. Communities grew, declined, and grew again as dams were constructed to harness the Tallulah River, which reshaped the land and created Lake Burton, Lake Rabun, Lake Seed, and Tallulah Lake.
More than eighty historic buildings and roadside landmarks across Georgia have found sanctuary in this stark but powerful collection of sketch work. From obscure treasures like a Cobb County covered bridge to the instantly recognizable Forsyth Park in Savannah, landscape architect Ronald Huffman puts pencil to pad to safeguard moments of state history. Each piece is accompanied by anecdotes and related backstories that preserve the context of these icons before progress irrevocably alters the landscape. Explore the back roads of Georgia with a guide attuned to the unexpected splendors that mark the way.
In 1966 in Rabun County, Georgia, a group of high school English students created theFoxfire magazine, a literary journal that celebrated Appalachian stories, peoples, and culture. The publication was filled with poetry and prose from local students and authors and featured interviews with community members. These oral histories quickly became the focal point of the magazine and, eventually, the material that generated the multivolume Foxfire book series. Now, pulled from the vast Foxfire archive comes the first volume in the series focused specifically on the lives of Appalachian women. These remarkable narratives illuminate a diverse regional culture held together by the threads that are woven between women and place, and through generations. Told sometimes with humor, sometimes with sadness, but always with a gripping rawness and honesty, the stories recount women's lived experiences from the 1960s to the present. The interviews cover work, family, and community, illuminating Cherokee, Black, and white women's experiences; changes in Appalachian culture; and the importance of relationships in daily life. Reading each interview in this book is almost like joining these women on their porches and in their homes as they take us on a journey through their lives. Taken together, the stories speak against regional stereotypes and offer instead a sampling of the many expressions of these women's strength.
