Dastan-e-Awadh

Dastan-e-Awadh

Author: Rakesh Bhasin

Publisher: Notion Press

Published: 2018-05-21

Total Pages: 190

ISBN-13: 1642498823

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Awadh is synonymous in history with its eventful nawabi reign that lasted for over a century. Awadh’s dynasty was founded in a humble habitat on the banks of the River Saryu near Ayodhya. The place was named Faizabad and grew to become the political capital and a renowned centre of culture and prosperity under its successive nawabs. Faizabad’s tryst with its royalty lasted for over half a century before passing the baton to Lucknow, which became the new capital of Awadh. The new first city shed its old husk to adorn a fresh one. The praxis, customs, etiquettes, poetry, art and craft that its royalty fashioned remain alive to this day.


Sources on Awadh

Sources on Awadh

Author: Hamid Afaq Qureshi

Publisher:

Published: 2004

Total Pages: 180

ISBN-13:

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This Book Contains A Critical Appreciation Of 1316 Primary And A List Of 1176 Secondary Sources On The Nawabs And Kings Of Awadh For The Period 1722-1856. It Also Contains An English Translation Of A Rare Urdu Booklet Entitled `Allawa Sitapuri` Shedding Light On The Contributions Of The Fort William College Calcutta, Towards Urdu Literature.


Divine Domesticities

Divine Domesticities

Author: Hyaeweol Choi

Publisher: ANU Press

Published: 2014-10-29

Total Pages: 546

ISBN-13: 1925021955

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Divine Domesticities: Christian Paradoxes in Asia and the Pacific fills a huge lacuna in the scholarly literature on missionaries in Asia/Pacific and is transnational history at its finest. Co-edited by two eminent scholars, this multidisciplinary volume, an outgrowth of several conferences/seminars, critically examines various encounters between western missionaries and indigenous women in the Pacific/Asia … Taken as a whole, this is a thought-provoking and an indispensable reference, not only for students of colonialism/imperialism but also for those of us who have an interest in transnational and gender history in general. The chapters are very clearly written, engaging, and remarkably accessible; the stories are compelling and the research is thorough. The illustrations are equally riveting and the bibliography is extremely useful. —Theodore Jun Yoo, History Department, University of Hawai’i The editors of this collection of papers have done an excellent job of creating a coherent set of case studies that address the diverse impacts of missionaries and Christianity on ‘domesticity’, and therefore on the women and children who were assumed to be the rightful inhabitants of that sphere … The introduction to the volume is beautifully written and sets up the rest of the volume in a comprehensive way. It explains the book’s aim to advance theoretical and methodological issues by exploring the role of missionary encounters in the development of modern domesticities; showing the agency of indigenous women in negotiating both change and continuity; and providing a wide range of case studies to show ‘breadth and complexity’ and the local and national specificities of engagements with both missionaries and modernity. My view is that all three aims are well and truly fulfilled. —Helen Lee, Head, Sociology and Anthropology, La Trobe University, Melbourne


India's Fabled City

India's Fabled City

Author: Stephen Markel

Publisher: Prestel Publishing

Published: 2010

Total Pages: 280

ISBN-13:

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This work presents imperial Lucknow's sophisticated synthesis of styles, histories and beliefs melded into its distinct artistry. It includes essays by scholars on several aspects of Lucknow's cultural heritage.


After the Great Mughals

After the Great Mughals

Author: Barbara Schmitz

Publisher: Performing Arts Mumbai

Published: 2002

Total Pages: 184

ISBN-13:

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Although the study of painting under the Great Mughals is one of the most popular topics of Indian art historical research, scant attention has been given to the continuation of this tradition--the painting and illustrated manuscripts produced at the Delhi court and various regional schools from the reign of Bahadur Shah 1 in 1707 to the end of the reign of Bahadur Shah Zafar in 1858. This volume addresses several important themes of the era: the development of the styles of major artists, such as Chitarman, Dip Chand, and Imam Baksh, and their influence on later Mughal painting; the proliferation of regional styles during these years; and finally offered are new appraisals of the European contribution to Indian art of these 150 years.