Original songs by "Hugin the Bard" accompanied by story, tale, or lore; each song with lyrics, chord charts, and lead sheets. Also includes a version of the Mabinogion, in English, translated from the Welsh.
Covering themes close to Scottish and Irish folklore, this work explores the universal concept of the spiritual dimension of music from the Celtic sources.
This book teaches the most crucial function of a chord instrument in the Celtic seisún (session)- that of playing tasteful, interesting, imaginative, and supportive improvised accompaniment. Celtic Back-Up presents accurate and directly applicable information on the theory, conception, stylistic considerations, procedures, and resources for accompaniment. Every facet of seisún accompaniment is thoroughly explored. with this book you will come to understand why many of our Celtic authors are reluctant to suggest chord accompaniment with their melodies in the first place; the idea is to be open to fresh ideas and improvise the accompaniment as you go.
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
'World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. World Music is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for world music's growing presence and popularity at the beginning of the twenty-first century. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This book explores Celtic styles for the mandolin. It is a great addition for musicians looking to begin learning Celtic music or expand their repertoire. Traditional Irish and Scottish music as well as contemporary Celtic compositionsare presented. The book includes standard notation and tablature, with play-along tracks in the accompanying audio download online
In folk tradition, stories of love lost, betrayal, jealousy, conflict, emigration, and the supernatural are often immortalized in songs of many traditions, demonstrating that singing has been a universal vehicle for the human condition. the criteria for this wonderful collection of prose and melodies is from Celtic traditions that have been with us for hundreds of years. These compositions have been arranged so that each will work both as an air and as a song. All of the selections in the book appear on the companion CD.
Take your blues mandolin playing to the next level with the Mandolin Blues Book. A collection of 101 blues riffs and solos ideal for all mandolinists looking to get a good grasp of jamming the blues. The book covers all the essential tools needed to play blues mandolin. Start by learning the 40 stylistic riffs and 25 one and two bar blues riffs in multiple keys, then move on to the longer 12 bar blues rhythm riffs and extended solos. Most of the longer rhythm riffs and solos follow the standard 12 bar blues form, so they are readily applicable to the many mandolin playing styles, including country, rock, jazz, and bluegrass, to name a few. To further deepen your mandolin skills, study the major, minor and blues scales and arpeggios as well as the library of mandolin chords and blues chord progressions in all 12 keys. No book covers everything, but with some practice, you will be ready to take your mandolin, jam the blues with confidence, and show off your new skills. Audio and Video online: https://brentrobitaille.com/product/mandolin-blues-book/
Celtic music and dance have taken North American culture by storm, becoming the soundtrack of our age. "Riverdance, Braveheart, Gael Force, and "Celtic Tides are just a few of the shows featuring Celtic music. Aside from such notable male acts as The Chieftains, this music has largely been written and performed by women, either as solo artists or as band leaders, whose work has been compiled, somewhat anonymously, on such "CDs as A Woman's Heart and "Women of the World: Celtic. But who are these women? What inspired them to perform? What do they feel about traditional and contemporary Celtic culture? Based on exclusive interviews, "Celtic Women in Music profiles the careers of 30 artists including Maire Brennan (Clannad), Dolores Keane, Eileen Ivers (Riverdance), Mary Jane Lamond, Karen Matheson (Capercaillie), Loreena McKennitt, Maddy Pryor, June Tabor, and Jean Ritchie. These musicians reveal the devotion to traditional Celtic culture that inspires their art and the sense of personal sovereignty that informs their lives as women.