Melancholy, Medicine and Religion in Early Modern England

Melancholy, Medicine and Religion in Early Modern England

Author: Mary Ann Lund

Publisher: Cambridge University Press

Published: 2010-01-07

Total Pages: 237

ISBN-13: 1139484109

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The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.


Melancholy and the Care of the Soul

Melancholy and the Care of the Soul

Author: Jeremy Schmidt

Publisher: Routledge

Published: 2016-12-05

Total Pages: 343

ISBN-13: 1351918346

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Melancholy is rightly taken to be a central topic of concern in early modern culture, and it continues to generate scholarly interest among historians of medicine, literature, psychiatry and religion. This book considerably furthers our understanding of the issue by examining the extensive discussions of melancholy in seventeenth- and eighteenth- century religious and moral philosophical publications, many of which have received only scant attention from modern scholars. Arguing that melancholy was considered by many to be as much a 'disease of the soul' as a condition originating in bodily disorder, Dr. Schmidt reveals how insights and techniques developed in the context of ancient philosophical and early Christian discussions of the good of the soul were applied by a variety of early modern authorities to the treatment of melancholy. The book also explores ways in which various diagnostic and therapeutic languages shaped the experience and expression of melancholy and situates the melancholic experience in a series of broader discourses, including the language of religious despair dominating English Calvinism, the late Renaissance concern with the government of the passions, and eighteenth-century debates surrounding politeness and material consumption. In addition, it explores how the shifting languages of early modern melancholy altered and enabled certain perceptions of gender. As a study in intellectual history, Melancholy and the Care of the Soul offers new insights into a wide variety of early modern texts, including literary representations and medical works, and critically engages with a broad range of current scholarship in addressing some of the central interpretive issues in the history of early modern medicine, psychiatry, religion and culture.


A User's Guide to Melancholy

A User's Guide to Melancholy

Author: Mary Ann Lund

Publisher: Cambridge University Press

Published: 2021-02-25

Total Pages: 271

ISBN-13: 1108838847

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400 years after The Anatomy of Melancholy, this book guides readers through Renaissance medicine's disease of the mind.


The Poetics of Melancholy in Early Modern England

The Poetics of Melancholy in Early Modern England

Author: Douglas Trevor

Publisher: Cambridge University Press

Published: 2004-09-30

Total Pages: 288

ISBN-13: 9780521834698

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The Poetics of Melancholy in Early Modern England explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century. Typically categorized as 'literary' writers Edmund Spenser, John Donne, Robert Burton and John Milton were all active in the period's reappraisal of the single emotion that, due to their efforts, would become the passion most associated with the writing life: melancholy. By emphasising the shared concerns of the 'non-literary' and 'literary' texts produced by these figures, Douglas Trevor asserts that quintessentially 'scholarly' practices such as glossing texts and appending sidenotes shape the methods by which these same writers come to analyse their own moods. He also examines early modern medical texts, dramaturgical representations of learned depressives such as Shakespeare's Hamlet, and the opposition to materialistic accounts of the passions voiced by Neoplatonists such as Edmund Spenser.


The Worlds of Renaissance Melancholy

The Worlds of Renaissance Melancholy

Author: Angus Gowland

Publisher: Cambridge University Press

Published: 2006-10-19

Total Pages: 580

ISBN-13: 1107321085

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Angus Gowland investigates the theory of melancholy and its many applications in the Renaissance by means of a wide-ranging contextual analysis of Robert Burton's encyclopaedic Anatomy of Melancholy (first published in 1621). Approaching the Anatomy as the culmination of early modern medical, philosophical and spiritual inquiry about melancholy, Gowland examines the ways in which Burton exploited the moral psychology central to the Renaissance understanding of the condition to construct a critical vision of his intellectual and political environment. In the first sustained analysis of the evolving relationship of the Anatomy (in the various versions issued between 1621 and 1651) to late Renaissance humanist learning and early seventeenth-century England and Europe, Gowland corrects the prevailing view of the work as an unreflective digest of other authors' opinions, and reveals the Anatomy's character as a polemical literary engagement with the live intellectual, religious and political issues of its day.


Ut pictura amor

Ut pictura amor

Author: Walter Melion

Publisher: BRILL

Published: 2017-11-06

Total Pages: 812

ISBN-13: 9004346465

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Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ‘reflexive’ is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book’s epigraph—ut pictura amor—‘as is a picture, so is love’.


Journal of Early Modern Studies: Volume 5, Issue 1 (Spring 2016)

Journal of Early Modern Studies: Volume 5, Issue 1 (Spring 2016)

Author: Vlad Alexandrescu

Publisher: Zeta Books

Published: 2016-06-01

Total Pages: 210

ISBN-13: 6066970291

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The Journal of Early Modern Studies is an interdisciplinary, peer-reviewed journal of intellectual history, dedicated to the exploration of the interactions between philosophy, science and religion in Early Modern Europe.


Emotion in the Tudor Court

Emotion in the Tudor Court

Author: Bradley J. Irish

Publisher: Northwestern University Press

Published: 2018-01-15

Total Pages: 248

ISBN-13: 0810136392

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Emotion in the Tudor Court is a transdisciplinary work that uses Renaissance and modern scientific models of emotion to analyze the literary cultures of Tudor-era English court society, providing a robust new analysis of the emotional dynamics of sixteenth-century England.


Fear in the Medical and Literary Imagination, Medieval to Modern

Fear in the Medical and Literary Imagination, Medieval to Modern

Author: Daniel McCann

Publisher: Springer

Published: 2018-05-19

Total Pages: 265

ISBN-13: 1137559489

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This book is about an emotion constantly present in human culture and history: fear. It is also a book about literature and medicine, two areas of human endeavour that engage with fear most acutely. The essays in this volume explore fear in various literary and medical manifestations, in the Western World, from medieval to modern times. It is divided into two parts. The first part, Treating Fear, examines fear in medical history, and draws from theology, medicine, philosophy, and psychology, to offer an account of how fear shifts in Western understanding from the Middle Ages to Modern times. The second part, Writing Fear, explores fear as a rhetorical and literary force, offering an account of how it is used and evoked in distinct literary periods and texts. This coherent and fascinating collection will appeal to medical historians, literary critics, cultural theorists, medical humanities’ scholars and historians of the emotions.