Mei Lanfang and the Twentieth-Century International Stage

Mei Lanfang and the Twentieth-Century International Stage

Author: M. Tian

Publisher: Springer

Published: 2012-01-02

Total Pages: 500

ISBN-13: 1137010436

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The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.


Stage Designers in Early Twentieth-Century America

Stage Designers in Early Twentieth-Century America

Author: E. Essin

Publisher: Springer

Published: 2012-12-23

Total Pages: 437

ISBN-13: 1137108398

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By casting designers as authors, cultural critics, activists, entrepreneurs, and global cartographers, Essin tells a story about scenic images on the page, stage, and beyond that helped American audiences see the everyday landscapes and exotic destinations from a modern perspective.


The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance

The Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance

Author: Min Tian

Publisher: Taylor & Francis

Published: 2022-10-25

Total Pages: 282

ISBN-13: 1000737837

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This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.


Performance Reconstruction and Spanish Golden Age Drama

Performance Reconstruction and Spanish Golden Age Drama

Author: L. Vidler

Publisher: Springer

Published: 2016-11-09

Total Pages: 198

ISBN-13: 1137437073

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Spanish Golden Age drama has resurfaced in recent years, however scholarly analysis has not kept pace with its popularity. This book problematizes and analyzes the approaches to staging reconstruction taken over the past few decades, including historical, semiotic, anthropological, cultural, structural, cognitive and phenomenological methods.


Staging the Slums, Slumming the Stage

Staging the Slums, Slumming the Stage

Author: J. Westgate

Publisher: Springer

Published: 2014-10-15

Total Pages: 459

ISBN-13: 1137357681

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Drawing on traditional archival research, reception theory, cultural histories of slumming, and recent work in critical theory on literary representations of poverty, Westgate argues that the productions of slum plays served as enactments of the emergent definitions of the slum and the corresponding ethical obligations involved therein.


The Group Theatre

The Group Theatre

Author: Helen Krich Chinoy

Publisher: Springer

Published: 2013-11-06

Total Pages: 290

ISBN-13: 1137294604

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The Group Theatre , a groundbreaking ensemble collective, started the careers of many top American theatre artists of the twentieth century and founded what became known as Method Acting. This book is the definitive history, based on over thirty years of research and interviews by the foremost theatre scholar of the time period, Helen Chinoy.


A Modern Miscellany

A Modern Miscellany

Author: Paul Bevan

Publisher: BRILL

Published: 2015-11-02

Total Pages: 407

ISBN-13: 900430794X

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In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.


American Playwriting and the Anti-Political Prejudice

American Playwriting and the Anti-Political Prejudice

Author: N. Pressley

Publisher: Springer

Published: 2014-11-06

Total Pages: 313

ISBN-13: 1137415185

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Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.


The Methuen Drama Handbook of Interculturalism and Performance

The Methuen Drama Handbook of Interculturalism and Performance

Author: Daphne Lei

Publisher: Bloomsbury Publishing

Published: 2020-04-02

Total Pages: 280

ISBN-13: 1350040487

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The Methuen Drama Handbook of Interculturalism and Performance explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook's global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists. By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alternative and multi-vocal view of what interculturalism might offer as a theoretical keyword to the future of theatre and performance studies, while also contributing an energized reassessment of the vociferous debates that have long accompanied its critical and practical usage in a performance context. By exploring anew what happens when interculturalism and performance intersect as embodied practice, The Methuen Drama Handbook of Interculturalism and Performance offers new perspectives on a seminal theoretical concept still as useful as it is controversial. Featuring a series of indispensable research tools, including a fully annotated bibliography, this is the essential scholarly handbook for anyone working in intercultural theatre and performance, and performance studies.


The Theatre of the Occult Revival

The Theatre of the Occult Revival

Author: E. Lingan

Publisher: Springer

Published: 2014-11-19

Total Pages: 384

ISBN-13: 113744861X

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This book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.