Medusa Uploaded
Medusa Uploaded

Author: Emily Devenport

Publisher: Macmillan + ORM

Published: 2018-05-01

Total Pages: 394

ISBN-13: 1250169321

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This sci-fit thriller about a rogue starship servant has “mysteries around every corner. . . . the end product is just as fantastic as one would hope” (Los Angeles Times). My name is Oichi Angelis, and I am a worm. They see me every day. They consider me harmless. And that’s the trick, isn’t it? A generation starship can hide many secrets. When an Executive clan suspects Oichi of insurgency and discreetly shoves her out an airlock, one of those secrets finds and rescues her. Officially dead, Oichi begins to rebalance power one assassination at a time and uncovers the shocking truth behind the generation starship and the Executive clans. “Readers will be riveted.” —Publishers Weekly, starred review “The first book in the Medusa Cycle does not disappoint.” —RT Book Reviews “A chilling tale of class warfare in deep space.” —Booklist “An enticing start to a new space opera .” —Library Journal “One of the best generation starship novels.” —SF Revu “The worlds . . . both physical and virtual, are richly detailed and gorgeously imagined.” —Kirkus Reviews “Disturbing, exciting, and frankly kind of mind-blowing.” —Annalee Newitz, author of Autonomous

Medusa
Medusa

Author: Michael Dibdin

Publisher: Faber & Faber

Published: 2008-09-04

Total Pages: 290

ISBN-13: 0571246028

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'Escapism of a high order.' INDEPENDENT ON SUNDAY 'A slyly intelligent page turner.' PUBLISHERS WEEKLY AN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim. 'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES 'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN 'A terrific detective story.' 5* reader review 'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review 'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review

The Medusa File II
The Medusa File II

Author: Craig Roberts

Publisher: Createspace Independent Publishing Platform

Published: 2017-05

Total Pages: 382

ISBN-13: 9781547084555

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When Tulsa Police Officer Craig Roberts saw the television coverage of the Oklahoma City Bombing on the morning of April 19, 1995, little did he realize that within days he would be assigned to the case. Over the following weeks and months Roberts investigated the events leading up to and surrounding the bombing, followed leads that led him into very dangerous places, interviewed witnesses, and gathered numerous case files. His investigation, with the help of others, would take him in a totally different direction than what the official government and mainstream media versions portrayed. Like his previous book, "The Medusa File--Crimes and Coverups of the U.S. Government," Roberts pulls no punches. After more than twenty years he felt that it was time to condense four file boxes full of case files into book form so that the real facts of the case can finally be told. The American people are owed the truth, and so are the 168 victims who lost their lives in this tragic event.

Walter Benjamin and the Aesthetics of Power
Walter Benjamin and the Aesthetics of Power

Author: Lutz Peter Koepnick

Publisher: U of Nebraska Press

Published: 1999-01-01

Total Pages: 296

ISBN-13: 9780803227446

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Walter Benjamin and the Aesthetics of Power explores Walter Benjamin?s seminal writings on the relationship between mass culture and fascism. The book offers a nuanced reading of Benjamin?s widely influential critique of aesthetic politics, while it contributes to current debates about the cultural projects of Nazi Germany, the changing role of popular culture in the twentieth century, and the way in which Nazi aesthetics have persisted into the present. Lutz Koepnick first explores the development of the aestheticization thesis in Benjamin?s work from the early 1920s to his death in 1940. Pushing Benjamin?s fragmentary remarks to a logical conclusion, Koepnick sheds light on the ways in which the Nazis employed industrial mass culture to redress the political as a self-referential space of authenticity and self-assertion. Koepnick then examines to what extent Benjamin?s analysis of fascism holds up to recent historical analyses of the National Socialist period and whether Benjamin?s aestheticization thesis can help conceptualize cultural politics today. Although Koepnick insists on crucial differences between the stage-managing of political action in modern and postmodern societies, he argues throughout that it is in Benjamin?s emphatic insistence on experience that we may find the relevance of his reflections today. Walter Benjamin and the Aesthetics of Power is both an important contribution to Benjamin studies and a revealing addition to our understanding of the Third Reich and of contemporary culture?s uneasy relationship to Nazi culture.

Making Young Voters
Making Young Voters

Author: John B. Holbein

Publisher: Cambridge University Press

Published: 2020-02-20

Total Pages: 283

ISBN-13: 1108488420

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The solution to youth voter turnout requires focus on helping young people follow through on their political interests and intentions.

Women & Power
Women & Power

Author: Mary Beard

Publisher: Profile Books

Published: 2017-11-02

Total Pages: 87

ISBN-13: 1782834532

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An updated edition of the Sunday Times Bestseller Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. A year on since the advent of #metoo, Beard looks at how the discussions have moved on during this time, and how that intersects with issues of rape and consent, and the stories men tell themselves to support their actions. In trademark Beardian style, using examples ancient and modern, Beard argues, 'it's time for change - and now!' From the author of international bestseller SPQR: A History of Ancient Rome.

Mesmerism, Medusa, and the Muse
Mesmerism, Medusa, and the Muse

Author: Anne DeLong

Publisher: Lexington Books

Published: 2012-04-26

Total Pages: 179

ISBN-13: 0739170449

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Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley and Letitia Elizabeth Landon (L.E.L.) and the prose of Mary Shelley reveals that these Romantic-era writers equate the enraptured state that produces spontaneous literary creation with the mesmeric trance. These writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Images of Medusan mesmerism ultimately work to deconstruct Romantic ideological dichotomies of self/other, female/male, muse/artist, and sublime/beautiful. In contrast to a traditional, masculinized Romantic discourse that emphasizes self-possession, this study uncovers a feminized, improvisational, Romantic discourse, characterized “Other-possession,” an assumption of the mesmerized subject position that enhances subjective fluidity. This study interrogates the Romantic discourse of spontaneous literary creativity through an examination of Romantic poetry, prose, and theory that utilizes mesmeric and Medusan metaphors to suggest creative inspiration.Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature—from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess—often represents the face of oppression, an unwelcome and monstrous truth in nineteenth-century British society. For women writers in particular, braving the stare of the Medusan muse enhances empathy, and therefore inspiration and literary productivity.