"An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mid-1970s and mid-1990s. This two-decade period encompasses the coming of age of the Middle Eastern and North African creators of the grassroots music network in the 1970s and the sea change in the music's reception by mainstream Israeli society in the 1990s.
The Routledge Handbook of Muslim-Jewish Relations invites readers to deepen their understanding of the historical, social, cultural, and political themes that impact modern-day perceptions of interfaith dialogue. The volume is designed to illuminate positive encounters between Muslims and Jews, as well as points of conflict, within a historical framework. Among other goals, the volume seeks to correct common misperceptions about the history of Muslim-Jewish relations by complicating familiar political narratives to include dynamics such as the cross-influence of literary and intellectual traditions. Reflecting unique and original collaborations between internationally-renowned contributors, the book is intended to spark further collaborative and constructive conversation and scholarship in the academy and beyond.
Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including "On Your Own Time" and "Explore More" sidebars, and "Questions to Consider" Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook.
"Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
This volume explores the history of Jewish life and experience in the modern Islamic world Longing and Belonging investigates the histories of Jews living among Muslims from 1900 until 1950, both inside and outside the Ottoman Empire and after its demise. Here, modern Jewish protagonists are revealed as active participants in an expansive Islamic civilization, reflecting a mutuality and cross-fertilization in the region that raises new lines of inquiry and which offers enduring lessons for the world today. This collection both foregrounds the experiences of Jewish communities that have long been relegated to the margins of historical and literary studies and, critically, uses these experiences to complicate prevailing narratives from both Jewish and Middle Eastern Studies. By following communities from the coffeeshops of Cairo to the villages of Yemen, from the local marriage market in Izmir to the global commerce of the Sassoons, readers gain intimate insight into a world that resists a simple understanding of the modern Islamic world and of the history of Judaism. Just as much as the Sephardi and Mizrahi experience complicates prevailing paradigms in the study of Jewish modernity, so too does it enrich understandings of modernity across Muslim societies. The volume tells a story of longing, belonging, and longing to belong, of multiple affinities in a world that no longer exists. Contributors: Esra Almas, Nancy E. Berg, Dina Danon, Keren Dotan, Annie Greene, Alma Rachel Heckman, Hadar Feldman Samet, Joseph Sassoon, Edwin Seroussi, Alon Tam, Alan Verskin, Mark Wagner.
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally. An impressive number of Israeli jazz performers have received widespread exposure and worldwide acclaim, creating music that melds aspects of American jazz with an array of Israeli, Jewish and Middle Eastern influences and other non-Western musical traditions. While each musician is developing their own approach to musical transculturation, common threads connect them all. Unraveling and analyzing these entangled sounds and related discourses lies at the center of this study. This book provides broad insight into the nature, role and politics of transcultural music making in contemporary jazz practice. Focusing on a particular group of Israeli musicians to enhance knowledge of modern Israeli society, culture, discourses and practices, the research and analyses presented in this book are based on extensive fieldwork in multiple sites in the United States and Israel, and interviews with musicians, educators, journalists, producers and scholars. Transcultural Jazz is an engaging read for students and scholars from diverse fields such as: jazz studies, ethnomusicology, Jewish studies, Israel studies and transnational studies.
For many years before and after the establishment of the state of Israel, the belief that Israel is a western state remained unchallenged. This belief was founded on the predominantly western composition of the pre-statehood Jewish community known as the Yishuv. The relatively homogenous membership of Israeli/Jewish society as it then existed was soon altered with the arrival of hundreds of thousands of Jewish immigrants from Middle Eastern countries during the early years of statehood. Seeking to retain the western character of the Jewish state, the Israeli government initiated a massive acculturation project aimed at westernizing the newcomers. More recently, scholars and intellectuals began to question the validity and logic of that campaign. With the emergence of new forms of identity, or identities, two central questions emerged: to what extent can we accept the ways in which people define themselves? And on a more fundamental level, what weight should we give to the ways in which people define themselves? This book suggests ways of tackling these questions and provides varying perspectives on identity, put forward by scholars interested in the changing nature of Israeli identity. Their observations and conclusions are not exclusive, but inclusive, suggesting that there cannot be one single Israeli identity, but several. Tackling the issue of identity, this multidisciplinary approach is an important contribution to existing literature and will be invaluable for scholars and students interested in cultural studies, Israel, and the wider Middle East.
The book Youth, Identity, and Re-Fashioning Popular Music in Israel. 1950s–1980s aims to refresh the understanding of the relationship between social power relations, youth culture, and popular music in Israel. The authors discuss various perspectives regarding the axis of youth, popular culture, and music and present additional options for the discourse on these topics in Israel. Among its many new findings, the study discusses new insights relating to the increasing openness of Israeli culture to globalization, the decline of the collective culture of the Sabra, the rise of individual culture, liberalism and neoliberalism, the decay of Israeli consensus, and the melting pot idea and practices. In addition, the authors examine various perspectives on how Israeli culture and music have changed over the years and reacted to historical alterations. It reviews the tensions between modernism and postmodernism, localism and globalism, teenagers and their parents’ culture, ethnicity and class, hegemonic negotiations, and marginal subcultures. This book uses historical methodology combined with the assistance of cultural theories, historical surveys, and first-hand documents.
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).
