Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 38 showcases a broad range of medieval scholarship, including five original articles that explore French, English, Italian, and Latin subjects. The volume also features one review article and seven review notices that illustrate the volume’s interdisciplinary scope.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 45 showcases the interdisciplinary nature of the series with articles on the ambiguity of Charlemagne in Late Medieval German literature, a Christian epic in favor of the Muslim sultan Mehmet II, theory and practice of literary supplementation in the case of Catullus’s carmen 51, and ekphrasis as a stylistic device in medieval poetics. Volume 45 also includes one review article and seven review notices that reflect the journal’s interdisciplinary scope. This volume focuses especially on the reception of Islam in Europe during the Middle Ages and in early modern times.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 39 showcases the interdisciplinary nature of the series with five articles on topics ranging from Christian-Jewish controversies, the Muses, and medieval comedy. It features a final essay from Medievalia et Humanistica's longtime editor Paul Maurice Clogan. Volume 39 also includes seven review notices.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 41 is a special issue which features twelve outstanding articles from the International Conference on Medieval and Renaissance Scottish Language and Literature.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 44 showcases the interdisciplinary nature of the series with articles on the role of women in Old English martyrology, the blending of sacred and mundane subjects in medieval biblical plays (Spiele), the relationship between reality and literary topoi in the humanist praise of cities (Städtelob), and reflections on the absence of the bull in early modern European discourse. Volume 44 also includes five review notices that illustrate the journal’s interdisciplinary scope.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 42 showcases the interdisciplinary nature of the series with articles on late fifteenth century travel literature (Hans von Waltheym), the fourteenth century reception of a pagan tragedy (Chaucer’s Alexander the Great and the Monk’s Tale), the individuality of the heroes in the Middle English romance Amis and Amiloun, and the emergence of religious language in the Reformation period (Ulrich von Hutten). Volume 42 also includes nine review notices that illustrate the journal’s interdisciplinary scope.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 36—Reviews—emphasizes new research in the field, with a particular focus on work from emerging scholars. Thus, this volume includes twenty-four reviews and three review articles of recent scholarly publications, along with five original articles. The first article “The Ultimate Transgression of the Courtly World” by Albrecht Classen analyzes German texts and melodies to reveal the social strife between the lower and upper classes. John Garrison’s essay “One Mind, One Heart, One Purse,” referencing the text Troilus and Criseyde, suggests that a medieval treatise on friendship is appropriate and engaging. Offering a solution to one of history’s most vexing problems is John Bugbee’s essay “Solving Dorigen Trilemma” by examining the tension between oath and law in the Franklin’s and Physician’s Tales. Karen Green’s essay “What Were the Ladies in the City Reading? The Libraries of Christine de Pizaan’s Contemporaries” provides a clearer insight into the intellect of Christine and her colleagues. Along with these articles, twenty-four reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards have been expended to include ten members from the United States and ten international
Volume 37— Literary Appropriations—examines medieval literature in a different light. This volume features six original articles, focusing on the art of appropriation, as well as fourteen reviews of recent scholarly publications. The first article “The Oldest Manuscript Witness of the First Life of Blessed Francis of Assisi” by Jacques Dalarun reveals the oldest known source of the writings of Francis of Assisi, until of late only found in an Italian church publication. Lisa Bansen-Harp’s essay “Ironic Patterning and Numerical Composition in the Vie de saint Alexis: Form and Effect/Affect” takes an ironic look at the oppositions used throughout the work to offer a rich analysis of patterns. Reexamining genealogy as spiritual rather than biological is Nicole Leapley’s essay “Rewriting Paternity: The Meaning of Renovating Westminster in La Esoire de seint Aedward le rei.” David Lummus’s essay “Boccaccio’s Three Venuses: On the Convergence of Celestial and Transgressive Love in the Genealogie Deorum Gentilium Libri” provides a comparative look of how love—celestial and transgressive—can be seen in the Decameron. “Dante’s Justinian, Cino’s Corpus: The Hermeneutics of Poetry and Law” by Lorenzo Valterza compares and contrasts Dante’s own view of law versus that of his friend Cino da Pistoia. Lastly, editor Paul Clogan contributes his own article “Dante’s Appropriation of Lucan’s Cato and Erichtho” to demonstrate the importance of Lucan’s characters in Dante’s own work Along with these articles, fourteen reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards include ten members from the United States and ten international members, making thisa truly international publication. For submission guidelines, please contact Jin Yu at [email protected]. Please submit books for review consideration to: Attention: Reinhold F. Glei Medievalia et Humanistica Ruhr-University Bochum Seminar fuer Klassische Philologie D-44780 Bochum, Germany
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 46 is a special issue presenting the results of an international conference on the Latin Josephus, which was held at the University of Bochum, Germany, in September 2019. It comprises six articles on a wide variety of aspects of the Latin Josephus tradition and a review of a recently published edition of Josephus’s De Bello Iudaico, book 1.
