Medieval Wall Paintings
Medieval Wall Paintings

Author: Roger Rosewell

Publisher: Bloomsbury Publishing

Published: 2014-02-10

Total Pages: 179

ISBN-13: 0747814562

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The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.

Medieval Wall Paintings in English & Welsh Churches
Medieval Wall Paintings in English & Welsh Churches

Author: Roger Rosewell

Publisher:

Published: 2008

Total Pages: 414

ISBN-13:

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Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.

The Angel Roofs of East Anglia
The Angel Roofs of East Anglia

Author: Michael Rimmer

Publisher: Lutterworth Press

Published: 2015-08-27

Total Pages: 270

ISBN-13: 0718843185

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Shortlisted for the East Anglian Book Awards 2016! It has been estimated that over 90% of England's figurative medieval art was obliterated in the image destruction of the Reformation. Medieval angel roofs, timber structures with spectacular and ornate carvings of angels, with a peculiar preponderance in East Anglia, were simply too difficult for Reformation iconoclasts to reach. Angel roof carvings comprise the largest surviving body of major English medieval wood sculpture. Though they areboth masterpieces of sculpture and engineering, angel roofs have been almost completely neglected by academics and art historians, because they are inaccessible, fixed and challenging to photograph. 'The Angel Roofs of East Anglia' is the first detailed historical and photographic study of the region's many medieval angel roofs. It shows the artistry and architecture of these inaccessible and little-studied medieval artworks in more detail and clarity than ever before, and explains how they were made, by whom, and why. Michael Rimmer redresses the scholarly neglect and brings the beauty, craftsmanship and history of these astonishing medieval creations to the reader. The book also offers a fascinating new answer to the question of why angel roofs are so overwhelmingly an East Anglian phenomenon, but relatively rare elsewhere in the country.

Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts
Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts

Author: Clifford Davidson

Publisher: Springer

Published: 2016-12-19

Total Pages: 144

ISBN-13: 3319474766

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This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.

Medieval Church Window Tracery in England
Medieval Church Window Tracery in England

Author: Stephen Hart

Publisher: Boydell & Brewer Ltd

Published: 2010

Total Pages: 187

ISBN-13: 1843835339

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While the terms used to describe the tracery of medieval church windows are familiar (Early English, Decorated, Perpendicular), there has been no really detailed attempt to examine it as a distinct, stylistic architectural form, a gap which this book seeks to address. Based upon a visual catalogue of over 250 images of surviving types and styles from churches throughout England, it traces the progression of ideas and the continuity of motifs and themes in tracery patterns from the thirteenth to the sixteenth centuries, showing how different themes emerged within the main architectural styles; it also looks at the distinction between a window's architectural form and its tracery style, and describes the several different tracery techniques. The volume is completed with a detailed glossary. Stephen Hart is a retired architect, and the author of numerous works, including Flint Flushwork.

The Art and Science of the Church Screen in Medieval Europe
The Art and Science of the Church Screen in Medieval Europe

Author: Spike Bucklow

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 362

ISBN-13: 178327123X

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Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.

Churches and Churchyards of England and Wales
Churches and Churchyards of England and Wales

Author: Richard Hayman

Publisher: Bloomsbury Publishing

Published: 2019-05-30

Total Pages: 153

ISBN-13: 178442353X

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The parish church is a symbol of continuity, a cornerstone of the urban and rural landscape, and a treasure trove often as rich in cultural history as any museum. This compact and accessible guide explores all of these aspects of the parish church, beginning by examining why churches are built where they are, and going on to explain how both church buildings and churchyards have changed over time. It also describes their fixtures and furnishings, including fonts, screens, stained glass and monuments, explaining the ritual and symbolic purpose of these features and how their significance has shifted over time. Lavishly illustrated with colour photographs, this book will provide an indispensable primer for anyone who is curious about the nation's parish churches and wants to explore them further.