Medieval and Renaissance Spain and Portugal
Medieval and Renaissance Spain and Portugal

Author: Arthur Lee-Francis Askins

Publisher: Tamesis Books

Published: 2006

Total Pages: 350

ISBN-13: 9781855661226

DOWNLOAD EBOOK

The career of Arthur L-F. Askins is celebreated in a panorama of current scholarship on the Iberian peninsula during the Middle Ages and the Renaissance. This volume is dedicated to Professor Arthur L-F. Askins, whose scholarship on Spanish and Portuguese literatures of the Medieval and Renaissance periods is esteemed by colleagues around the world. Many North American and European scholars have contributed with essays of an exceptionally high scholarly quality, in English, Spanish and Portuguese, to this wide-ranging tribute, dealing with Spanish and Portuguese literary culture from the end of the fourteenth to the late sixteenth century. Some tackle problems concerning manuscripts, texts, and books; other essays are literary, theoretical, and interpretive in nature; topics range from medieval and Renaissance epic and love poetry to spiritual, travel and chivalric literature, as well as balladry and pliegos sueltos. CONTRIBUTORS: Gemma Avenoza, Nieves Baranda, Vicenç Beltran, Alberto Blecua, Pedro M. Cátedra, Manuel da Costa Fontes, Alan Deyermond, Aida Fernanda Dias, Dru Dougherty, Thomas F. Earle, Charles B. Faulhaber, María del Mar Fernández Vega, Helder Godinho, Angel Gómez Moreno, Thomas R. Hart, Ana Hatherly, David Hook, Victor Infantes, Paul Lewis-Smith, Beatriz Mariscal Hay, Aires A. Nascimento, Joao David Pinto-Correia, Dorothy Sherman Severin, Harvey L. Sharrer. Martha E. Schaffer is Associate Professor of Spanish at the University of San Francisco; Antonio CortijoOcaña is Professor of Spanish at the University of California.

Spain, Portugal and the Atlantic Frontier of Medieval Europe
Spain, Portugal and the Atlantic Frontier of Medieval Europe

Author: Jose-Juan Lopez-Portillo

Publisher: Routledge

Published: 2016-12-05

Total Pages: 647

ISBN-13: 1351898787

DOWNLOAD EBOOK

As seen from the perspective of 1492, the medieval expansion of Latin Europe was nowhere as dramatic or enduring as in the Iberian Peninsula and the Atlantic. Its Christian kingdoms continued their advance against Al-Andalus up to 1492, whereas territorial expansion elsewhere against the Muslim world had either ceased or subsided by the late 13th century. Castile and Portugal also transformed the Atlantic Ocean from the inaccessible dead-end of Eurasia into the most promising avenue for European expansion for the first time in history. The articles collected in this volume explore the causes and the nature of this expansion, from a variety of historical traditions. They investigate the extent to which the ’transference’ of Mediterranean traditions aided this process; the characteristics of Iberian conflict that eventually led to the success of its Christian kingdoms; and the motives for launching, and techniques for running, the first European ’overseas empires’ in the unfolding Atlantic frontier. In the process they illuminate the new identities and cultural interactions that this expansion produced in its wake, while the new introduction sets them in the broader context.

Art in Spain and Portugal from the Romans to the Early Middle Ages
Art in Spain and Portugal from the Romans to the Early Middle Ages

Author: Rose Walker

Publisher: Medieval Institute Publications

Published: 2016

Total Pages: 0

ISBN-13: 9781580442183

DOWNLOAD EBOOK

In this colourfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.