In this critical rethinking of the categories of politics within a new sociopolitical and historical context, the distinguished political philosopher Giorgio Agamben builds on his previous work to address the status and nature of politics itself. Bringing politics face-to-face with its own failures of consciousness and consequence, Agamben frames his analysis in terms of clear contemporary relevance. He proposes, in his characteristically allusive and intriguing way, a politics of gesture--a politics of means without end.
An essential reevaluation of the proper role of politics in contemporary life. In this critical rethinking of the categories of politics within a new sociopolitical and historical context, the distinguished political philosopher Giorgio Agamben builds on his previous work to address the status and nature of politics itself. Bringing politics face-to-face with its own failures of consciousness and consequence, Agamben frames his analysis in terms of clear contemporary relevance. He proposes, in his characteristically allusive and intriguing way, a politics of gesture--a politics of means without end.Among the topics Agamben takes up are the "properly" political paradigms of experience, as well as those generally not viewed as political. He begins by elaborating work on biopower begun by Foucault, returning the natural life of humans to the center of the polis and considering it as the very basis for politics. He then considers subjects such as the state of exception (the temporary suspension of the juridical order); the concentration camp (a zone of indifference between public and private and, at the same time, the secret matrix of the political space in which we live); the refugee, who, breaking the bond between the human and the citizen, moves from marginal status to the center of the crisis of the modern nation-state; and the sphere of pure means or gestures (those gestures that, remaining nothing more than means, liberate themselves from any relation to ends) as the proper sphere of politics. Attentive to the urgent demands of the political moment, as well as to the bankruptcy of political discourse, Agamben's work brings politics back to life, and life back to politics.Giorgio Agamben teaches philosophy at the Collège International de Philosophie in Paris and at the University of Macerata in Italy. He is the author of Language and Death (1991), Stanzas (1992), and The Coming Community (1993), all published by the University of Minnesota Press.
The reputation of the Marquis de Sade is well-founded. The experience of reading his works is demanding to an extreme. Violence and sexuality appear on almost every page, and these descriptions are interspersed with extended discourses on materialism, atheism, and crime. In this bold and rigorous study William S. Allen sets out the context and implications of Sade's writings in order to explain their lasting challenge to thought. For what is apparent from a close examination of his works is the breadth of his readings in contemporary science and philosophy, and so the question that has to be addressed is why Sade pursued these interests by way of erotica of the most violent kind. Allen shows that Sade's interests lead to a form of writing that seeks to bring about a new mode of experience that is engaged in exploring the limits of sensibility through their material actualization. In common with other Enlightenment thinkers Sade is concerned with the place of reason in the world, a place that becomes utterly transformed by a materialism of endless excess. This concern underlies his interest in crime and sexuality, and thereby puts him in the closest proximity to thinkers like Kant and Diderot, but also at the furthest extreme, in that it indicates how far the nature and status of reason is perverted. It is precisely this materialist critique of reason that is developed and demonstrated in his works, and which their reading makes persistently, excessively, apparent.
How and why did experience and knowledge become separated? Is it possible to talk of an infancy of experience, a “dumb” experience? For Walter Benjamin, the “poverty of experience” was a characteristic of modernity, originating in the catastrophe of the First World War. For Giorgio Agamben, the Italian editor of Benjamin’s complete works, the destruction of experience no longer needs catastrophes: daily life in any modern city will suffice. Agamben’s profound and radical exploration of language, infancy, and everyday life traces concepts of experience through Kant, Hegel, Husserl and Benveniste. In doing so he elaborates a theory of infancy that throws new light on a number of major themes in contemporary thought: the anthropological opposition between nature and culture; the linguistic opposition between speech and language; the birth of the subject and the appearance of the unconscious. Agamben goes on to consider time and history; the Marxist notion of base and superstructure (via a careful reading of the famous Adorno–Benjamin correspondence on Baudelaire’s Paris); and the difference between rituals and games. Beautifully written, erudite and provocative, these essays will be of great interest to students of philosophy, linguistics, anthropology and politics.
Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema. In their resourceful analyses of the work of artists such as David Claerbout, Jean-Luc Godard, Philippe Grandrieux, Michael Haneke, Jean Rouch, and others, the authors put to use a range of key concepts from Agamben's rich body of work, like biopolitics, de-creation, gesture, potentiality and profanation. Sustaining the eminently interdisciplinary scope of Agamben's writing, the essays all bespeak the importance of Agamben's thought for forging new beginnings in film theory and for remedying the elegiac proclamations of the death of cinema so characteristic of the current moment.
Unquestionably an influential thinker in Italy today, Giorgio Agamben has contributed to some of the most vital philosophical debates of our time. "The Coming Community" is an indispensable addition to the body of his work. How can we conceive a human community that lays no claim to identity - being American, being Muslim, being communist? How can a community be formed of singularities that refuse any criteria of belonging? Agamben draws on an eclectic and exciting set of sources to explore the status of human subjectivities outside of general identity. From St Thomas' analysis of halos to a stocking commercial shown in French cinemas, and from the Talmud's warning about entering paradise to the power of the multitude in Tiananmen Square, Agamben tracks down the singular subjectivity that is coming in the contemporary world and shaping the world to come. Agamben develops the concept of community and the social implications of his philosophical thought. "The Coming Community" offers both a philosophical mediation and the beginnings of a new foundation for ethics, one grounded beyond subjectivity, ideology, and the concepts of good and evil. Agamben's exploration is, in part, a contemporary and creative response to the work of Heidegger, Wittgenstein, Blanchot, Jean-Luc Nancy, and, more historically, Plato, Spinoza, and medieval scholars and theorists of Judeo-Christian scriptures. This volume is the first in a new series that encourages transdisciplinary exploration and destabilizes traditional boundaries between disciplines, nations, genders, races, humans, and machines. Giorgio Agamben currently teaches philosophy at the College International de Philosophie in Paris and at the University of Macerata (Italy). He is the author of "Language and Death" (Minnesota, 1991) and "Stanzas" (Minnesota, 1992). This book is intended for those in the fields of cultural theory, literary theory, philosophy.
In Secularization without End: Beckett, Mann, Coetzee, Vincent P. Pecora elaborates an alternative history of the twentieth-century Western novel that explains the resurgence of Christian theological ideas. Standard accounts of secularization in the novel assume the gradual disappearance of religious themes through processes typically described as rationalization: philosophy and science replace faith. Pecora shows, however, that in the modern novels he examines, "secularization" ceases to mean emancipation from the prescientific ignorance or enchantment commonly associated with belief and signifies instead the shameful state of a humanity bereft of grace and undeserving of redemption. His book focuses on the unpredictable and paradoxical rediscovery of theological perspectives in otherwise secular novels after 1945. The narratives he analyzes are all seemingly godless in their overt points of view, from Samuel Beckett’s Murphy to Thomas Mann’s Doktor Faustus to J. M. Coetzee’s The Childhood of Jesus. But, Pecora argues, these novels wind up producing varieties of religious doctrine drawn from Augustinian and Calvinist claims about primordial guilt and the impotence of human will. In the most artfully imaginative ways possible, Beckett, Mann, and Coetzee resist the apparently inevitable plot that so many others have constructed for the history of the novel, by which human existence is reduced to mundane and meaningless routines and nothing more. Instead, their writing invokes a religious past that turns secular modernity, and the novel itself, inside out.
In Mythologies Without End, Jerome Slater takes stock of the conflict over time and argues that US policies in the region are largely a product of mythologies that are often flatly wrong. Because of their widespread acceptance, there have been devastating consequences to the true interests of both countries. He argues that a critical examination and refutation of the many mythologies is a necessary first step toward solving the Arab-Israeliconflict.
Agamben’s thought has been viewed as descending primarily from the work of Heidegger, Benjamin, and, more recently, Foucault. This book complicates and expands that constellation by showing how throughout his career Agamben has consistently and closely engaged (critically, sympathetically, polemically, and often implicitly) the work of Derrida as his chief contemporary interlocutor. The book begins by examining the development of Agamben’s key concepts—infancy, Voice, potentiality—from the 1960s to approximately 1990 and shows how these concepts consistently draw on and respond to specific texts and concepts of Derrida. The second part examines the political turn in Agamben’s and Derrida’s thinking from about 1990 onward, beginning with their investigations of sovereignty and violence and moving through their parallel treatments of juridical power, the relation between humans and animals, and finally messianism and the politics to come.
