Featuring close to 450 full-color photographs, this book showcases over 300 individual wall pockets. Many non-production variations of glaze and cold paint detail appear in the book, as well as photographs of the backs of wall pocket designs for additional reference and identification. Complete information and photographs of 17 wall pockets that were never produced by the company is an added feature, and there are almost 70 original company catalog and pricing pages. All known reproductions and fakes are included. While only a small section is devoted in other books to this area of collecting, McCoy Wall Pockets & Decorations features them all.
This edition of McCoy contains essential identifying details and descriptions for everything from McCoy-made cookie jars and crocks to planters, vases and flower pots. The compact size provides access to facts and photos for inspection during auctions, shows, estate sales, flea markets, without being too cumbersome to tote. Inside the pages of this go-to-guide is an impressive collection of vibrant color photos, updated prices, makers marks, company history, and market trends.
Our popular three-volume set on McCoy pottery has been consolidated into the exciting new McCoy Pottery, The Ultimate Reference and Value Guide. Authors Bob Hanson and Craig Nissen have added new information throughout the book. Production pieces are shown from 1910 through the mid 1980s. Well over 3,000 pieces are shown in almost 900 photographs and 100 original catalog pages and price lists. Also included are current values, sizes, color variations, and insights from a collector s point of view. 2009 values.
What happens when a former Zen Buddhist monk and his feminist wife experience an apparition of the Virgin Mary? “This book could not have come at a more auspicious time, and the message is mystical perfection, not to mention a courageous one. I adore this book.”—Caroline Myss, author of Anatomy of the Spirit Before a vision of a mysterious “Lady” invited Clark Strand and Perdita Finn to pray the rosary, they were not only uninterested in becoming Catholic but finished with institutional religion altogether. Their main spiritual concerns were the fate of the planet and the future of their children and grandchildren in an age of ecological collapse. But this Lady barely even referred to the Church and its proscriptions. Instead, she spoke of the miraculous power of the rosary to transform lives and heal the planet, and revealed the secrets she had hidden within the rosary’s prayers and mysteries—secrets of a past age when forests were the only cathedrals and people wove rose garlands for a Mother whose loving presence was as close as the ground beneath their feet. She told Strand and Finn: The rosary is My body, and My body is the body of the world. Your body is one with that body. What cause could there be for fear? Weaving together their own remarkable story of how they came to the rosary, their discoveries about the eco-feminist wisdom at the heart of this ancient devotion, and the life-changing revelations of the Lady herself, the authors reveal an ancestral path—available to everyone, religious or not—that returns us to the powerful healing rhythms of the natural world.
"Oceanian ceramic cultures making earthenware pottery spread during the past 3500 years through a dozen major island groups spanning 6000 km of the tropical Pacific Ocean from western Micronesia to western Polynesia. Island potters mixed sand as temper into clay bodies during ceramic manufacture. The nature of island sands is governed by the geotectonics of hotspot chains, island arcs, subduction zones, backarc basins, and remnant arcs as well as by sedimentology. Because small islands with bedrock exposures of restricted character are virtual point sources of sand, many tempers are diagnostic of specific islands. Petrographic study of temper sands in thin section allows distinction between indigenous pottery and exotic pottery transported from elsewhere. Study of 2223 prehistoric Oceanian potsherds from 130 islands and island clusters indicates the nature of Oceanian temper types and documents 105 cases of interisland transport of ceramics over distances typically
[This book] "is an attempt...to take a regional look at American art pottery and...to trace the continuity that runs through it from its amateur beginnings in the late 1870s to its almost total industrialization..." -- Curator's introduction.
Brad Herzog, a disillusioned Generation X-er crosses America in a Winnebago to seek out the states of mind of Americans today. He turns a literal search for places on the map into a figurative examination of places of the heart. He reports on the state of towns and villages, presenting the small town as microcosm and the hamlet as allegory.
