Maya Codex Coloring Book The Mayan used many beautiful colors in their scripts and art. Unfortunately, the color has faded away over the centuries. Let's put the color back to this ancient Maya Codex while you relax and enjoy :) This Maya Coloring Book offers the 74 pages of the The Dresden Codex printed single sided. The figures have a charcoal effect to add a bit of texture. The Dresden Codex is the oldest surviving book from the Americas, dating to the thirteenth or fourteenth century. The codex was rediscovered in the city of Dresden and is how the Maya book received its present name. It is located in the museum of the Saxon State Library in Dresden, Germany.
Ancient Mayan Message (Dresden Codex facsimile) This third edition features a full-color reproduction of The Dresden Codex that has been carefully crafted by the author Olga Judith Najarro Ibarra, to re-create the original Mayan manuscript, an archaeological and historical treasure. This facsimile should benefit in the research, study and consultation of this mysterious Mayan hieroglyphic writing. Ms. Judith Najarro has dedicated many years to hand-drawing and coloring the intricate blends of minute details that encompass the complex and fascinating Mayan hieroglyphic writing in order to ensure precision, accuracy of proportions, levels and orientation to her excellent art work that contains 78 plates, except four of them that are completely blurry. This exciting new edition is based on a comparison between several pre-WWII facsimiles of The Dresden Codex, when the codex was in better conditions. The original manuscript is still in fair shape, but several plates have suffered damage from bombings, fires, floods, mildew etc., and now are blurry; also, the plates are no longer connected in quite the same way. Originally, all of the plates were attached to each other forming a single strip of some 3.5 meters long when stretched out from their accordion folds. The original sequence of the plates were: pages 1-24 followed by 46-74, followed by 25-45. According to some historians the original manuscript was found in one of the largest Mayan cities and was supposedly sent to Europe around 1519. In 1744, it was acquired by The Royal Library of Dresden Germany, to which it owes its name. Many researchers agree that The Codex deals with: Astronomy, mathematics, astrological tables of the planets, the moon, conjunctions of solar bodies, cosmogonic theories, religion, agriculture, magic and mythology. The Mayas used tree bark for the preparation of their papyrus on which they drew and painted their colored hieroglyphs and pictures, as the highest expression of their knowledge and pictographic art. The Dresden Codex (Dresdensis Codex) is without a doubt, the most important pre-Hispanic document that has been preserved throughout the centuries. It is the oldest known book written in the Americas; of the hundreds of books that were used in Meso-America before the Spanish conquest, it is one of only 15 that have survived to the present day. This third edition facsimile elaborated by Judith Najarro, is a perfect replica of The Dresden Codex, and should inspire scientists, archaeologists, astronomers, mathematicians, historians, native peoples and the world at-large to explore into the secrets of the past and the universe. Visit: www.mayacodex.wordpress.com
In August 1576, in the midst of an outbreak of the plague, the Spanish Franciscan friar Bernardino de Sahagún and twenty-two indigenous artists locked themselves inside the school of Santa Cruz de Tlaltelolco in Mexico City with a mission: to create nothing less than the first illustrated encyclopedia of the New World. Today this twelve-volume manuscript is preserved in the Biblioteca Medicea Laurenziana in Florence and is widely known as the Florentine Codex. A monumental achievement, the Florentine Codex is the single most important artistic and historical document for studying the peoples and cultures of pre-Hispanic and colonial Central Mexico. It reflects both indigenous and Spanish traditions of writing and painting, including parallel columns of text in Spanish and Nahuatl and more than two thousand watercolor illustrations prepared in European and Aztec pictorial styles. This volume reveals the complex meanings inherent in the selection of the pigments used in the manuscript, offering a fascinating look into a previously hidden symbolic language. Drawing on cuttingedge approaches in art history, anthropology, and the material sciences, the book sheds new light on one of the world’s great manuscripts—and on a pivotal moment in the early modern Americas.
This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, this manuscript includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Petén region of Guatemala and postdates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatán and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico. Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado.
First republication of remarkable repainting of great Mexican codex, dated to ca. AD 1400. 76 large full-color plates show gods, kings, warriors, mythical creatures, and abstract designs. Introduction.
Tzolk'in Maya Calendar Named Days Coloring Book. The Tzolk'in (also commonly written Tzolkin) is the name commonly employed by Mayanist researchers for the Maya Sacred Round or 260-day calendar. It is generally considered by most Mayanists and Mesoamerican researchers to be the regions oldest calendar count. In the Tzolk'in, there are twenty named days in thirteen named periods of time. Similar to our modern calendar system having 7 named days, Sunday through Saturday, in a period of time known as a week; The Tzolk'in calendar combines a cycle of twenty named days with another cycle of thirteen numbers (the trecena), to produce 260 unique days (20 � 13 = 260). Unlike our modern calendar system, however, so important were the named days to the ancient Mesoamericans that each was associated with its own particular deity and given a glyph within their respective language. This coloring book offers the 20 days used in the Tzolk'in along with their associated deity and glyph or "Day Sign" in the Codex style. The Mayan used many beautiful colors in their scripts and art. Unfortunately, the color has faded away over the centuries. Let's put the color back to the Mayan named days!
The breaking of the Maya code has completely changed our knowledge of this ancient civilization, and has revealed the Maya people's long and vivid history. Decipherment of Maya hieroglyphic writing has progressed to the point where most Maya written texts—whether inscribed on monuments, written in the codices, or painted or incised on ceramics—can now be read with confidence. In this practical guide, first published in 2001, Michael D. Coe, the noted Mayanist, and Mark Van Stone, an accomplished calligrapher, have made the difficult, often mysterious script accessible to the nonspecialist. They decipher real Maya texts, and the transcriptions include a picture of the glyph, the pronunciation, the Maya words in Roman type, and the translation into English. For the second edition, the authors have taken the latest research and breakthroughs into account, adding glyphs, updating captions, and reinterpreting or expanding upon earlier decipherments. After an introductory discussion of Maya culture and history and the nature of the Maya script, the authors introduce the glyphs in a series of chapters that elaborate on topics such as the intricate calendar, warfare, royal lives and rituals, politics, dynastic names, ceramics, relationships, and the supernatural world. The book includes illustrations of historic texts, a syllabary, a lexicon, and translation exercises.
This Ancient Maya Codex, also known as the Dresden Codex or Codex Dresdensis, is a pre-Columbian Maya book of the eleventh or twelfth century of the Yucatecan Maya in Chichén Itzá. This Maya codex is believed to be a copy of an original text of some three or four hundred years earlier. It is the oldest book written in the Americas known to historians. Of the hundreds of books that were used in Mesoamerica before the Spanish invasion and systematic extermination of the Maya civilization, it is one of only 15 that have survived to the present day. This codex contains astronomical tables of great accuracy. It is most famous for its Lunar Series and Venus table. The lunar series has intervals correlating with eclipses. The Venus Table correlates with the apparent movements of the planet. The codex also contains almanacs, astronomical and astrological tables, and ritual schedules. The specific numen references have to do with a 260-day ritual cycle divided up in several ways. The Dresden Codex also includes instructions concerning new-year ceremonies as well as descriptions of the Rain God's locations. Such codices were primary written records of Maya civilization, together with the many inscriptions on stone monuments and stelae that survived. With their destruction, the opportunity for insight into some key areas of Maya life has been greatly diminished. This full color photographic reproduction in your hands is Mayan ancient knowledge that has transcended time and survived extermination.
